hop schwyz push

main
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"<a class=\"internal-link\" href=\"03.01 Reading list/Babysitter.md\"> Babysitter </a>",
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"<a class=\"internal-link\" href=\"02.02 Paris/Baillotte.md\"> Baillotte </a>",
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@ -12101,8 +12177,7 @@
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"<a class=\"internal-link\" href=\"00.01 Admin/Calendars/2023-12-10.md\"> 2023-12-10 </a>",
"<a class=\"internal-link\" href=\"00.02 Inbox/Atzmännig Goldingen.md\"> Atzmännig Goldingen </a>",
"<a class=\"internal-link\" href=\"00.01 Admin/Calendars/2023-12-10.md\"> 2023-12-10 </a>",
"<a class=\"internal-link\" href=\"00.01 Admin/Calendars/Events/2023-12-09 ⚽️ PSG - FC Nantes.md\"> 2023-12-09 ⚽️ PSG - FC Nantes </a>",
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"<a class=\"internal-link\" href=\"00.01 Admin/Calendars/2023-12-05.md\"> 2023-12-05 </a>",
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"<a class=\"internal-link\" href=\"00.03 News/C.T.E. Study Finds That Young Football Players Are Getting the Disease.md\"> C.T.E. Study Finds That Young Football Players Are Getting the Disease </a>",
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"<a class=\"internal-link\" href=\"00.03 News/My Father, My Faith, and Donald Trump.md\"> My Father, My Faith, and Donald Trump </a>",
"<a class=\"internal-link\" href=\"00.03 News/Piecing Together My Fathers Murder.md\"> Piecing Together My Fathers Murder </a>",
"<a class=\"internal-link\" href=\"00.01 Admin/Calendars/2023-12-04.md\"> 2023-12-04 </a>",
"<a class=\"internal-link\" href=\"00.01 Admin/Calendars/2023-12-04.md\"> 2023-12-04 </a>",
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"<a class=\"internal-link\" href=\"00.01 Admin/Calendars/2023-12-03.md\"> 2023-12-03 </a>",
"<a class=\"internal-link\" href=\"00.01 Admin/Calendars/2023-12-02.md\"> 2023-12-02 </a>",
"<a class=\"internal-link\" href=\"00.01 Admin/Calendars/2023-12-02.md\"> 2023-12-02 </a>",
"<a class=\"internal-link\" href=\"00.01 Admin/Calendars/2023-12-02.md\"> 2023-12-02 </a>",
"<a class=\"internal-link\" href=\"00.01 Admin/Calendars/2023-12-02.md\"> 2023-12-02 </a>",
"<a class=\"internal-link\" href=\"00.01 Admin/Calendars/2023-12-01.md\"> 2023-12-01 </a>",
"<a class=\"internal-link\" href=\"00.01 Admin/Calendars/2023-12-01.md\"> 2023-12-01 </a>",
"<a class=\"internal-link\" href=\"00.01 Admin/Calendars/2023-12-01.md\"> 2023-12-01 </a>",
"<a class=\"internal-link\" href=\"00.01 Admin/Calendars/2023-11-30.md\"> 2023-11-30 </a>",
"<a class=\"internal-link\" href=\"00.01 Admin/Calendars/2023-11-29.md\"> 2023-11-29 </a>",
"<a class=\"internal-link\" href=\"00.01 Admin/Calendars/2023-11-29.md\"> 2023-11-29 </a>",
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@ -12260,8 +12336,7 @@
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File diff suppressed because one or more lines are too long

@ -1,7 +1,7 @@
{ {
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@ -2,11 +2,6 @@
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@ -25,7 +20,12 @@
{ {
"title": ":camera: [[Storage and Syncing|Storage & Sync]]: Transfer pictures to ED %%done_del%%", "title": ":camera: [[Storage and Syncing|Storage & Sync]]: Transfer pictures to ED %%done_del%%",
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"title": ":cloud: [[Storage and Syncing|Storage & Sync]]: Backup Volumes to [[Sync|Sync.com]] %%done_del%%",
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@ -339,16 +339,6 @@
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{ {
"title": "♻ [[Household]]: *Paper* recycling collection %%done_del%%", "title": "♻ [[Household]]: *Paper* recycling collection %%done_del%%",
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@ -357,22 +347,32 @@
{ {
"title": ":bed: [[Household]] Change bedsheets %%done_del%%", "title": ":bed: [[Household]] Change bedsheets %%done_del%%",
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"title": "🛎 🧻 REMINDER [[Household]]: check need for toilet paper %%done_del%%",
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"title": "♻ [[Household]]: *Cardboard* recycling collection %%done_del%%",
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{ {
"title": ":blue_car: [[Household]]: Change to Summer tyres %%done_del%%", "title": ":blue_car: [[Household]]: Change to Summer tyres %%done_del%%",
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{ {
"title": ":blue_car: [[Household]]: Change to Winter tyres %%done_del%%", "title": ":blue_car: [[Household]]: Change to Winter tyres %%done_del%%",
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@ -390,20 +390,20 @@
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@ -441,27 +441,27 @@
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} }
], ],
"05.02 Networks/Configuring UFW.md": [ "05.02 Networks/Configuring UFW.md": [
{ {
"title": "🖥 [[Selfhosting]], [[Configuring UFW|Firewall]] Get IP addresses caught by Postfix %%done_del%%", "title": "🖥 [[Selfhosting]], [[Configuring UFW|Firewall]] Get IP addresses caught by Postfix %%done_del%%",
"time": "2023-12-16", "time": "2023-12-23",
"rowNumber": 239 "rowNumber": 239
}, },
{ {
"title": "🖥 [[Selfhosting]], [[Configuring UFW|Firewall]]: Update the Blocked IP list %%done_del%%", "title": "🖥 [[Selfhosting]], [[Configuring UFW|Firewall]]: Update the Blocked IP list %%done_del%%",
"time": "2023-12-16", "time": "2023-12-23",
"rowNumber": 287 "rowNumber": 288
} }
], ],
"01.03 Family/Amélie Solanet.md": [ "01.03 Family/Amélie Solanet.md": [
@ -523,7 +523,7 @@
"00.08 Bookmarks/Bookmarks - Work.md": [ "00.08 Bookmarks/Bookmarks - Work.md": [
{ {
"title": ":label: [[Bookmarks - Work]]: review bookmarks %%done_del%%", "title": ":label: [[Bookmarks - Work]]: review bookmarks %%done_del%%",
"time": "2023-12-16", "time": "2024-03-16",
"rowNumber": 71 "rowNumber": 71
} }
], ],
@ -544,7 +544,7 @@
"02.02 Paris/@@Paris.md": [ "02.02 Paris/@@Paris.md": [
{ {
"title": ":birthday: **Virginie Parent**, [[@@Paris|Paris]] %%done_del%%", "title": ":birthday: **Virginie Parent**, [[@@Paris|Paris]] %%done_del%%",
"time": "2023-12-12", "time": "2024-12-12",
"rowNumber": 116 "rowNumber": 116
} }
], ],
@ -775,7 +775,7 @@
"00.01 Admin/Calendars/2023-10-30.md": [ "00.01 Admin/Calendars/2023-10-30.md": [
{ {
"title": "14:46 :man_in_tuxedo: [[Polo Park Zürich|PPZ]]: recontacte Katja pour un verre", "title": "14:46 :man_in_tuxedo: [[Polo Park Zürich|PPZ]]: recontacte Katja pour un verre",
"time": "2023-12-14", "time": "2024-01-14",
"rowNumber": 103 "rowNumber": 103
} }
], ],
@ -801,11 +801,6 @@
} }
], ],
"00.01 Admin/Calendars/2023-12-02.md": [ "00.01 Admin/Calendars/2023-12-02.md": [
{
"title": "18:27 :racehorse: [[@Sally|Sally]]: Organise trip on 22nd December",
"time": "2023-12-15",
"rowNumber": 105
},
{ {
"title": "15:02 :bowl_with_spoon: [[Household]]: Acheter des bols (Depot ou en face sur Rennweg)", "title": "15:02 :bowl_with_spoon: [[Household]]: Acheter des bols (Depot ou en face sur Rennweg)",
"time": "2023-12-30", "time": "2023-12-30",
@ -813,11 +808,6 @@
} }
], ],
"00.01 Admin/Calendars/2023-12-09.md": [ "00.01 Admin/Calendars/2023-12-09.md": [
{
"title": "15:18 :train2: [[@Life Admin|Admin]]: Buy train tickets for Paris",
"time": "2023-12-15",
"rowNumber": 105
},
{ {
"title": "13:58 :family: [[Amaury de Villeneuve]]: Buy a set of knives for Xmas", "title": "13:58 :family: [[Amaury de Villeneuve]]: Buy a set of knives for Xmas",
"time": "2023-12-21", "time": "2023-12-21",

File diff suppressed because one or more lines are too long

@ -1,9 +1,10 @@
{ {
"id": "obsidian-tasks-plugin", "id": "obsidian-tasks-plugin",
"name": "Tasks", "name": "Tasks",
"version": "5.2.0", "version": "5.3.0",
"minAppVersion": "1.1.1", "minAppVersion": "1.1.1",
"description": "Task management for Obsidian", "description": "Task management for Obsidian",
"helpUrl": "https://publish.obsidian.md/tasks/",
"author": "Martin Schenck and Clare Macrae", "author": "Martin Schenck and Clare Macrae",
"authorUrl": "https://github.com/obsidian-tasks-group", "authorUrl": "https://github.com/obsidian-tasks-group",
"fundingUrl": "https://github.com/sponsors/claremacrae", "fundingUrl": "https://github.com/sponsors/claremacrae",

@ -3,6 +3,11 @@
} }
/* Fix indentation of wrapped task lines in Tasks search results, when in Live Preview. */
ul.contains-task-list .task-list-item-checkbox {
margin-inline-start: calc(var(--checkbox-size) * -1.5) !important;
}
.plugin-tasks-query-explanation{ .plugin-tasks-query-explanation{
/* Prevent long explanation lines wrapping, so they are more readable, /* Prevent long explanation lines wrapping, so they are more readable,
especially on small screens. especially on small screens.
@ -72,6 +77,16 @@
text-decoration: none; text-decoration: none;
} }
/* Postpone icon. */
.tasks-postpone {
background-color: transparent;
padding: 0;
font-size: var(--font-text-size);
background-color: transparent;
display: contents;
cursor: pointer;
}
.tasks-list-text { .tasks-list-text {
position: relative; position: relative;
} }

@ -671,8 +671,12 @@ var grabReleaseFileFromRepository = async (repository, version, fileName, debugL
}; };
var grabManifestJsonFromRepository = async (repositoryPath, rootManifest = true, debugLogging = true) => { var grabManifestJsonFromRepository = async (repositoryPath, rootManifest = true, debugLogging = true) => {
const manifestJsonPath = GITHUB_RAW_USERCONTENT_PATH + repositoryPath + (rootManifest ? "/HEAD/manifest.json" : "/HEAD/manifest-beta.json"); const manifestJsonPath = GITHUB_RAW_USERCONTENT_PATH + repositoryPath + (rootManifest ? "/HEAD/manifest.json" : "/HEAD/manifest-beta.json");
if (debugLogging)
console.log("grabManifestJsonFromRepository manifestJsonPath", manifestJsonPath);
try { try {
const response = await (0, import_obsidian.request)({ url: manifestJsonPath }); const response = await (0, import_obsidian.request)({ url: manifestJsonPath });
if (debugLogging)
console.log("grabManifestJsonFromRepository response", response);
return response === "404: Not Found" ? null : await JSON.parse(response); return response === "404: Not Found" ? null : await JSON.parse(response);
} catch (error) { } catch (error) {
if (error !== "Error: Request failed, status 404" && debugLogging) { if (error !== "Error: Request failed, status 404" && debugLogging) {
@ -1004,11 +1008,7 @@ var AddNewTheme = class extends import_obsidian4.Modal {
return; return;
const scrubbedAddress = this.address.replace("https://github.com/", ""); const scrubbedAddress = this.address.replace("https://github.com/", "");
if (existBetaThemeinInList(this.plugin, scrubbedAddress)) { if (existBetaThemeinInList(this.plugin, scrubbedAddress)) {
toastMessage( toastMessage(this.plugin, `This theme is already in the list for beta testing`, 10);
this.plugin,
`This plugin is already in the list for beta testing`,
10
);
return; return;
} }
if (await themeSave(this.plugin, scrubbedAddress, true)) { if (await themeSave(this.plugin, scrubbedAddress, true)) {
@ -1023,6 +1023,7 @@ var AddNewTheme = class extends import_obsidian4.Modal {
textEl.setPlaceholder( textEl.setPlaceholder(
"Repository (example: https://github.com/GitubUserName/repository-name" "Repository (example: https://github.com/GitubUserName/repository-name"
); );
textEl.setValue(this.address);
textEl.onChange((value) => { textEl.onChange((value) => {
this.address = value.trim(); this.address = value.trim();
}); });
@ -1302,6 +1303,7 @@ var AddNewPluginModal = class extends import_obsidian6.Modal {
textEl.setPlaceholder( textEl.setPlaceholder(
"Repository (example: https://github.com/GitubUserName/repository-name)" "Repository (example: https://github.com/GitubUserName/repository-name)"
); );
textEl.setValue(this.address);
textEl.onChange((value) => { textEl.onChange((value) => {
this.address = value.trim(); this.address = value.trim();
}); });
@ -1505,6 +1507,7 @@ The version attribute for the release is missing from the manifest file`,
* @returns true if succeeds * @returns true if succeeds
*/ */
async addPlugin(repositoryPath, updatePluginFiles = false, seeIfUpdatedOnly = false, reportIfNotUpdted = false, specifyVersion = "", forceReinstall = false) { async addPlugin(repositoryPath, updatePluginFiles = false, seeIfUpdatedOnly = false, reportIfNotUpdted = false, specifyVersion = "", forceReinstall = false) {
if (this.plugin.settings.debuggingMode)
console.log( console.log(
"BRAT: addPlugin", "BRAT: addPlugin",
repositoryPath, repositoryPath,
@ -1555,7 +1558,9 @@ You will need to update your Obsidian to use this plugin or contact the plugin d
); );
if (usingBetaManifest || rFiles.manifest === "") if (usingBetaManifest || rFiles.manifest === "")
rFiles.manifest = JSON.stringify(primaryManifest); rFiles.manifest = JSON.stringify(primaryManifest);
if (usingBetaManifest || rFiles.mainJs === null) { if (this.plugin.settings.debuggingMode)
console.log("BRAT: rFiles.manifest", usingBetaManifest, rFiles);
if (rFiles.mainJs === null) {
const msg = `${repositoryPath} const msg = `${repositoryPath}
The release is not complete and cannot be download. main.js is missing from the Release`; The release is not complete and cannot be download. main.js is missing from the Release`;
await this.plugin.log(msg, true); await this.plugin.log(msg, true);
@ -2228,19 +2233,34 @@ var BratAPI = class {
var ThePlugin = class extends import_obsidian11.Plugin { var ThePlugin = class extends import_obsidian11.Plugin {
constructor() { constructor() {
super(...arguments); super(...arguments);
this.APP_NAME = "Obsidian42 - Beta Reviewer's Auto-update Tool (BRAT)"; this.APP_NAME = "BRAT";
this.APP_ID = "obsidian42-brat"; this.APP_ID = "obsidian42-brat";
this.settings = DEFAULT_SETTINGS; this.settings = DEFAULT_SETTINGS;
this.betaPlugins = new BetaPlugins(this); this.betaPlugins = new BetaPlugins(this);
this.commands = new PluginCommands(this); this.commands = new PluginCommands(this);
this.bratApi = new BratAPI(this); this.bratApi = new BratAPI(this);
this.obsidianProtocolHandler = (params) => {
if (!params.plugin && !params.theme) {
toastMessage(this, `Could not locate the repository from the URL.`, 10);
return;
}
for (const which of ["plugin", "theme"]) {
if (params[which]) {
const modal = which === "plugin" ? new AddNewPluginModal(this, this.betaPlugins) : new AddNewTheme(this);
modal.address = params[which];
modal.open();
return;
}
}
};
} }
async onload() { async onload() {
console.log("loading Obsidian42 - BRAT"); console.log("loading " + this.APP_NAME);
await this.loadSettings(); await this.loadSettings();
this.addSettingTab(new BratSettingsTab(this.app, this)); this.addSettingTab(new BratSettingsTab(this.app, this));
addIcons(); addIcons();
this.showRibbonButton(); this.showRibbonButton();
this.registerObsidianProtocolHandler("brat", this.obsidianProtocolHandler);
this.app.workspace.onLayoutReady(() => { this.app.workspace.onLayoutReady(() => {
if (this.settings.updateAtStartup) { if (this.settings.updateAtStartup) {
setTimeout(() => { setTimeout(() => {

@ -1,7 +1,7 @@
{ {
"id": "obsidian42-brat", "id": "obsidian42-brat",
"name": "BRAT", "name": "BRAT",
"version": "0.8.0", "version": "0.8.1",
"minAppVersion": "1.4.16", "minAppVersion": "1.4.16",
"description": "Easily install a beta version of a plugin for testing.", "description": "Easily install a beta version of a plugin for testing.",
"author": "TfTHacker", "author": "TfTHacker",

@ -69,7 +69,7 @@
"state": { "state": {
"type": "markdown", "type": "markdown",
"state": { "state": {
"file": "00.01 Admin/Calendars/2023-12-09.md", "file": "00.01 Admin/Calendars/2023-12-16.md",
"mode": "preview", "mode": "preview",
"source": true "source": true
} }
@ -158,7 +158,7 @@
"state": { "state": {
"type": "backlink", "type": "backlink",
"state": { "state": {
"file": "00.01 Admin/Calendars/2023-12-09.md", "file": "00.01 Admin/Calendars/2023-12-16.md",
"collapseAll": false, "collapseAll": false,
"extraContext": false, "extraContext": false,
"sortOrder": "alphabetical", "sortOrder": "alphabetical",
@ -175,7 +175,7 @@
"state": { "state": {
"type": "outgoing-link", "type": "outgoing-link",
"state": { "state": {
"file": "00.01 Admin/Calendars/2023-12-09.md", "file": "00.01 Admin/Calendars/2023-12-16.md",
"linksCollapsed": false, "linksCollapsed": false,
"unlinkedCollapsed": false "unlinkedCollapsed": false
} }
@ -240,39 +240,39 @@
"meld-encrypt:New encrypted note": false, "meld-encrypt:New encrypted note": false,
"meld-encrypt:Convert to or from an Encrypted note": false, "meld-encrypt:Convert to or from an Encrypted note": false,
"obsidian-read-it-later:ReadItLater: Save clipboard": false, "obsidian-read-it-later:ReadItLater: Save clipboard": false,
"obsidian-memos:Memos": false,
"templater-obsidian:Templater": false, "templater-obsidian:Templater": false,
"obsidian42-brat:BRAT": false "obsidian42-brat:BRAT": false,
"obsidian-memos:Memos": false
} }
}, },
"active": "2d9db1814950ef3b", "active": "2d9db1814950ef3b",
"lastOpenFiles": [ "lastOpenFiles": [
"03.04 Cinematheque/The Magnificent Seven (1960).md", "02.03 Zürich/Ski Rental Zürich.md",
"00.01 Admin/Calendars/2023-12-09.md", "04.03 Creative snippets/Working note - Project 1.md",
"03.04 Cinematheque/@Cinematheque.md", "03.03 Food & Wine/Chicken Schnitzel.md",
"03.04 Cinematheque/Tschugger (2021).md", "00.01 Admin/Calendars/2023-12-16.md",
"00.01 Admin/Calendars/2023-12-08.md", "00.01 Admin/Calendars/2023-12-15.md",
"03.03 Food & Wine/Chilli con Carne.md",
"01.02 Home/@Main Dashboard.md", "01.02 Home/@Main Dashboard.md",
"03.04 Cinematheque/Barbie (2023).md", "01.02 Home/Life mementos.md",
"00.03 News/Inside Foxconns struggle to make iPhones in India.md",
"00.03 News/The Plight of the Oldest Sister.md",
"00.08 Bookmarks/Bookmarks - Work.md",
"00.01 Admin/Calendars/2023-12-14.md",
"01.02 Home/@Shopping list.md", "01.02 Home/@Shopping list.md",
"00.01 Admin/Calendars/2023-12-07.md", "01.02 Home/Vinyls.md",
"03.04 Cinematheque/Serpico (1973).md", "00.01 Admin/Calendars/2023-12-13.md",
"00.08 Bookmarks/Bookmarks - Mac applications.md", "00.01 Admin/Calendars/Events/2023-12-13 ⚽️ Borussia - PSG (1-1).md",
"00.01 Admin/Calendars/2023-12-06.md", "03.03 Food & Wine/Spicy Szechuan Noodles with Garlic Chilli Oil.md",
"00.03 News/Bill Wattersons Life After “Calvin and Hobbes”.md", "03.03 Food & Wine/!!Wine.md",
"00.03 News/What Really Happened to JFK.md", "00.01 Admin/Calendars/2023-12-12.md",
"02.02 Paris/Recommendation list (Paris).md", "03.03 Food & Wine/Big Shells With Spicy Lamb Sausage and Pistachios.md",
"02.02 Paris/@Commerces Paris.md", "00.03 News/Deep in the Wilderness, the Worlds Largest Beaver Dam Endures.md",
"02.02 Paris/@Bars Paris.md", "00.03 News/@News.md",
"02.02 Paris/Sürpriz.md", "00.01 Admin/Calendars/2023-12-11.md",
"05.02 Networks/Server Tools.md", "03.03 Food & Wine/Udon in Buttery Tomato n Soy broth.md",
"00.03 News/How Does the Worlds Largest Hedge Fund Really Make Its Money.md", "01.02 Home/Life - Practical infos.md",
"00.03 News/A Coder Considers the Waning Days of the Craft.md", "00.01 Admin/Calendars/2023-12-10.md",
"00.03 News/Chasing Chop Suey Tracing Chinese Immigration Through Food.md", "00.03 News/The call of Tokitae.md",
"03.02 Travels/Wo Hop.md",
"03.02 Travels/Potluck Club.md",
"03.02 Travels/Bonnie's.md",
"00.01 Admin/Pictures/Kolkowitzia/IMG_3910.jpg", "00.01 Admin/Pictures/Kolkowitzia/IMG_3910.jpg",
"00.01 Admin/Pictures/Kolkowitzia/IMG_3911.jpg", "00.01 Admin/Pictures/Kolkowitzia/IMG_3911.jpg",
"00.01 Admin/Pictures/Kolkowitzia", "00.01 Admin/Pictures/Kolkowitzia",

@ -101,7 +101,7 @@ hide task count
This section does serve for quick memos. This section does serve for quick memos.
&emsp; &emsp;
- [ ] 14:46 :man_in_tuxedo: [[Polo Park Zürich|PPZ]]: recontacte Katja pour un verre 📅2023-12-14 - [ ] 14:46 :man_in_tuxedo: [[Polo Park Zürich|PPZ]]: recontacte Katja pour un verre 📅 2024-01-14
%% --- %% %% --- %%
&emsp; &emsp;

@ -103,7 +103,7 @@ This section does serve for quick memos.
&emsp; &emsp;
- [ ] 15:02 :bowl_with_spoon: [[Household]]: Acheter des bols (Depot ou en face sur Rennweg) 📅2023-12-30 ^4uxhak - [ ] 15:02 :bowl_with_spoon: [[Household]]: Acheter des bols (Depot ou en face sur Rennweg) 📅2023-12-30 ^4uxhak
- [ ] 18:27 :racehorse: [[@Sally|Sally]]: Organise trip on 22nd December 📅2023-12-15 - [x] 18:27 :racehorse: [[@Sally|Sally]]: Organise trip on 22nd December 📅 2023-12-15 ✅ 2023-12-15
%% --- %% %% --- %%
&emsp; &emsp;

@ -16,9 +16,9 @@ Stress: 25
FrontHeadBar: 5 FrontHeadBar: 5
EarHeadBar: 30 EarHeadBar: 30
BackHeadBar: 20 BackHeadBar: 20
Water: 1 Water: 3
Coffee: 4 Coffee: 4
Steps: Steps: 11009
Weight: Weight:
Ski: Ski:
IceSkating: IceSkating:
@ -103,7 +103,7 @@ This section does serve for quick memos.
&emsp; &emsp;
- [ ] 13:58 :family: [[Amaury de Villeneuve]]: Buy a set of knives for Xmas 📅2023-12-21 - [ ] 13:58 :family: [[Amaury de Villeneuve]]: Buy a set of knives for Xmas 📅2023-12-21
- [ ] 15:16 :handshake: [[@Lifestyle|Social]]: Buy a Xmas gift for Pam 📅2023-12-27 - [ ] 15:16 :handshake: [[@Lifestyle|Social]]: Buy a Xmas gift for Pam 📅2023-12-27
- [ ] 15:18 :train2: [[@Life Admin|Admin]]: Buy train tickets for Paris 📅2023-12-15 - [x] 15:18 :train2: [[@Life Admin|Admin]]: Buy train tickets for Paris 📅 2023-12-15 ✅ 2023-12-12
%% --- %% %% --- %%
@ -121,6 +121,8 @@ This section does serve for quick memos.
🍴: [[Chilli con Carne]] 🍴: [[Chilli con Carne]]
📺: [[2023-12-09 ⚽️ PSG - FC Nantes]]
&emsp; &emsp;
--- ---

@ -0,0 +1,136 @@
---
title: "🗒 Daily Note"
allDay: true
date: 2023-12-10
Date: 2023-12-10
DocType: Note
Hierarchy:
TimeStamp:
location:
CollapseMetaTable: true
Sleep: 8
Happiness: 85
Gratefulness: 90
Stress: 25
FrontHeadBar: 5
EarHeadBar: 30
BackHeadBar: 20
Water: 2.5
Coffee: 2
Steps: 1873
Weight:
Ski: 6
IceSkating:
Riding:
Racket:
Football:
Swim:
---
%% Parent:: [[@Life Admin]] %%
---
[[2023-12-09|<< 🗓 Previous ]] &emsp; &emsp; &emsp; [[@Main Dashboard|Back]] &emsp; &emsp; &emsp; [[2023-12-11|🗓 Next >>]]
---
&emsp;
```button
name Record today's health
type command
action MetaEdit: Run MetaEdit
id EditMetaData
```
^button-2023-12-10Edit
```button
name Save
type command
action Save current file
id Save
```
^button-2023-12-10NSave
&emsp;
# 2023-12-10
&emsp;
> [!summary]+
> Daily note for 2023-12-10
&emsp;
```toc
style: number
```
&emsp;
---
&emsp;
### ✅ Tasks of the day
&emsp;
```tasks
not done
due on 2023-12-10
path does not include Templates
hide backlinks
hide task count
```
&emsp;
---
&emsp;
### 📝 Memos
&emsp;
This section does serve for quick memos.
&emsp;
- [x] 13:47 :telephone_receiver: [[@Life Admin|Admin]]: Call Mondial Relay 📅 2023-12-16 ✅ 2023-12-14
- [x] 13:48 :car: [[@Life Admin|Admin]]: Call the garage for the crack in front window 📅 2023-12-15 ✅ 2023-12-15
%% --- %%
&emsp;
---
&emsp;
### 🗒 Notes
&emsp;
🎿: [[Atzmännig Goldingen]]
&emsp;
---
&emsp;
### :link: Linked activity
&emsp;
```dataview
Table from [[2023-12-10]]
```
&emsp;
&emsp;

@ -0,0 +1,136 @@
---
title: "🗒 Daily Note"
allDay: true
date: 2023-12-11
Date: 2023-12-11
DocType: Note
Hierarchy:
TimeStamp:
location:
CollapseMetaTable: true
Sleep: 7.5
Happiness: 85
Gratefulness: 90
Stress: 25
FrontHeadBar: 5
EarHeadBar: 30
BackHeadBar: 20
Water: 4
Coffee: 5
Steps: 19290
Weight:
Ski:
IceSkating:
Riding:
Racket:
Football:
Swim:
---
%% Parent:: [[@Life Admin]] %%
---
[[2023-12-10|<< 🗓 Previous ]] &emsp; &emsp; &emsp; [[@Main Dashboard|Back]] &emsp; &emsp; &emsp; [[2023-12-12|🗓 Next >>]]
---
&emsp;
```button
name Record today's health
type command
action MetaEdit: Run MetaEdit
id EditMetaData
```
^button-2023-12-11Edit
```button
name Save
type command
action Save current file
id Save
```
^button-2023-12-11NSave
&emsp;
# 2023-12-11
&emsp;
> [!summary]+
> Daily note for 2023-12-11
&emsp;
```toc
style: number
```
&emsp;
---
&emsp;
### ✅ Tasks of the day
&emsp;
```tasks
not done
due on 2023-12-11
path does not include Templates
hide backlinks
hide task count
```
&emsp;
---
&emsp;
### 📝 Memos
&emsp;
This section does serve for quick memos.
&emsp;
- [x] 07:46 :necktie: [[@Life Admin|Admin]]: Contacter chasseurs 📅 2023-12-15 ✅ 2023-12-15
- [x] 11:06 :racehorse: [[@Lifestyle|Lifestyle]]: Book weekend for snow polo 📅 2023-12-17 ✅ 2023-12-12
%% --- %%
&emsp;
---
&emsp;
### 🗒 Notes
&emsp;
🍽: [[Udon in Buttery Tomato n Soy broth]]
&emsp;
---
&emsp;
### :link: Linked activity
&emsp;
```dataview
Table from [[2023-12-11]]
```
&emsp;
&emsp;

@ -0,0 +1,134 @@
---
title: "🗒 Daily Note"
allDay: true
date: 2023-12-12
Date: 2023-12-12
DocType: Note
Hierarchy:
TimeStamp:
location:
CollapseMetaTable: true
Sleep: 7
Happiness: 85
Gratefulness: 90
Stress: 25
FrontHeadBar: 5
EarHeadBar: 30
BackHeadBar: 20
Water: 2.5
Coffee: 5
Steps: 12173
Weight: 90.4
Ski:
IceSkating:
Riding:
Racket:
Football:
Swim:
---
%% Parent:: [[@Life Admin]] %%
---
[[2023-12-11|<< 🗓 Previous ]] &emsp; &emsp; &emsp; [[@Main Dashboard|Back]] &emsp; &emsp; &emsp; [[2023-12-13|🗓 Next >>]]
---
&emsp;
```button
name Record today's health
type command
action MetaEdit: Run MetaEdit
id EditMetaData
```
^button-2023-12-12Edit
```button
name Save
type command
action Save current file
id Save
```
^button-2023-12-12NSave
&emsp;
# 2023-12-12
&emsp;
> [!summary]+
> Daily note for 2023-12-12
&emsp;
```toc
style: number
```
&emsp;
---
&emsp;
### ✅ Tasks of the day
&emsp;
```tasks
not done
due on 2023-12-12
path does not include Templates
hide backlinks
hide task count
```
&emsp;
---
&emsp;
### 📝 Memos
&emsp;
This section does serve for quick memos.
&emsp;
%% --- %%
&emsp;
---
&emsp;
### 🗒 Notes
&emsp;
🍽: [[Big Shells With Spicy Lamb Sausage and Pistachios]]
&emsp;
---
&emsp;
### :link: Linked activity
&emsp;
```dataview
Table from [[2023-12-12]]
```
&emsp;
&emsp;

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---
title: "🗒 Daily Note"
allDay: true
date: 2023-12-13
Date: 2023-12-13
DocType: Note
Hierarchy:
TimeStamp:
location:
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Sleep: 8
Happiness: 85
Gratefulness: 90
Stress: 25
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BackHeadBar: 5
Water: 2.5
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Steps: 18306
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---
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---
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```button
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type command
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```
^button-2023-12-13NSave
&emsp;
# 2023-12-13
&emsp;
> [!summary]+
> Daily note for 2023-12-13
&emsp;
```toc
style: number
```
&emsp;
---
&emsp;
### ✅ Tasks of the day
&emsp;
```tasks
not done
due on 2023-12-13
path does not include Templates
hide backlinks
hide task count
```
&emsp;
---
&emsp;
### 📝 Memos
&emsp;
This section does serve for quick memos.
&emsp;
%% --- %%
&emsp;
---
&emsp;
### 🗒 Notes
&emsp;
🍽: [[Spicy Szechuan Noodles with Garlic Chilli Oil]]
📺: [[2023-12-13 ⚽️ Borussia - PSG (1-1)]]
&emsp;
---
&emsp;
### :link: Linked activity
&emsp;
```dataview
Table from [[2023-12-13]]
```
&emsp;
&emsp;

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---
title: "🗒 Daily Note"
allDay: true
date: 2023-12-14
Date: 2023-12-14
DocType: Note
Hierarchy:
TimeStamp:
location:
CollapseMetaTable: true
Sleep: 7.5
Happiness: 85
Gratefulness: 90
Stress: 25
FrontHeadBar: 5
EarHeadBar: 30
BackHeadBar: 20
Water: 3
Coffee: 4
Steps: 14296
Weight:
Ski:
IceSkating:
Riding:
Racket:
Football:
Swim:
---
%% Parent:: [[@Life Admin]] %%
---
[[2023-12-13|<< 🗓 Previous ]] &emsp; &emsp; &emsp; [[@Main Dashboard|Back]] &emsp; &emsp; &emsp; [[2023-12-15|🗓 Next >>]]
---
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name Record today's health
type command
action MetaEdit: Run MetaEdit
id EditMetaData
```
^button-2023-12-14Edit
```button
name Save
type command
action Save current file
id Save
```
^button-2023-12-14NSave
&emsp;
# 2023-12-14
&emsp;
> [!summary]+
> Daily note for 2023-12-14
&emsp;
```toc
style: number
```
&emsp;
---
&emsp;
### ✅ Tasks of the day
&emsp;
```tasks
not done
due on 2023-12-14
path does not include Templates
hide backlinks
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```
&emsp;
---
&emsp;
### 📝 Memos
&emsp;
This section does serve for quick memos.
&emsp;
%% --- %%
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---
&emsp;
### 🗒 Notes
&emsp;
Loret ipsum
&emsp;
---
&emsp;
### :link: Linked activity
&emsp;
```dataview
Table from [[2023-12-14]]
```
&emsp;
&emsp;

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---
title: "🗒 Daily Note"
allDay: true
date: 2023-12-15
Date: 2023-12-15
DocType: Note
Hierarchy:
TimeStamp:
location:
CollapseMetaTable: true
Sleep: 7.5
Happiness: 85
Gratefulness: 90
Stress: 25
FrontHeadBar: 5
EarHeadBar: 30
BackHeadBar: 20
Water: 4
Coffee: 6
Steps: 17865
Weight:
Ski:
IceSkating:
Riding:
Racket:
Football:
Swim:
---
%% Parent:: [[@Life Admin]] %%
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[[2023-12-14|<< 🗓 Previous ]] &emsp; &emsp; &emsp; [[@Main Dashboard|Back]] &emsp; &emsp; &emsp; [[2023-12-16|🗓 Next >>]]
---
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name Record today's health
type command
action MetaEdit: Run MetaEdit
id EditMetaData
```
^button-2023-12-15Edit
```button
name Save
type command
action Save current file
id Save
```
^button-2023-12-15NSave
&emsp;
# 2023-12-15
&emsp;
> [!summary]+
> Daily note for 2023-12-15
&emsp;
```toc
style: number
```
&emsp;
---
&emsp;
### ✅ Tasks of the day
&emsp;
```tasks
not done
due on 2023-12-15
path does not include Templates
hide backlinks
hide task count
```
&emsp;
---
&emsp;
### 📝 Memos
&emsp;
This section does serve for quick memos.
&emsp;
%% --- %%
&emsp;
---
&emsp;
### 🗒 Notes
&emsp;
🍴: [[Spicy Szechuan Noodles with Garlic Chilli Oil]]
🍽: [[Korean Barbecue-Style Meatballs]]
&emsp;
---
&emsp;
### :link: Linked activity
&emsp;
```dataview
Table from [[2023-12-15]]
```
&emsp;
&emsp;

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---
title: "🗒 Daily Note"
allDay: true
date: 2023-12-16
Date: 2023-12-16
DocType: Note
Hierarchy:
TimeStamp:
location:
CollapseMetaTable: true
Sleep: 7.5
Happiness: 85
Gratefulness: 90
Stress: 25
FrontHeadBar: 5
EarHeadBar: 30
BackHeadBar: 20
Water: 1
Coffee: 4
Steps:
Weight:
Ski:
IceSkating:
Riding:
Racket:
Football:
Swim:
---
%% Parent:: [[@Life Admin]] %%
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---
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name Record today's health
type command
action MetaEdit: Run MetaEdit
id EditMetaData
```
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name Save
type command
action Save current file
id Save
```
^button-2023-12-16NSave
&emsp;
# 2023-12-16
&emsp;
> [!summary]+
> Daily note for 2023-12-16
&emsp;
```toc
style: number
```
&emsp;
---
&emsp;
### ✅ Tasks of the day
&emsp;
```tasks
not done
due on 2023-12-16
path does not include Templates
hide backlinks
hide task count
```
&emsp;
---
&emsp;
### 📝 Memos
&emsp;
This section does serve for quick memos.
&emsp;
%% --- %%
&emsp;
---
&emsp;
### 🗒 Notes
&emsp;
🍴: [[Chicken Schnitzel]]
&emsp;
---
&emsp;
### :link: Linked activity
&emsp;
```dataview
Table from [[2023-12-16]]
```
&emsp;
&emsp;

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---
title: ⚽️ PSG - FC Nantes
allDay: false
startTime: 21:00
endTime: 23:00
date: 2023-12-09
completed: null
---
[[2023-12-09|Ce jour]], [[Paris SG]] - FC Nantes Atlantique: 2-1
Buteurs:: ⚽️ Barcola<br>⚽️ Kolo Muani<br>⚽️ Mohamed (FCNA)

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---
title: ⚽️ Borussia - PSG (1-1)
allDay: false
startTime: 21:00
endTime: 23:00
date: 2023-12-13
completed: null
---
[[2023-12-13|Ce jour]], Borussia Dortmund - [[Paris SG]]: 1-1
Buteurs:: ⚽️ Adeyemi (BvB)<br>⚽️ Zaïre-Emery

@ -1,11 +0,0 @@
---
title: ⚽️ Borussia - PSG
allDay: false
startTime: 21:00
endTime: 23:00
date: 2023-12-13
completed: null
---
[[2023-12-13|Ce jour]], Borussia Dortmund - [[Paris SG]]:
Buteurs::

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---
Tag: ["🏕️", "🇨🇦", "🦫", "🪵"]
Date: 2023-12-12
DocType: "WebClipping"
Hierarchy:
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Link: https://e360.yale.edu/features/worlds-largest-beaver-dam
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^button-theWorldsLargestBeaverDamEnduresNSave
&emsp;
# Deep in the Wilderness, the Worlds Largest Beaver Dam Endures
### WILDLIFE
The largest beaver dam on Earth was discovered via satellite imagery in 2007, and since then only one person has trekked into the Canadian wild to see it. Its a half-mile long and has created a 17-acre lake in the northern forest — a testament to the beavers resilience.
Wood Buffalo National Park, the largest national park in Canada, covers an area the size of Switzerland and stretches from Northern Alberta into the Northwest Territories. Only one road enters it from Alberta, and one from the NWT. If not for people observing it from airplanes and helicopters, and satellites photographing it, little would be known about big parts of it. The park is a variety of landscapes — boreal swamps, fens, bogs, black spruce forests, salt flats, gypsum karst, permafrost islands, and prairies that extend the continents central plains to their northern limit. The wood buffalo in the parks name are bison related to the Great Plains bison. In this remoteness, the buffalo descend from the original population, and the wolves that prey on them are also the wild originals. Millions of birds summer and breed here. The park holds one of the last remaining breeding grounds of the whooping crane.
Other superlatives and near-superlatives: the delta in the parks southeast where the Peace River and the Athabasca River come together is one of the largest freshwater deltas in the world; last summer, some of Canadas largest forest fires burned in the park and around it; and — just inside the parks southern border — is the largest beaver dam in the world.
> Animal technology created the largest beaver dam in the world, but human technology revealed it.
The dam is about a half-mile long and in the shape of an arc made of connected arcs, like a recurve bow. The media has known about it for 16 years, and in that time no bigger beaver dam has come to light, so its still known as the biggest, and scientists believe it almost certainly is. Animal technology created it, but human technology revealed it. In 2007, Jean Thie, a Dutch-born landscape ecologist who lives near Ottawa, was looking at the latest satellite imagery of places he had examined via satellite in 1973 and 1974, when he was studying permafrost. Its hard to remember, but in the early 70s some scientists thought the Earth might be cooling. Thies research had showed evidence of the opposite; the paper about permafrost melting that he published in 1974 is now considered one of the pioneering studies of climate change.
As he looked over 1970s images taken by NASAs Landsat satellite and compared them with the latest images from Google Earth and other sources, he noticed that in certain landscapes the evidence of beavers now was everywhere. From being almost wiped out by the fur trade between about 1600 and the 20th century, beavers had bounced back. Just one example was a belt about 1,100 miles long that extended into Wood Buffalo Park. Among the hundreds of beaver dams in this area Thie came across one that looked bigger. He measured it and found it to be 2,790 feet long, or about a half-mile. The 17-acre lake created by the dam reposed undisturbed, shiny and opaque in its swampy northern forest, and in the middle of the lake the small brown dot of a beaver lodge could be seen.
[![](https://e360.yale.edu/assets/site/_400xAUTO_stretch_center-center/Beaver-Dam-Map.png)](https://e360.yale.edu/assets/site/Beaver-Dam-Map.png)
Yale Environment 360
On October 5, 2007, Thie posted the satellite photo of the dam on the Google Earth Community Forum, with text explaining that it was probably the worlds largest. Seven months later, a reporter for Canadian Broadcasting Company Radio saw the posting and did a story about it. Other outlets picked up the story, and “the worlds largest beaver dam,” a phrase thats satisfying to say and think about, achieved a modest international fame.
Many of the beavers that have reestablished themselves globally are descended from beavers that were planted by wildlife biologists. The thriving beaver population of Tierra del Fuego (another place Thie has studied) is descended from beavers brought to Argentina from Canadas Saskatchewan River, who are themselves scions of beavers transplanted from upstate New York. No reintroduction of beavers was done in Wood Buffalo Park. Thie believes that the beavers who built the dam are of original stock. Like the wood buffalo and the wolves, they were too remote to be wiped out.
> At the request of the Mikisew Cree First Nation, UNESCO has investigated environmental threats to Wood Buffalo National Park.
The officials who run the park heard about the worlds largest beaver dam because of Thies discovery, like everybody else. Until the CBC reporter called them for comment, they had not known that their park contained the worlds largest beaver dam. None of the parks personnel had ever been to it, or has visited it on the ground (or what passes for ground there), to this day. When I called Tim Gauthier, the parks external relations manager, he said that he had flown over the dam many times but never stood on or near it. He did not know if the water in the lake was still deep enough to cover the entrance to the lodge or lodges. In these remoter areas of the park, he said, “we tend to let such things regulate themselves.”
Since 1983, Wood Buffalo National Park has been listed as a World Heritage Site by UNESCO, the environmental and cultural agency of the United Nations. In more recent years, this designation has become shaky; at the request of the Mikisew Cree First Nation, whose members gather traditional resources in the park and depend on it for cultural survival, UNESCO has twice investigated environmental threats to the park and has come close to declaring it officially endangered. Wood Buffalo Park is now on UNESCO probation, and the governments of Canada and Alberta are supposed to fix its problems.
[![A North American beaver (Castor canadensis).](https://e360.yale.edu/assets/site/_400xAUTO_stretch_center-center/Canada-Beaver_Getty.jpg)](https://e360.yale.edu/assets/site/_1500x1500_fit_center-center_80/Canada-Beaver_Getty.jpg)
A North American beaver (Castor canadensis). Rainer Erl / McPhoto / ullstein bild via Getty Images
The park is suffering the worst drought in its history. Flows are down by half in many places, owing to climate change, water diversion, poor seasonal snowpack, and dams on the Peace River, upstream in British Columbia. A danger that seems inescapable comes from the oil sands that are being mined for crude-oil-containing bitumen, and from tailing ponds that hold trillions of liters of mine-contaminated water. The ponds are near the banks of the Athabasca River, just upstream from the park boundary. They are fatal to birds that land on them. Given the direction that water flows, conservationists and native people fear the tailings will pollute the park eventually. Toxic chemicals have already been found in McClelland Lake, just southeast of the park. Locals stopped taking their drinking water from the lake years ago.
Gillian Chow-Fraser, the boreal program manager for the Northern Alberta chapter of the Canadian Parks and Wilderness Society, in Edmonton, travels in the park often by helicopter, canoe, and foot. She has described the parks environment as “super degraded.” When I spoke with her by phone not long ago, she talked about a recent tailing basin leak that was not reported to the First Nations downstream of it for nine months. In places that used to flood regularly but now dont, the land is drying out and vegetation disappearing. Though she crisscrosses the park, she has never seen the worlds largest beaver dam, but shes grateful that its there and bringing the park attention.
> The idea of going to the worlds largest beaver dam came to Rob Mark after reading about Thies discovery.
Another expert, Phillip Meintzer, conservation specialist with the Alberta Wilderness Association, told me that he hadnt seen the dam, either, but that the parks difficulty of access is a good thing, in a way, because it keeps people from visiting in large numbers and putting stress on the area. The downside is that environmental degradation, like the recent tailings seepage, can happen without many watchers finding out. Meintzers main worry is that when the economy shifts to renewables, the oil sands will be abandoned and taxpayers stuck with the cleanup. What will be done about the multi-trillion liters of toxic tailings is unknown. “Last summer I was on a trip to test water quality in and around McClelland Lake,” he said. “We camped by the shore, and all night in this remote and uninhabited place we could hear the propane cannons at the nearby tailings ponds firing to scare off the birds.”
---
As far as is known, only one person has ever been to the worlds largest beaver dam. In July 2014, Rob Mark, of Maplewood, New Jersey, 44 years old at the time, reached the dam after a challenging journey. Holding the flag of the Explorers Club, the international organization with headquarters in New York City, he took a photo of himself standing on the dam. The top of the structure was the only solid ground he had encountered for miles. After he got back, a newspaper in Edmonton did a story about him, and he appeared in other newspapers and a travel magazine. His achievement is like the dam in that so far no one has said it isnt unique.
[![A beaver lodge sits in the middle of a 17-acre lake created by the dam.](https://e360.yale.edu/assets/site/_400xAUTO_stretch_center-center/WBNP-Beaver-Dam-Parks-Canada-3-2.jpg)](https://e360.yale.edu/assets/site/_1500x1500_fit_center-center_80/WBNP-Beaver-Dam-Parks-Canada-3-2.jpg)
A beaver lodge sits in the middle of a 17-acre lake created by the dam. Parks Canada
Mark is now a blueberry farmer in Virginia. When I reached him by phone, he told me he did solo extreme treks unsponsored and for his own pleasure. In 2007, he crossed South America from the Pacific Ocean to the Amazon River by hiking over the Andes. The idea of going to the worlds largest beaver dam occurred to him after he read about Jean Thies discovery. He planned the trek for several years, and in 2011, he flew to Fort McMurray — the Alberta town, more than 100 miles from the dam, that is the hub of the oil sands industry — to see how he could get from A to B.
His plan was to go down the Athabasca River by boat, then hike through the muskeg peatland. That proving impracticable, he returned home and decided he would come at the dam from another direction, by way of Lake Claire, whose southwestern edge is about 10 miles from it. Crossing the lake by boat, a distance of about 25 miles, and then hiking to the dam, seemed straightforward enough. But the lake is more like a wetter spot in a swamp than a lake. Sometimes it does not have enough water for boats. Mark waited three years for that problem to improve. In 2014 it did, and Mark went to the town of Fort Chipewyan, east of Lake Claire, and hired a man to ferry him.
The lake has no real shore, it just gets shallower at the edges. At a chosen point Mark got out and arranged for the boatman to return and pick him up there in six days. Mark noted the coordinates in his handheld GPS and told them to the boatman. The boatman replied that he had no GPS. That was a detail Mark had not thought of. The boatman told him to cut one of the nearby willows and stick it in a more conspicuous place in the swamp-lake, and they arranged to meet by it. Then the boatman left, and Mark began his trek.
> Mostly the route, which required two days of slogging, was just swamp. The last mile to the dam took Mark five hours.
The mosquitos swarmed like nothing hed seen in the Amazon. He was ready for that and for trying not to go crazy from their noise. The sphagnum moss islands submerged slowly under his weight, step by step, as he grasped at willows to sort of brachiate on. By looking at the tree species shown on satellite photos he had plotted a route along comparatively higher ground, and he tried to keep to that. Mostly the route, which required two days of slogging, was just swamp. The last mile to the beaver dam took him five hours.
Late in the long subarctic afternoon he emerged into the clear patch of sky created by the dams lake, waded to the dam, and stepped onto it. The dam is no more than three feet high at any point. He realized that a person seeing it up close would never guess it extended for half a mile. To grasp its full size and the ingenuity of its construction you needed a photograph from space. A lone beaver appeared, looked at him, and slapped its tail. Mark got a sense that his presence enraged the beaver.
Bringing out his Explorers Club flag from his pack, he took the selfie. To be allowed to carry that flag he had had to apply to the club, which reviewed his plan of exploration and deemed it worthwhile. Mark became the 851st explorer in the clubs 110 years to carry the flag, joining a list that includes Thor Heyerdahl and James Cameron. After a supper of granola and peanut butter, he hiked to some larger spruce nearby, lashed his hammock between two of them, draped the mosquito netting, and prepared to spend the night.
[![Rob Mark at the dam, with the beaver lodge behind him.](https://e360.yale.edu/assets/site/_400xAUTO_stretch_center-center/MAC39_BEAVERDAM_CAROUSEL-3.jpg)](https://e360.yale.edu/assets/site/MAC39_BEAVERDAM_CAROUSEL-3.jpg)
Rob Mark at the dam, with the beaver lodge behind him. Rob Mark
Hiking out occupied three more days. When he reached the lake, he could not wait next to the willow marker for his ride, because that would mean standing thigh-deep in water. He sat on a drier patch of ground back in the trees, too far from the lake to see it, and listened for the engine. At mid-morning of the day appointed, he heard a sound that got louder. The boatman went right to the unlikely willow and Mark walked through swamp to the lake and waded out to the boat, so exhausted he could barely climb in.
---
The worlds largest beaver dam is not like human dams. It does not stopper a river, or even a stream or rivulet. Its low half-mile barrier collects small trickles that come off a plateau called the Birch Mountains. Along the margin of this comparatively higher ground, it accommodates itself to a slope of less than two percent. The gathered-up trickles have amounted to a lake, and after the beavers eat the plants that grow in it, they may relocate to another dam and another pond, graze that area, then move on again, in a sort of crop rotation. Other dams in this beaver belt are up to three-quarters the length of the longest dam. These long, low dams may help the beavers adapt to drought.
Places almost impossible to get to undergird all of existence. In my car there are regions under the front seats where, when my cell phone falls into them, I must almost take the car apart to get it out. Beavers create hard-to-access places that are good for them, less so for us. Jean Thie had beavers on land he owned near Ottawa, and they built dams and made swampy ponds and cut down trees. He got a trapper to remove them but they or other beavers came back. Finally, he gave up and just put chicken wire around the trunks of trees on the property and lived with the beaver landscape.
In the big picture, Thie is pro-beaver nonetheless. “Of course, Im not very positively minded about our own future on the planet,” he told me. “But I am an optimist about beavers. Their presence improves water management, reduces water flows, reduces the loss of runoff, and creates and improves wetlands. In drier landscapes of the future all this could be of benefit. I think the worldwide flourishing of beavers is a small step in a good direction.”
&emsp;
&emsp;
---
`$= dv.el('center', 'Source: ' + dv.current().Link + ', ' + dv.current().Date.toLocaleString("fr-FR"))`

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---
Tag: ["🚔", "🇺🇸", "🔫", "🏫"]
Date: 2023-12-10
DocType: "WebClipping"
Hierarchy:
TimeStamp: 2023-12-10
Link: https://www.propublica.org/article/uvalde-officer-student-trainings-mass-shootings
location:
CollapseMetaTable: true
---
Parent:: [[@News|News]]
Read:: 🟥
---
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```button
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id Save
```
^button-InUvaldeStudentsFollowedActiveShooterProtocolNSave
&emsp;
# In Uvalde, Students Followed Active Shooter Protocol. The Cops Did Not.
The children hid. They dropped to the floor, crouching under desks and countertops, far from the windows. They lined up against the walls, avoiding the elementary school doors that separated them from a mass shooter about a decade older than them. Some held up the blunted scissors that they often used to cut shapes as they prepared to fight. A few grabbed bloodied phones and dialed 911. And as students across the country have been instructed for years, they remained quiet, impossibly quiet. At times, they hushed classmates who screamed in agony from the bullets that tore through their small bodies.
Then, they waited. Waited for the adults, whom they could hear in the hallway. If they were just patient, those adults would save them.
Hundreds of law enforcement officers descended on Robb Elementary School in Uvalde, Texas, that day in May 2022. They, too, waited. They waited for someone, anyone, to tell them what to do. They waited for the right keys and specialized equipment to open doors. They waited out of fear that the lack of ballistic shields and flash-bangs would leave them vulnerable against the power of an AR-15-style rifle. Most astonishingly, they waited for the childrens cries to confirm that people were still alive inside the classrooms.
“Im watching that door. No screams. No nothing. No nothing. You know. Things you would think you would hear if there had been kids in there,” Cpl. Gregory Villa, who had been with the Uvalde Police Department for 11 years, told an investigator days after the attack that left 19 children and two teachers dead.
If there were children inside, Villa said, officers would have probably heard the shooter saying, “Hey, everybody shut up, and then kids are like, Oh no, I gotta, I want my mommy.’”
![](https://img.assets-d.propublica.org/v5/images/frontline_texas_tribune_logos_side_by_side-copy.png?crop=focalpoint&fit=crop&fm=webp&fp-x=0.5&fp-y=0.5&h=187&q=80&w=800&s=e63a3e7d6f8208a923ee59fae37b5b9c)
Villa, who received active shooter training four years earlier, was among several officers who told investigators that they didnt believe children were in the classrooms because they were so quiet. The childrens strict adherence to remaining silent was, in fact, part of their training. Officers own training instructs them to confront a shooter if there is reason to believe someone is hurt.
“I just honestly thought that they were in the cafeteria because it seemed like all the lights were off and it seemed like it was really quiet. I didnt hear any screaming, any yelling. I literally didnt hear anything at all,” Uvalde police Staff Sgt. Eduardo Canales recalled to an investigator. “You would think kids would be yelling and screaming.”
The accounts of law enforcements actions during one of the worst school shootings in history are among a trove of recorded investigative interviews and body camera footage obtained by ProPublica, The Texas Tribune and FRONTLINE. Together, the hundreds of hours of audio and video offer a startling finding: The children in Uvalde were prepared, dutifully following what they had learned during active shooter drills, even as their friends and teachers were bleeding to death. Many of the officers, who had trained at least once during their careers for such a situation, were not.
Mass shootings have become a fact of American life, with [at least](https://www.theviolenceproject.org/mass-shooter-database/) [](https://www.theviolenceproject.org/mass-shooter-database/)[12](https://www.theviolenceproject.org/mass-shooter-database/)[0](https://www.theviolenceproject.org/mass-shooter-database/) since the 1999 Columbine High School shooting. Debates often erupt along partisan lines as anguished communities demand change. When children are gunned down, calls for tighter gun laws are matched with plans for arming teachers and hardening schools.
One thing that seemingly unites all sides is the notion of better training for law enforcement. But, in actuality, few laws exist requiring such instruction.
In the wake of the Columbine shooting, law enforcement agencies across the country began retooling protocols to prevent long delays like the one that kept officers there from stopping the two shooters. Key among the changes was an effort to ensure that all officers had enough training to engage a shooter without having to wait for more specialized teams.
More than two decades later, law enforcements chaotic response in Uvalde and officers subsequent explanations of their inaction show that the promise of adequate training to respond to a mass shooting has yet to be fully realized.
Officers failed to set up a clear command structure. They spread incorrect information that caused them to treat the shooter as a barricaded suspect and not an active threat even as children and teachers called 911 pleading for help. And no single officer engaged the shooter despite training that says they should do so as quickly as possible if anyone is hurt. It took 77 minutes to breach the classroom and take down the shooter.
“Its pretty stunning that were 24 years after the Columbine massacre and were still dealing with a lack of training on how to deal with these active assailants,” said Mo Canady, executive director of the National Association of School Resource Officers. “Im not sure who is to be held responsible for that, but it really is unacceptable that officers are not getting that training.”
A nationwide analysis by the news organizations shows states require far more training to prepare students and teachers for a mass shooting than they do for the police who are expected to protect them.
At least 37 states have laws mandating that schools conduct active shooter-related drills. All but four of those states require them at least annually.
In contrast, only Texas and Michigan have laws requiring training for all officers after they graduate from police academies. Texas law is the strongest in the country, mandating that officers train for 16 hours every two years. That requirement came about only after the Uvalde massacre.
The absence of legislation has created an uneven and inconsistent approach, which fails to ensure that officers not only receive the training they need to confront a mass shooter, but drill often enough to follow it in the adrenaline-soaked atmosphere of a real shooting, law enforcement experts said. Some also emphasize the importance of multiagency training so that officers are not responding to a crisis alongside people theyve never worked with before. Yet few states, if any, require agencies to train together.
About 72% of the at least 116 state and local officers who arrived at Robb Elementary before the gunman was killed had received some form of active shooter training during their careers, according to an analysis of records obtained by ProPublica, the Tribune and FRONTLINE. Officers who received training before the Uvalde shooting had most commonly taken it only once, which law enforcement experts say is not enough. Only three officers would have met Texas new standard for training.
The news organizations reached out to each of the officers in this piece. An attorney representing officers with the Uvalde Police Department said the city has ordered them not to comment because of an ongoing internal investigation. Officers with other agencies did not return phone calls, texts and emails or declined to comment.
Across the country, officers are increasingly responding to situations with active shooters, some of whom have access to weapons originally designed for war. In the absence of gun control legislation, sales of these types of weapons have increased.
Unlike military service members who spend the majority of their time training for the possibility that they may someday see combat, police spend the bulk of their days responding to a variety of incidents, most of which do not involve violent encounters. Experts say that leaves many unprepared as the nations tally of mass shootings grows.
No clear consensus exists on just how much training is sufficient, though experts agree on the need for repetition. Even then, consistent training cannot guarantee that officers will do everything right, said John Curnutt, assistant director at Texas State Universitys Advanced Law Enforcement Rapid Response Training Center, which is rated as the national standard by the FBI. Still, Curnutt said, routine training is the best way to improve officers response.
“It has to be really driven into somebody to the point where it becomes instinctive, habitual,” Curnutt said. “Before you really get a chance to think about it, youre already doing it. And it takes more than 10 or 11 times to get that good at something like this that is going to be incredibly difficult to do when you know that, Im about to die, but Im going to do this anyway. Who thinks like that? Not everybody. We know that. Not everybody thats in uniform does.”
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It was 11:30 a.m. on May 24, 2022. The timer that Elsa Avila set had just gone off, notifying her fourth grade class that the extra minutes shed given them to make shoes out of newspapers for a STEM challenge had drawn to a close. Now they were going outside to test how long the shoes held up on the school track.
Avila gathered the children for a photo before they formed a single-file line. At the front, one of the students peered into the hallway. “Miss, theres a class coming in and theyre screaming and theyre running to their room,” Avila recalled the student saying as the teacher of 27 years described the details of that day to investigators.
![](https://img.assets-d.propublica.org/v5/images/20231204-uvalde-newspaper-shoes-pixelated.jpg?crop=focalpoint&fit=crop&fm=webp&fp-x=0.5&fp-y=0.5&h=679&q=75&w=800&s=919008798e21e7d60addb73a37b98668)
Elsa Avilas students pose for a picture in their newspaper shoes moments before the shooter entered their school. Childrens faces are shown with parental consent. Credit: Courtesy of Elsa Avila, pixelated by ProPublica, The Texas Tribune, and FRONTLINE
“You let their teacher worry about them,” Avila replied, believing that the student was simply reporting unruly behavior.
This was different, the girl insisted. The children were scared. So, Avila peeked into the hallway.
“Get in your rooms!” Avila heard a woman scream.
“So I just slammed my door back in, turned off the lights and, at that time, the kids know, because we practice these drills, they know: OK, shut the door, you know. Slam the lights. Weve got to go into our positions,’” Avila recalled.
Listen to Avila
“So I just slammed my door back in, turned off the lights and, at that time, the kids know, because we practice these drills, they know.”"
The educator and her students formed an “L,” crouching down against the two walls that were farthest from the doors and windows. It was a drill theyd practiced so much that, at times, it had become tiresome. The training that Avila had hoped theyd never have to use: Run. Hide. Fight.
For now, they hid.
Avila stood up momentarily to make sure that her students were safe.
It was then that a bullet pierced the wall, ripping into the teachers stomach.
Avila fell to the ground and dropped her phone. After dragging herself to the phone, she scrolled through previous texts to find one that included a group of teachers from the school.
“Im shot,” she wrote at 11:35 a.m., mistakenly texting her siblings before eventually also messaging her colleagues.
Only five minutes had passed since Avilas timer rang for what was intended to be a celebratory moment.
In that time, the gunman had entered the building after crashing a truck into a nearby ditch and police had received their first 911 call from a teacher informing them that the shooter was in the school. In those five minutes, the teenage shooter unleashed nearly 100 rounds of gunfire.
![](https://propublica.s3.amazonaws.com/projects/graphics/2023-uvalde/assets/20231107-uvalde-children-map-1.png)
A childs drawing for investigators shows how students in Room 109, two doors away from the shooter, followed their training.
Children and teachers formed an “L,” crouching against the walls farthest from doors and windows.
In the drawing, the child wrote “hide,” reflecting a key part of the training.
One of Avilas students was among those injured. Bullet fragments struck 10-year-old Leann Garcia on the nose and mouth. Blood dripped onto her clothes as her friend, Ailyn Ramos, held her and tried to keep her from screaming out in pain.
“If I die, I love you,” Leann whispered to Ailyn.
“As long as youre in here with me, youre not going to die,” Ailyn later recalled responding in an interview with the news organizations. (Ailyns account, like those of all the children named in this piece, is included with the permission of a parent.)
With their teacher flitting in and out of consciousness, the children huddled together. For a moment they did something that their lockdown training had not taught them, but that their teacher had always told them to do in difficult times, Ailyn told the news organizations.
They prayed.
“Please let the cops come in.”
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Outside of the school, Uvalde police Sgt. Daniel Coronado heard the unmistakable gunfire from the shooters semiautomatic rifle. “Oh, shit, shots fired! Get inside,” Coronado yelled at about 11:35 a.m. while breathlessly running toward the building.
Entering a smoke-filled hallway, Coronado, a 17-year veteran of the department, walked past printouts of summer sandals that had been brightly colored by children, who were now nearing their last day of school. Seconds later, there was another round of gunfire from rooms 111 and 112, the adjoining classrooms from which the shooter was terrorizing teachers and children.
The shots injured Canales and Lt. Javier Martinez, two Uvalde police officers who had initially approached the classrooms. Blood trickled from Canales ear and bullet fragments grazed Martinezs head. Both officers retreated. Though hurt, Martinez again ran toward the door. No one followed. He eventually pulled back. The officers had taken active shooter training only once: Martinez in 2014 and Canales the year before the shooting.
The failure to engage the shooter was the first in a handful of critical missteps by officers in the initial 10 minutes. Each ran counter to what the training teaches.
Among the missteps was the fact that no one took charge or set up a command post to guide the response, which experts say should happen quickly after arrival. Another was Coronados decision to relay an unconfirmed report from a school resource officer that the suspect was holed up in an office. The information proved to be inaccurate, and the misunderstanding helped shape officers approach to the incident.
“Male subject is in the school on the west side of the building,” Coronado radioed at 11:41 a.m. “Hes contained. We got multiple officers inside the building at this time. Believe hes, uh, barricaded in one of the offices. Male subjects still shooting.”
Though some officers struggled with malfunctioning radios, Coronados words reached enough of them to contribute to a widespread belief that the shooter was possibly alone inside a room with no victims, even as evidence mounted that children and teachers were in danger.
Initially believing he was responding to an active shooter, Texas Department of Public Safety Special Agent Colten Valenzuela told an investigator that his mindset changed after arriving at the school.
“When we did get there, we were told that it was a barricaded subject, so that kind of flipped the direction,” Valenzuela said.
Asked by an investigator about the determination that the shooter was barricaded, Coronado, who completed active shooter training a decade earlier, said: “I dont know where that came out of, you know what I mean? Youre just reacting to what youre dealing with at that moment in time.”
“You dont see any bodies,” Coronado added. “You dont see any blood. You dont see anybody yelling, screaming for help. Those are motivators for you to say, Hey, get going, move, but if you dont have that, then slow down.”
Listen to Coronado
"You don't see any bodies. You don't see any blood. You don't see anybody yelling, screaming for help. Those are motivators for you to say, Hey, get going, move, but if you don't have that, then slow down."
Uvalde is among the most striking examples of a botched police response to a mass shooting, but officers failures to immediately stop a shooter despite being trained extend beyond the Texas city, according to a ProPublica, Tribune and FRONTLINE review of dozens of after-action reports and publicly released video. In some cases, the delays are well-known. In Orlando, Florida, officers waited about three hours to take down a shooter at the Pulse night club in 2016 despite 911 calls indicating some hostages were shot. The initial officer who responded to the 2018 shooting at Marjory Stoneman Douglas High School in Parkland, Florida, never entered the building where a shooter killed 17 students and staff.
Other missteps have not been as widely scrutinized. In Las Vegas in 2017, two officers stayed on the hotel floor below a shooter instead of rushing upstairs to confront him as he spewed bullets into a crowd of concertgoers. The next year in Thousand Oaks, California, officers attempted to confront a shooter within minutes of arriving at the scene. Some retreated after he shot at them. Police did not reenter to engage the shooter again for more than 40 minutes, even as victims remained inside.
In contrast, several officers credited their repeated training after they were celebrated for acting expeditiously to take down a shooter in March at a private Christian school in Nashville, Tennessee. Such instruction, they said, allowed them to momentarily ignore the emotion of stepping over a victim to get to the shooter so as to prevent further harm. About two months later, an officer in Allen, a Dallas suburb, shot a gunman minutes after his killing spree began at an outlet mall. Police and fire officials later praised years of joint training as key to the swift response.
The ability to work together was absent in Uvalde, Ruby Gonzalez, a school resource officer, told an investigator. Despite most of the officers being trained, various agencies that arrived at the scene were not accustomed to working together and had their own operating procedures, Gonzalez said.
“We couldnt find a way to work together because each agency wanted to do things how they, how they see fit,” she said when asked if she believed the response that day followed the training she had taken.
At the time of the Uvalde shooting, Texas required only that school resource officers take an eight-hour active shooter course. The requirement did not apply to thousands of officers in police departments and sheriffs offices across the state, contributing to vast disparities in training.
About 84% of the DPS officers who responded to the Uvalde shooting before the gunman was killed had been trained. Yet only about 67% of the Uvalde Police Department officers and roughly 36% of the Uvalde County Sheriffs Office deputies had taken active shooter courses, according to an analysis of records that detail training after officers graduate from academies.
Collectively, local and state agencies sent at least 116 officers to the Uvalde shooting before the breach. While a majority of those officers had received some instruction to confront an active shooter, about half had not been trained since 2018 or before. That was the year a gunman entered Santa Fe High School near Houston and killed 10 people.
Federal law enforcement agencies, who sent about 180 officers to the scene before and after the breach, declined to provide training records for their officers, leaving the amount of instruction they received unclear. A spokesperson for Customs and Border Protection, the agency with the majority of the federal officers on scene, said in a statement that it continues to review the response and is “committed to identifying any improvements to training or tactics.”
Source: Texas Commission on Law Enforcement
DPS and the Uvalde sheriffs office did not respond to questions about their departments training. A spokesperson for the city of Uvalde said that since the shooting, officials have purchased equipment like shields and breaching tools and have expanded training to include surrounding agencies.
Uvalde officers will also be among those required to meet Texas new standard — 16 hours of instruction every two years.
The post-Uvalde mandate is rare.
In the vast majority of states, officers are only required to prepare to confront a shooter in academies that train new recruits, but even that can vary widely between four and dozens of hours of instruction. Once those officers get the training, most are not required under the law to ever take it again.
“If were not training the right way and were not preparing ourselves and our kids and our responders, then were going to keep doing this for the next 25 years,” said John McDonald, who developed the school safety program in Jefferson County, Colorado, which includes Columbine, after the 1999 shooting. “Were going to say, Geez, for 50 years we havent figured it out. Well, shame on us.”
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Nicole Ogburn, a teacher in Room 102, used her Apple Watch to dial 911 three times but couldnt get through. On her fourth try, at 11:40 a.m., one of the citys two dispatchers finally picked up.
Ogburn reported that there was an active shooter at the school, saying she could hear the gunshots outside of her classroom.
911 dispatcher: You can hear the gunshots being fired?
Ogburn: Yeah, theyre in the building. I dont know. Theres been a lot. A whole lot. And I got a message that somebody, somebody is shot in another classroom.
911 dispatcher: Somebody is shot in a classroom, maam? OK, can you tell me …
Ogburn: Not mine. In another one. Another classroom. I dont know. I dont know. Please hurry. Hurry.
911 dispatcher: What room number? What room number? Can you tell me what room?
Ogburn: Im in Room 102.
911 dispatcher: Is he going to be across from you?
Ogburn: I dont know where hes at right now. I got to go. I cant let him hear me. I cant let him hear me.
While Ogburn was on the phone with 911, dispatchers received another call. This time from Pete Arredondo. The school district police chief, who had taken active shooter training four times during his nearly 30-year career, was supposed to take charge, according to the districts active shooter plan.
Arredondo, who had dropped his radio on the way into the school and didnt have a body camera, asked the dispatcher for backup and more equipment.
“Im inside the building with this man. He has an AR-15. He shot a whole bunch of times. Were, yes, were inside the building,” Arredondo told the dispatcher. “Hes in one room. I need a lot of firepower, so I need this building surrounded, surrounded with as many AR-15s as possible.”
In that brief moment, Arredondo would learn from the dispatcher what police could not see on the other side of the classroom doors: Someone was injured.
Arredondo does not appear to have shared the information with other officers, according to body camera footage and radio calls reviewed by the news organizations.
Active shooter training instructs that officers should act immediately if there is reliable evidence that an attacker is killing people or preventing critically injured victims from getting medical attention.
But 17 more minutes passed before officers opened the door to Ogburns classroom. Even then, their discovery of children was an accident.
Uvalde County Sheriffs Deputy Reymundo Lara recalled to investigators how he came to realize there were children in the room. Lara, who had not taken active shooter training, said he took a tactical position, aiming at the classroom where the shooter remained.
“I was like, you know what, my feet need to be a little bit more comfortable,” Lara added. “So, I get up, open the door. I propped it open so I could stick my leg in and lay back down and aim at the classroom where this suspects at. Something is telling me, Hey, just check the classroom.’”
At first, Lara did not see anything. The lights were off and a movie played on the TV.
Then, the deputy spotted children.
“Hey,” Lara yelled. “We got kids in this room.”
Officers rushed to help Ogburn and her students escape through the window. “Kids coming out. Kids coming out. Kids coming out,” Coronado said, his body camera picking up the moment they were pulled out through the window.
Coronados heart sank. “Oh shit, theres kids,” he recalled thinking while speaking with investigators. “That was the first time that we realized, no, there are kids inside the building.”
11:56 a.m.
Uvalde police Sgts. Daniel Coronado and Donald Page tell another officer outside of the school that there are no children inside.
Coronado Body Camera Footage
11:57 a.m.
Uvalde County Sheriff's Deputy Reymundo Lara opens a classroom door and discovers children inside.
Lara Body Camera Footage
11:58 a.m.
The children are evacuated from their classroom through the window.
Coronado Body Camera Footage
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Though officers were now aware that children and teachers remained in classrooms, Avila and her students continued to wait to be rescued.
Still losing blood from the gunshot wound to her stomach, the teacher knew she had to stay awake for her students.
“I didnt want to pass out because I didnt want to leave them alone,” she recalled in an interview with an investigator.
Moments of darkness were punctuated by the children trying to keep her calm. She could hear some of them saying, “Dont let her go to sleep.”
“Miss, we love you. We love you,” she recalled one telling her. “Miss, youre going to be OK.”
Avila could hear the school district chief, who began trying to negotiate with the shooter 24 minutes after officers entered the school.
“Can you please put your firearm down? We dont want anyone else hurt,” Arredondo said.
At one point, the children in Avilas class heard people fiddling with their door. “Police open up!”
“I thought it was a trick,” Leann, the injured 10-year-old, recalled thinking during an interview with investigators.
None of the children said anything. How could they know it was not the shooter?
Indeed, the students did as they were taught to do in their drills.
“We tell kids if someones knocking on a door and says, Police officer, open up, dont open the door. We tell teachers that all the time. And we test it,” said McDonald, who now serves as chief operating officer of The Council for School Safety Leadership, an organization that helps school leaders respond to threats and tragedies. “That could be someone trying to trick you to come out. Cops have keys. They have the ability to breach. They have tools to get in. They will come in.”
But the police didnt come into Avilas classroom at that moment. They also did not try to enter rooms 111 and 112, where the shooter remained, after learning from Ruben Ruiz, a school resource officer, that his wife, Eva Mireles, was injured in one of them.
At 11:56 a.m., Ruiz pushed urgently through a scrum of officers, attempting to get closer to his wifes classroom after shed called to tell him what happened.
“She says shes shot, Johnny,” Ruiz said as an officer stopped him from pressing forward.
Instead of acting on the information, officers guided him outside and took away his gun.
One of the officers who heard Ruiz was Justin Mendoza. The rookie officer, who had only been with the Uvalde Police Department for about two years, had not received active shooter training, according to state records.
Mendoza said officers knew they needed to get into the classrooms, including Mireles, but they didnt have the right equipment. His sentiment was shared by more than a dozen officers who, in interviews with investigators, expressed [fear of the shooters semiautomatic rifle](https://www.propublica.org/article/uvalde-police-gunman-ar-15-delays).
“Like I said, we didnt have any shields, no, no flash-bangs, no nothing that we couldve used to create a distraction,” Mendoza recalled, “to, not only, like, not to sound selfish, but make sure we go home at the end of the day, but at least more of these kids can go home at the end of the day.”
Though officers signed up for the job knowing that they were putting their lives at risk, theyd never been confronted with a mass shooter, Mendoza said.
“None of us ever thought any of this situation would ever happen here, in Uvalde,” he said.
Listen to Mendoza
“Like I said, we didnt have any shields, no, no flash-bangs, no nothing that we couldve used to create a distraction, to, not only, like, not to sound selfish, but make sure we go home at the end of the day, but at least more of these kids can go home at the end of the day.”
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About 40 minutes after the shooting began, officers received an urgent broadcast over their police radios that experts said marked another crucial moment that should have prompted them to immediately confront the shooter.
A child who was in one of the adjoining rooms with the shooter had reported a “room full of victims. Full of victims at this moment,” a dispatcher said over the radio.
“Fuck, full of victims,” one officer said aloud after hearing the radio communication. “Child called 911 and said rooms full of victims.”
Minutes later, the dispatcher radioed again: “Be advised, we do have one teacher that is still alive with wounds and eight to nine children.”
Officers did not hear the grueling 17-minute call in which 10-year-old Khloie Torres and her friend Miah Cerrillo pleaded for help, repeatedly asking for police assistance. They didnt hear Khloie, who had been struck by shrapnel from the shooters bullets, as she quietly begged for them to hurry, telling the 911 operator: “Theres a lot of dead bodies. Please help. I dont want to die.” The same officers who said that the childrens silence kept them from rushing the classroom didnt get to listen in as the dispatcher repeatedly told Khloie to keep the children quiet. They didnt hear her promises that officers were on their way to save Khloie and her classmates.
Despite some radios not working inside the school, officers who heard the dispatchers broadcast now knew that children and at least one adult remained alive, trapped with the shooter on the other side of the door. Those details, along with earlier signs that included sporadic gunfire and information that an officers wife was shot but still alive in the classroom, should have jogged in their minds a key lesson from training. They should have moved swiftly to stop the killing and stop the dying, experts said.
“You know kids are in there. You know you have a teacher thats hurt. Youve been shot at already. Youve got an officer thats been wounded. I mean, I think the intel is there,” said McDonald, the school safety expert who reviewed the footage at the request of the news organizations. “The environment is there. So how do you get in that room? What are your options to get in that room? And I think that has to be a priority. You already had one officer who said his wife was in there several minutes ago. Stop the dying.”
Instead, law enforcement officers, including members of a highly trained Border Patrol tactical team that had just arrived, continued to wait, even as they received some specialized equipment that they said they needed to breach the metal door and enter the classroom. No one ever checked the door to see if it was unlocked, although a state House committee that later reviewed the shooting determined it probably was.
Days after the attack, Uvalde police Officer Michael Wally recalled to an investigator the moment he heard there were victims in the classroom with the shooter. It didnt make sense, Wally told him. Since he arrived at the school, hed been asking who was leading the response. Who was the officer in charge? No one provided an answer, but he was repeatedly told the school district police chief was negotiating with the shooter.
Arredondo later told the Tribune and investigators that he did not view himself as in charge. He defended his actions and those of others.
“I kept going back to who is OIC. Who is, whos, whos fucking in charge? Excuse my language, but whos, whos in charge?” recalled Wally, who last took an active shooter course in 2015. “Im a patrol officer. I cant, you know, Im not in there. Im not in the hallway. Im not talking to our gunman. Im not talking to the guy whos talking to our gunman. No communication is coming back out to me. So theres got to be someone else. Theres got to be someone else thats in charge. Someone tell me what to do.
Listen to Wally
“I kept going back to who is OIC. Who is, whos, whos fucking in charge? Excuse my language, but whos, whos in charge?”
“And you know this, youve probably been wearing a badge a lot longer than I have,” Wally told the investigator, “but chain of command is everything. And, it was not there.”
In the absence of clear leadership and communication, misinformation continued to spread.
Shortly after the radio communication from the dispatcher, a Border Patrol medic arrived. He asked about the victims. A state game warden quickly replied that they had not heard of any injuries. “Uh, yes there are,” an Uvalde police detective responded.
The medic pushed his way into the building and began setting up a triage station to treat the wounded. There, law enforcement officers, including members of the Border Patrol strike team, huddled, body camera footage shows.
The minutes continued to tick away as the team prepared to enter the room.
12:12 p.m.
Uvalde police Officer Justin Mendoza and Uvalde police Detective Jose Rodriguez hear a dispatcher tell officers that a child said Room 112 was full of victims.
Mendoza Body Camera Footage
12:18 p.m.
Six minutes later, state game warden Dennis Gazaway mistakenly tells Border Patrol medic Diego Merino-Ruiz that there are no injured children inside but is quickly corrected by Rodriguez.
Gazaway Body Camera Footage
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Though officers had already broken through windows to evacuate students, they fixated on finding keys to unlock the three classrooms that still had children in them.
Arredondo had earlier decided that they would not enter the two adjoining classrooms that would force them to confront the shooter until they cleared others first, according to his interview with investigators and body camera footage.
That left Avilas classroom. Over the years, the teacher had learned that the only way the door to Room 109 would lock was if she slammed it closed. That is just what she did that day to ensure that the shooter could not enter.
Arredondo later told investigators that he knew his decision would likely be scrutinized, but he did what he thought was best at the time. He said that he believed the shooter had probably killed at least one person inside rooms 111 and 112, but that he knew that children in other classrooms remained alive.
“The preservation of life around everything around him, I felt was priority,” Arredondo said.
Officers tried prying Avilas door open with a knife. They also tested various keys that did not work in search of a master key. Eventually, they decided that the only way in would be through the outside and began breaking the window.
Avilas students started crying as officers yelled, “Police, were here to help you!” Some ran toward the window. Others waited, Avila recalled. They still did not know whether to trust the voices from outside.
“They didnt want to move until I told them to move,” the injured teacher recalled. “So, then I stood up, and I told them, Come on guys.’”
As soon as the classroom was cleared at 12:26 p.m., Arredondo signaled that officers could begin breaching the classrooms with the shooter. “Got a team ready to go? Have at it,” he can be heard saying on body camera footage as officers stood around him.
Its unclear if that message ever made it to the Border Patrol tactical team, which was on the other end of the hallway, or if anyone, at that point, was heeding the school district chiefs direction.
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Over the next 24 minutes, Khloie and other children in Room 112 continued to rely on one another for survival.
Despite the excruciating wait, now more than 50 minutes from the time the shooter had fired the initial volley of shots, the children continued to follow their training. They hid and remained quiet, even as several of them had injuries that made such silence inconceivable.
“I looked around, and I was like, people were cuddling up to each other, they were like, Im going to die,’” Khloie later told an investigator. “And I was like: Youre not going to die. Just be really quiet.’”
“I remember telling everybody that were going to get through this, and just dont make a sound,’” she added. “Just be as quiet as a mouse.’”
Listen to Torres
“I remember telling everybody that were going to get through this, and just dont make a sound. Just be as quiet as a mouse.’”
Instead of being protected, Khloie told the investigator, she became the protector.
Khloie worked to calm her classmate Kendall Olivarez, who wailed in pain. Kendall was wedged under a teacher who had been killed by the shooter, and bullets had pierced the girls arm, back and leg. Khloie helped pull Kendall from under her teacher. They crawled beneath a table as they hid from the shooter who was in the adjoining classroom. Meanwhile, Mireles, their other teacher, was losing blood and cried out for her daughter.
Khloie grabbed her foot and tried to comfort her. “Dont be scared,” she told her.
Desperate for help, Khloies friend Miah dialed 911 one last time, pleading with the operator to send police. They were coming, the dispatcher assured her, adding that if anyone entered the classroom, the children should pretend to be asleep.
As she waited, Miah, who had been struck by shrapnel, sobbed quietly into the phone.
Finally, 77 minutes after the shooter entered the school, 54 minutes after one of the officers reported that his wife had been shot and 38 minutes after a dispatcher shared that there were victims in the classroom, the adults had arrived to help.
At 12:50 p.m., a team led by the Border Patrol strike team entered Room 111. The gunman jumped out of a closet, firing at a federal officer and grazing him in the head. Officers returned fire, killing the shooter.
Still on the phone with the 911 operator, Miah, who was hiding in Room 112, mistakenly thought the gunman was coming for her.
She later recalled the moment to an investigator, saying, “I was, like, thinking it was him, he came back in the classroom. And then I look up and it was the police and all my friends started running towards them. And me and my friend were crying because we were scared. We ran to the hallway and I saw people, pass — dead and then blood on all of the floor.”
Listen to Cerrillo
“I was, like, thinking it was him, he came back in the classroom. And then I look up and it was the police and all my friends started running towards them. And me and my friend were crying because we were scared. We ran to the hallway and I saw people, pass — dead and then blood on all of the floor.”
First responders tried to rush out the living, taking Mireles, who still had a pulse, outside to be treated by medics. EMS declared her dead [about an hour later in an ambulance that never left the school](https://www.propublica.org/article/uvalde-emt-medical-response). Two children also had a pulse when they were taken out but later died. With insufficient ambulances to treat victims, police placed six children in a school bus, including Miah, Khloie and Kendall.
With them were two state troopers who were suddenly forced to act as medics, although they lacked qualifications. With blood from those who were injured around her soaked into her hair and clothes, and smeared on her face and hands, Khloie cried. She wanted her dad and she wanted to know if one of her friends survived, though she knew the answer even before asking.
She also wanted the officer to know that she had tried.
“Maam, I was on the phone with the police officer,” Khloie told a state trooper through tears.
“Oh, that was you?” the trooper asked.
“Yes, maam.”
“OK, OK, you were so brave. Yall were so brave, OK?” the officer said, stroking her head.
“I was trying not to cry,” Khloie replied.
1:02 p.m.
Khloie Torres, on a school bus with other classmates, tells Department of Public Safety Special Trooper Crimson Elizondo that she called 911.
Warning: The following video has a loud ringing sound and shows a distressed child covered in blood that is not her own. We are publishing it with the family's consent.
Elizondo Body Camera Footage
More than two hours after the shooting began, the school was quiet once again.
David Joy, a Border Patrol supervisor in Uvalde, picked up a body camera that an officer dropped. It was still recording.
Once in his car, he called his daughters school.
“I need, I need to talk to the principal as soon as I possibly can,” Joy said to the woman who answered the phone, explaining that he was a Border Patrol agent working out of the Uvalde station. After asking if she had heard about what happened, he said, “Theres some stuff that was extremely like, I, like there are some issues that I have with the way things, I want to be able to talk with somebody to just give you some advice and stuff that kind of slowed us down a little bit that maybe would be able to, God forbid something, God forbid something happen and yall arent set up for it.”
In the weeks that followed the shooting, hundreds of officers recounted their role in the failed response during interviews with state and federal investigators.
Some said they did all that they could under the circumstances. Others sobbed. They recalled seeing the childrens lifeless bodies, the fear in the faces of the survivors. They had already felt the anger from residents in the city of 15,000 people who were forced to bury two teachers and 19 children, some of whom were related to officers. Several wrestled with whether they could have done more. A few wondered if any amount of training could have prepared them for that day.
“It, it, it was a horrific thing and we lost no matter what. Um, I, I, I want to learn from it, you know,” Coronado, the Uvalde police sergeant, told an investigator. “I, I want, I, I, I want, I want an opportunity to have someone better than me tell me, Hey, we couldve done this or we couldve done that. You know what I mean? I, I, I, I, I, I want that.”
Listen to Coronado
“It, it, it was a horrific thing and we lost no matter what. Um, I, I, I want to learn from it, you know. I, I want, I, I, I want, I want an opportunity to have someone better than me tell me, Hey, we couldve done this or we couldve done that. You know what I mean? I, I, I, I, I, I want that.”
Two children in his family died that day. He did not attend their funerals, telling an investigator that some of his relatives “think that we fucking let em die.”
The initial probe by the Texas Rangers, the DPS investigative arm, is complete but has not been made public. Of the hundreds of officers who responded that day, less than a handful have been fired, including Arredondo. An attorney representing Arredondo [released a statement before he was terminated](https://www.texastribune.org/2022/08/24/uvalde-school-police-chief-pete-arredondo-termination-board-vote/), saying that his client was being used as a “fall guy.” Several officers from various agencies either resigned, were reassigned or retired.
News organizations, including ProPublica and the Tribune, have sued the state for records that would help families and the public better understand what happened that day. The state has repeatedly fought their release, citing an ongoing criminal investigation by the Uvalde district attorney, who has said that she plans to present a case before a grand jury this year. A state district judge [ruled in the newsrooms favor](https://www.propublica.org/article/texas-judge-orders-release-of-uvalde-shooting-records), though DPS has said it plans to appeal.
The wait for the findings has now grown to 18 months. Its unclear whether and when they will be released.
“I just wish someone would have taken charge. I wish someone wouldve …,” Wally, the Uvalde police officer, said while talking with an investigator in the days after the shooting, his voice trailing off. “And I know this is going to be open record one day. Let it be on open record. Fuck politics. Someone take charge. Lets fix this. Thats what I wanted. Thats what everybody wanted.”
Juanita Ceballos, Michelle Mizner and Lauren Prestileo of FRONTLINE and Zach Despart of the Texas Tribune contributed reporting.
Illustrations by Pei-Hsin Cho for ProPublica, The Texas Tribune and FRONTLINE
Design and Development by [Zisiga Mukulu](https://www.propublica.org/people/zisiga-mukulu).
Graphics and Development by [Lucas Waldron](https://www.propublica.org/people/lucas-waldron).
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@ -275,7 +275,7 @@ The same day that Apple executives unveiled the iPhone 15, Foxconn workers in Su
The Hindu ritual, common in Indias manufacturing industry, asks for a smooth production process. In front of a truck loaded up with new phones, workers placed framed pictures of Hindu gods decorated with flower garlands. They lit incense and offered bananas in prayer while the curious foreign employees watched. At the end, a worker smashed a coconut and a pumpkin on the ground. The Hindu ritual, common in Indias manufacturing industry, asks for a smooth production process. In front of a truck loaded up with new phones, workers placed framed pictures of Hindu gods decorated with flower garlands. They lit incense and offered bananas in prayer while the curious foreign employees watched. At the end, a worker smashed a coconut and a pumpkin on the ground.
When the made-in-India iPhone 15s hit local stores on launch day, the moment sparked a wave of nationalist pride. “Proud and thrilled to own the MADE IN INDIA IPHONE 15.. #MakeInIndia,” [actor Ranganathan Madhavan posted on X](https://twitter.com/ActorMadhavan/status/1704941840875565070). When the made-in-India iPhone 15s hit local stores on launch day, the moment sparked a wave of nationalist pride. “Proud and thrilled to own the MADE IN INDIA IPHONE 15.. `#MakeInIndia`,” [actor Ranganathan Madhavan posted on X](https://twitter.com/ActorMadhavan/status/1704941840875565070).
At the factory, Foxconn threw a party. While assembly line workers remained bent over their workstations to produce more phones, engineers and office staff ate cake and other snacks while executives thanked them for their hard work. “It was like launching a rocket,” Li said. “After all the research and preparation, we finally sent the rocket into the sky.” At the factory, Foxconn threw a party. While assembly line workers remained bent over their workstations to produce more phones, engineers and office staff ate cake and other snacks while executives thanked them for their hard work. “It was like launching a rocket,” Li said. “After all the research and preparation, we finally sent the rocket into the sky.”

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# Reuters, New York Times Top List of Fossil Fuel Industrys Favorite Media Partners
*This story was co-reported with DeSmog and co-published by The Intercept and The Nation.*
As she begins a recent episode of the podcast “Powered By How,” award-winning journalist Nisha Pillai talks about the difficulty of scaling innovation, then introduces her guests: a business psychologist, a renewable energy investor, and the head of an innovation lab. The guests go on to describe the complexities of climate change, the challenges to scaling any sort of technology, and whats needed to engineer real solutions.
It sounds like any other business or energy podcast, but each episode in this eight-part series is actually an ad. The casual listener could easily miss the first 5 seconds, set to jangly, stereotypically podcast-y music, when Pillai, a former BBC World News presenter whose voice instills instant confidence, announces that this is a podcast from Reuters Plus in partnership with Saudi Aramco.
Pillai never explains that Reuters Plus is the internal ad studio at Reuters, not part of the newsroom. Nor does she remind listeners of the shows sponsor when the head of the innovation lab, an Aramco executive, trots out the fossil fuel industrys favorite line on climate: “We need to have collective action from all: government, industry, the developer of the technologies and the end consumer.”
Reuters is one of at least seven major news outlets whose internal brand studio creates and publishes misleading promotional content for fossil fuel companies, according to a [new report](https://www.documentcloud.org/documents/24183641-drilleddesmog_mediagreenwashingreport) [released today.](https://www.documentcloud.org/documents/24182162-drilleddesmog_mediagreenwashingreport) Known as advertorials or native advertising, the sponsored material is created to look like a publications authentic editorial work, lending a veneer of journalistic credibility to the fossil fuel industrys key climate talking points.
In collaboration with The Intercept and The Nation, Drilled and DeSmog analyzed hundreds of advertorials and events, as well as ad data from Media Radar. Our analysis focused on the three years spanning October 2020 to October 2023, when the public ramped up calls for [media](https://www.worldwithoutfossilads.org/), [public relations, and advertising companies](https://cleancreatives.org/) to cut their commercial ties with fossil fuel clients amid growing awareness that the industrys deceptive [messaging](https://ideas.repec.org/a/spr/climat/v159y2020i1d10.1007_s10584-019-02582-8.html) was slowing climate action.
All of the media companies reviewed — *Bloomberg, The Economist, the Financial Times, the New York Times, Politico, Reuters,* and *The Washington Post* — consistently top lists of “most-trusted” news outlets. They also all have internal brand studios that create advertising content for major oil and gas companies, furnishing the industry with an air of legitimacy as it pushes misleading climate claims to trusting readers. In addition to podcasts, newsletters, and videos, some of these outlets allow fossil fuel companies to sponsor their events. Reuters goes even further; its events staff creates custom summits for the industry explicitly designed to remove the [“pain points” holding back faster production of oil and gas.](https://events.reutersevents.com/oilandgas/data-driven-usa)\[*Disclosure: Matthew Green previously worked as a climate reporter for Reuters*\]
With United Nations climate talks underway in the United Arab Emirates, oil and gas companies have been sponsoring even more advertorials and events with media partners than usual, primarily designed to portray the industry as a climate leader.
“It's really outrageous that outlets like *The New York Times* or *Bloomberg* or *Reuters* would lend their imprimatur to content that is misleading at best and in some cases outright false,” said Naomi Oreskes, a climate disinformation expert and professor at Harvard University. “Theyre manufacturing content that at best is completely one-sided, and at worst is disinformation, and pushing that to their readers.”
Spokespeople for *Bloomberg, the Financial Times, The New York Times, Reuters*, and *The Washington Post* told us that advertorial content is created by staff that are separate from the newsroom, and their journalists are independent from their ad sales efforts. (*Politico* and *The Economist* did not respond to requests for comment). But the independence of these outlets journalists is not in question; whats important is whether readers understand the difference between reporting and advertising. According to a growing body of peer-reviewed research, they do not.
A 2016 Georgetown University study, for example, found that advertorials are confused for “real” content by about [two thirds of people](https://papers.ssrn.com/sol3/papers.cfm?abstract_id=2816655). Another study, conducted in [2018 by Boston University researchers,](https://open.bu.edu/handle/2144/27308) found that only one in 10 people recognized native advertising as advertising, rather than reporting. In the context of climate change, the sponsored content often directly contradicts the news articles.
Michelle Amazeen, the lead author on the Boston University study, found that those who did recognize sponsored content for what it was thought less of the outlet they were reading. “It tarnishes the reputation of that news outlet,” Amazeen said. “So its baffling to me why newsrooms are continuing to pursue this.”
**“Crafting Your Climate Narrative”**
This years 28th annual UN climate negotiations, known as the Conference of the Parties or COP28, is currently being held in Dubai, the largest city in one of the worlds top oil-producing countries. Presided over by Sultan Ahmed Al Jaber, the head of the UAEs state-owned oil company, Adnoc, it is the most industry-influenced COP yet.
Fossil fuel companies, including Adnoc, are seeking to preserve their business models by promoting carbon capture and storage, hydrogen power, and carbon offsets as viable climate solutions, despite the fact that these technologies are on track to do little more than extend the life of the fossil fuel industry. As COP28 president, Al Jaber has backed these technologies in the leadup to the summit.
The enormous influence oil and gas executives are wielding at COP28 has thrown commercial partnerships between media outlets and the fossil fuel industry into sharper focus. Climate reporters at every outlet we analyzed have diligently covered the challenges that the industrys so-called solutions face, but when that reporting is placed alongside corporate-sponsored content touting the technologys benefits, it leaves readers confused.
In addition to the Reuters Plus [podcast](https://plus.reuters.com/powered-by-how/p/1) produced this year for Aramco, which touts the benefits of industry-backed “innovations” like synthetic fuels and “non-metallic” drilling materials—both of which have the added benefit of creating new revenue streams for the companys petrochemical business—The New York Times T Brand Studio also created [“The Energy Trilemma,”](https://www.nytimes.com/paidpost/bp/energy-trilemma.html) a 2022 podcast for BP about how high-emitting industries are decarbonizing, mostly through technology and not by reducing the development or use of fossil fuels. Bloomberg Media Studios, meanwhile, [created a video](https://www.youtube.com/watch?app=desktop&v=TbUOTqytvzE&t=48s) for ExxonMobil touting hydrogen power, as well as carbon capture and storage, or CCS. In the video, Exxon CEO Darren Woods says the company is “ready to deploy CCS to reduce the worlds emissions,” but leaves out the fact that the company also plans to increase annual carbon dioxide emissions by as much as the output of the entire nation of Greece — news [Bloombergs own climate reporters broke](https://www.bloomberg.com/news/articles/2020-10-05/exxon-carbon-emissions-and-climate-leaked-plans-reveal-rising-co2-output?sref=Ptu9QECN).
Reuters Events also offered to help corporations hone their “climate narrative” at COP28, via opportunities to secure “exclusive interviews,” seats at high-level roundtables, coverage on the Reuters website, exclusive dinner invites, and a Reuters presence in corporate pavilions at the Dubai expo center where negotiations are held.
![](https://imagedelivery.net/wTzk2S2Vnup17_3QtUMt7w/i51ce4ccf42fa88fe4fbdaa8b7d8f8cbb/public)
The media plays a fundamental role in shaping both policymakers and the publics understanding of climate issues. According to communications agency BCWs [annual survey of media brands](https://www.bcw-global.com/newsroom/belgium/eu-media-poll-2022-politico-most-influential-media-for-eu-decision-makers) in Europe, Politico, Reuters, the Financial Times, and The Economist top the list of most influential media for European Union decision-makers. No surprise, then, that they are also amongst the fossil fuel industrys favorite media partners.
“The considerations around what is the role of carbon-based industry in partnering with media organizations is not too dissimilar to the debates and discussions around what kind of role the carbon-based industry interests have in the climate talks themselves,” said Max Boykoff, who contributed research and analysis to the most recent [climate mitigation report](https://www.ipcc.ch/report/ar6/wg3/) from the United Nations-backed Intergovernmental Panel on Climate Change, or IPCC.
“People aren't picking up the IPCC report or peer-reviewed research to understand climate change,” he added. “People are reading about it in the news. Thats what shapes their understanding.”
**“Gross, Undermining, and Dangerous”**
News outlets in-house ad agencies havent just helped greenwash the fossil fuel industrys preferred climate solutions in the leadup to COP28. Over the past three years, the Financial Times FT Commercial team has created dedicated web pages for various fossil majors, including [Equinor](https://equinor.ft.com/) and [Aramco](https://aramco.ft.com/), along with [native content](https://aramco.ft.com/how-one-industry-can-help-push-the-world-towards-net-zero) and [videos](https://equinor.ft.com/videos/carbon-removal-and-reduction?utm_source=FT&utm_medium=Premium_Native_Amplification), all focused on promoting oil and gas as a key component of the energy transition. FTs recent Energy Transition Summit platformed talking points from executives at BP, Chevron, Eni, and Essar. At The Economists 2020 Sustainability Week event, BP featured as a platinum sponsor, while Petronas and Chevron sponsored the magazines [Future of Energy Week](https://events.economist.com/future-of-energy-week/sponsors/) in 2022.
Politico is one of the most consistent publishing partners for the fossil fuel industry. Over the past three years, it has run native ads more than 50 times for the American Petroleum Institute, the most powerful fossil fuel lobby in the U.S.; organized 37 email campaigns for ExxonMobil; and sent dozens of newsletters sponsored by BP and Chevron, the latter of which also sponsors Politicos annual “Women Rule” summit. Since 2017, Shell has sponsored every one of Politicos Energy Visions events (and companion web series), which examines “the politics and issues driving the energy transition conversation.”
According to data from Media Radar, The New York Times took in more than $20 million in revenue from fossil fuel advertisers from October 2020 to October 2023 — twice what any other outlet earned from the industry. That number is due largely to the papers relationship with Saudi Aramco, which brought in $13 million in ad revenue during that three-year period, via a combination of print, mobile, and video ads, as well as sponsored newsletters.
The revenue figure does not include creative services fees paid to the Timess internal brand studio. New York Time*s* spokesperson Alexis Mortenson said that the T Brand Studio creates custom content for fossil fuel advertisers in print, video, and digital, including podcasts, and promotes it to the New York Times audience via “dark social posts” — advertisements that cannot be found organically and do not appear on a brand's timeline. “We no longer allow organic social posts,” Mortenson noted. “Additionally, we allow fossil fuel advertisers to sponsor some newsletters. Fossil fuel advertisers, however, cannot sponsor any climate-related newsletter.”
Climate reporters at these outlets, who requested anonymity to avoid professional repercussions, described the practice as “gross,” “undermining,” and “dangerous.”
“Not only does it undermine the climate journalism these outlets are producing, but it actually signals to readers that climate change is not a serious issue,” one climate reporter said.
Another journalist at a major media organization said the outlet had undermined its credibility by striking commercial deals with oil and gas companies with a long history of hiring public relations agencies to cast doubt on climate science.
“Where is our integrity?” they said. “How can we expect people to take our climate coverage seriously after everything these oil companies have done to hide the truth?”
**“Vast Sums of Money”**
The fossil fuel industrys attempts to extend its social license by buying friendly advertorials and other sponsored content date back to 1970, when Mobil Oil vice president of public affairs Herb Schmertz worked with the New York Times to create the first advertorial. The company proceeded to run these pieces, which Schmertz described as “political pamphlets,” in the Times every week for decades — a program that Mobil Oil extended to dozens of other outlets. The rest of the industry followed suit, and the practice has continued ever since. A peer-reviewed [2017 study](https://iopscience.iop.org/article/10.1088/1748-9326/aa815f) of Mobil and then ExxonMobils New York Times advertorials found that 81 percent of the ones that mentioned climate change emphasized doubt in the science.
The advent of “brand studios” inside most major media outlets over the past decade has super-charged such content programs. Now many publications have staff dedicated to creating content for advertisers, and the outlets market their ability to tailor content to their readership. These offerings come at a higher cost than traditional ad buys, making them increasingly important to for-profit newsrooms facing a crisis in the traditional revenue models. And fossil fuel companies have been happy to pay.
“They wouldn't be spending vast sums of money on these campaigns if they didn't have a payoff, and its well-documented that for decades the fossil fuel industry has leveraged and weaponized and innovated the media technology of the day to its advantage,” said University of Miami researcher Geoffrey Supran, a co-author of the 2017 advertorial study with Oreskes. “Its sometimes treated as a historical phenomenon, but in reality were living today with the digital descendants of the editorial campaigns pioneered by the fossil-fuel industry — the old strategy is very much alive and well.”
Taking a page from Schmertzs book, [The Washington Post Creative Group](https://www.washingtonpost.com/creativegroup/archive/) — the papers internal brand studio — describes on its website how it goes about “influencing the influencers.”
![](https://imagedelivery.net/wTzk2S2Vnup17_3QtUMt7w/i524b9b3e1c7f6ca73cfc2af555ef2c59/public)
In 2022 alone, ExxonMobil sponsored more than 300 editions of Washington Post newsletters. Throughout [2020](https://www.washingtonpost.com/creativegroup/sponsor/api/) and [2021](https://www.washingtonpost.com/creativegroup/sponsor/americanpetroleuminstitute/), it also ran a series of editorials for the American Petroleum Institute on its website, including [a multimedia piece](https://www.washingtonpost.com/brand-studio/api-why-natural-gas-will-thrive-in-the-age-of-renewables/) that argued fossil gas is a complement to renewable energy and repeated claims that renewable energy is unreliable — talking points that the papers news reporters [often](https://www.washingtonpost.com/world/2022/02/02/green-energy-gas-nuclear-taxonomy/) [debunk.](https://www.washingtonpost.com/weather/2022/02/20/texas-energy-winter-renewable-jacobson-dessler-rogan/) During this time, the Washington Post editorial team published [Pulitzer prize-winning climate reporting](https://www.washingtonpost.com/pr/2020/05/04/washington-post-wins-2020-pulitzer-prize-explanatory-reporting-groundbreaking-climate-change-coverage/) and [expanded its climate coverage](https://www.washingtonpost.com/climate-environment/2022/11/28/introducing-posts-expanded-climate-coverage/).
**Reuters tops the list**
Of all the outlets we reviewed, only Reuters offers fossil fuel advertisers every possible avenue to reach its audience. Its event arm even produces custom events for the industry, despite counting “freedom from bias” as a core pillar of its “[Trust Principles](https://matthewgreenglobal.substack.com/p/processing-my-reuters-climate-karma),” which were adopted to protect the publications independence during World War II.
Since Reuters News, a subsidiary of Canadian media conglomerate Thomson Reuters, [acquired](https://www.reuters.com/article/us-fcbi-m-a-thomsonreuters-idUSKBN1WJ0ZW) an events business in 2019, the distinction between the companys newsroom and its commercial ventures has become increasingly [blurred](https://matthewgreenglobal.substack.com/p/processing-my-reuters-climate-karma). Reuters in-house creative studio produces native print, audio, video, and newsletter content for multiple oil majors, including [Shell](https://www.reuters.com/plus/shell/collaboration-counts), [Saudi Aramco](https://plus.reuters.com/powered-by-how/), and [BP](https://www.reutersagency.com/en/reuters-plus/bp-energy-outlook-2019/), while Reuters journalists routinely take part as moderators and interviewers and propose guest speakers for Reuters Events.
In a [media kit](https://www.documentcloud.org/documents/24042466-reutersmediakit) for “content opportunities in the upstream industry,” Reuters Events staff offers to produce webinars, whitepapers, and live-event interviews for those hoping to get in front of its “unrivalled audience reach of decision makers in the oil & gas industry.” For its Hydrogen 2023 event, Reuters Events produced [a companion whitepaper](https://www.documentcloud.org/documents/24042318-reuters_hydrogen2023_whitepaper-1) on the top 100 hydrogen innovators, which it then used to market the event in various other outlets. Topping the list of innovators were key event sponsors, Chevron and Shell.
Reuters Events also stages [fossil fuel industry trade shows](https://events.reutersevents.com/petchem/downstream-usa/exhibition) aimed at maximizing production of oil and gas, and it creates digital events and webinars for vendors in the fossil fuel supply chain looking to connect with oil and gas companies. In June 2023, Reuters Events convened hundreds of oil, gas, and tech executives in Houston for “[Reuters Events Data-driven Oil & Gas USA 2023](https://events.reutersevents.com/oilandgas/data-driven-usa/become-sponsor),” a conference held under the banner “Scaling Digital to Maximize Profit.”
“Time is money, which is why our agenda gets straight to key pain points holding back drilling and production maximization,” the conference website said.
Reuters has also partnered with Chevron, the “diamond” sponsor of both its flagship Reuters Impact climate event in London in September 2023 and its Global Energy Transition Summit in New York this coming June 2024.
In December 2022, Reuters ran [an event](https://events.reutersevents.com/impact/ogci) sponsored by t[he Oil and Gas Climate Initiative,](https://desmog.com/oil-and-gas-climate-initiative) a lobby group which includes many of the worlds largest oil companies, to discuss the “major part” fossil fuel companies “play in ensuring a sustainable energy transition.” During the event, industry talking points were tweeted directly from the [Reuters Events Twitter account.](https://twitter.com/reutersevents/status/1585999153540530176)
![](https://imagedelivery.net/wTzk2S2Vnup17_3QtUMt7w/if6634f2da16ccfb9ee03290e146bad94/public)
A Reuters spokesperson said its Reuters Plus studio allows companies to connect with audiences attending Reuters Events via clearly labelled sponsored content.
"Reuters Events serves multiple professional audiences involved in the most important discussions of our day; facilitating these discussions is an important part of the Reuters Events business," the spokesperson said.
“Business-to-business publishers always had an events revenue stream, but consumer-facing news publications didnt really get into the events business until digital advertising became commodified,” media analyst Ken Doctor said. Now, events represent 20 to 30 percent of revenue for some publications. Doctor called them a “thought-leader exercise” for the advertisers. “There are only a few top media brands out there, and if you are associated with any of them, there is a lot of tangential brand building benefit to that.”
The additional revenue may come at a reputational cost for news outlets. After seeing the scope of Reuters involvement with the fossil fuel industry, we wondered how an outlet thats producing events for fossil fuel companies, aimed at increasing oil and gas development, could qualify for membership in [Covering Climate Now](https://coveringclimatenow.org/), an organization that offers newsrooms the opportunity to “demonstrate leadership among their peers — and to show readers, listeners and viewers that theyre committed to telling the climate story with the rigor, focus, and urgency it deserves.”
“Covering Climate Now has had no communication with Reuters about any activities backing faster development of fossil fuels,” Mark Hertsgaard, the executive director of Covering Climate Now, said in a written statement. \[Disclosure: Amy Westervelt is a member of the steering committee of Covering Climate Now, of which both Drilled and DeSmog are members.\]
“Covering Climate Now has always taken a big-tent approach to our partnership with news organizations. This story raises serious questions about news media responsibility in climate reporting, and Covering Climate Now plans to think more deeply about these questions and how we might adjust our policies going forward.”
Journalism is facing a crisis, and in the midst of declining revenues, trailing subscriptions, and shuttering newsrooms, outlets should be considering new ways to fund their work. But experts say that the seemingly wholesale embrace of powerful industries that were seeing from some of the worlds most trusted names in news requires a much more rigorous conversation than these outlets seem interested in having.
“In theory, these complaints \[around advertorials\] could possibly be addressed with better labeling and smarter design,” Jay Rosen, journalism professor at New York University, said. “But if you're saying that even when they are properly labeled and carefully set off from the real journalism, these advertorials weaken trust and miscommunicate about climate change, that is a problem that cannot be solved within the industry consensus around sponsored content. Its implicitly calling for a new consensus.”
As their content marketing about the journey to net zero continues to get bigger and better, oil majors investments in fossil fuel development have only increased. A [peer-reviewed study](https://journals.plos.org/plosone/article?id=10.1371%2Fjournal.pone.0263596) comparing oil majors advertising claims and actions, published in the journal *Plos One* in 2022, found that while the companies are talking more than ever about energy transition and decarbonization, they are not actually investing in either. “The companies are pledging a transition to clean energy and setting targets more than they are making concrete actions,” the studys authors wrote.
Reporters at the publications we reviewed often cover this disconnect between advertising and action, challenging fossil fuel companies claims. Their employers, however, then sell the space next to those stories for industry-sponsored takes that research shows many readers take equally as seriously.
“I feel like it's really important not to beat around the bush and to just recognize these activities for what they are, which is literally Big Oil and mainstream media collaborating in PR campaigns for the industry,” said Supran, the University of Miami researcher. “Its nothing short of that.”
*Joey Grostern also contributed reporting to this story.*
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# Taylor Swift Is TIME's 2023 Person of the Year
Taylor Swift is telling me a story, and when [Taylor Swift](https://time.com/collection/100-most-influential-people-2019/5567666/taylor-swift/) tells you a story, you listen, because you know its going to be good—not only because shes had an extraordinary life, but because shes an extraordinary storyteller. This one is about a time she got her heart broken, although not in the way you might expect.
She was 17, she says, and she had booked the biggest opportunity of her life so far—a highly coveted slot opening for country superstar Kenny Chesney on tour. “This was going to change my career,” she remembers. “I was so excited.” But a couple weeks later, Swift arrived home to find her mother Andrea sitting on the front steps of their house. “She was weeping,” Swift says. “Her head was in her hands as if there had been a family emergency.” Through sobs, Andrea told her daughter that Chesneys tour had been sponsored by a beer company. Taylor was too young to join. “I was devastated,” Swift says. 
But some months later, at Swifts 18th birthday party, she saw Chesneys promoter. He handed her a card from Chesney that read, as Swift recalls, “Im sorry that you couldnt come on the tour, so I wanted to make it up to you.” With the note was a check. “It was for more money than Id ever seen in my life,” Swift says. “I was able to pay my band bonuses. I was able to pay for my tour buses. I was able to fuel my dreams.”
![](https://api.time.com/wp-content/uploads/2023/12/SWIFT.FINAL_.COVER3_.jpg?quality=75&w=2400)
Photograph by Inez and Vinoodh for TIME
Listening to Swift share this, on a clear fall afternoon in her New York City apartment, Im struck by how satisfying the story is. There are high stakes at the outset; there are details, vivid and sensory; theres a twist that flips the action on its head; and theres a happy ending for its hero. It takes her only about 30 seconds to recount this, but those 30 seconds contain an entire narrative world.
[*Buy the Taylor Swift Person of the Year issue here*](https://magazineshop.us/products/time-person-of-the-year/?utm_source=TIME-Email&utm_medium=Client-Title-Email&utm_campaign=231201_Time-Person-of-the-Year-Email&utm_content=Time-Email-Landing-Time-Person-of-the-Year-Product-Page)
Im not surprised. Swift has a preternatural skill for finding the story. Her anecdote about Chesney symbolizes a larger narrative in Swifts life, one about redemption—where our protagonist discovers new happiness not despite challenges, but because of them. Swift, as well discuss, took a few hits to get here. “Ive been raised up and down the flagpole of public opinion so many times in the last 20 years,” she says as we tuck into a cozy den off the kitchen to talk, and she kicks off her shoes and curls up onto the sofa. “Ive been given a tiara, then had it taken away.” She is seemingly unguarded in conversation, reflective about both where shes been and where she finds herself now. After all, while shes long been one of the biggest entertainers in the world, this year is different. “It feels like the breakthrough moment of my career, happening at 33,” she says. “And for the first time in my life, I was mentally tough enough to take what comes with that.” This is her story—even if shes now so high that its hard to believe she was ever low.
![](https://api.time.com/wp-content/uploads/2023/12/SWIFT.FINAL_.COVER2_.jpg?quality=75&w=2400)
Photograph by Inez and Vinoodh for TIME
Swifts accomplishments as an artist—culturally, critically, and commercially—are so legion that to recount them seems almost beside the point. As a pop star, she sits in rarefied company, alongside Elvis Presley, Michael Jackson, and Madonna; as a songwriter, she has been compared to Bob Dylan, Paul McCartney, and Joni Mitchell. As a businesswoman, she has built an empire worth, by some estimates, over $1 billion. And as a celebrity—who by dint of being a woman is scrutinized for everything from whom she dates to what she wears—she has long commanded constant attention and knows how to use it. (“I dont give Taylor advice about being famous,” Stevie Nicks tells me. “She doesnt need it.”) But this year, something shifted. To discuss her movements felt like discussing politics or the weather—a language spoken so widely it needed no context. She became the main character of the world.
If youre skeptical, consider it: How many conversations did you have about Taylor Swift this year? How many times did you see a photo of her while scrolling on your phone? Were you one of the people who made a pilgrimage to a city where she played? Did you buy a ticket to her concert film? Did you double-tap an Instagram post, or laugh at a tweet, or click on a headline about her? Did you find yourself humming “[Cruel Summer](https://time.com/6287902/cruel-summer-taylor-swift-single/)” while waiting in line at the grocery store? Did a friend confess that they watched clips of the [Eras Tour](https://time.com/6341858/taylor-swift-eras-tour-movie-streaming/) night after night on TikTok? Or did you?
![](https://api.time.com/wp-content/uploads/2023/12/SWIFT.FINAL_.COVER1_.jpg?quality=75&w=2400)
Photograph by Inez and Vinoodh for TIME
Her epic career-retrospective tour recounting her artistic “eras,” which played 66 dates across the Americas this year, is projected to become the biggest of all time and the first to gross over a billion dollars; analysts talked about the “Taylor effect,” as politicians from Thailand, Hungary, and Chile implored her to play their countries. Cities, stadiums, and streets were renamed for her. Every time she came to a new place, a mini economic boom took place as hotels and restaurants saw a surge of visitors. In [releasing her concert movie](https://time.com/6323858/taylor-swift-the-eras-tour-movie-review/), Swift bypassed studios and streamers, instead forging an unusual pact with AMC, giving the theater chain its highest single-day ticket sales in history. There are at least 10 college classes devoted to her, including one at Harvard; the professor, Stephanie Burt, tells TIME she plans to compare Swifts work to that of the poet William Wordsworth. Friendship bracelets traded by her fans at concerts became a hot accessory, with one line in a song causing as much as a 500% increase in sales at craft stores. When Swift started dating Travis Kelce, the Kansas City Chief and two-time Super Bowl champion, his games saw a massive increase in viewership. (Yes, she somehow made one of Americas most popular things—football—even more popular.) And then theres her critically hailed songbook—a catalog so beloved that as [she rereleases it](https://time.com/5949979/why-taylor-swift-is-rerecording-old-albums/), shes often breaking chart records she herself set. Shes the last monoculture left in our stratified world.
Its hard to see history when youre in the middle of it, harder still to distinguish Swifts impact on the culture from her celebrity, which emits so much light it can be blinding. But something unusual is happening with Swift, without a contemporary precedent. She deploys the most efficient medium of the day—the pop song—to tell her story. Yet over time, she has harnessed the power of the media, both traditional and new, to create something wholly unique—a narrative world, in which her music is just one piece in an interactive, shape-shifting story. Swift is that storys architect and hero, protagonist and narrator.
![](https://api.time.com/wp-content/uploads/2023/12/taylor-swift-person-of-the-year.jpg?quality=75&w=2400)
Inez and Vinoodh for TIME
This was the year she perfected her craft—not just with her music, but in her position as the master storyteller of the modern era. The world, in turn, watched, clicked, cried, danced, sang along, swooned, caravanned to stadiums and movie theaters, let her work soundtrack their lives. For Swift, its a peak. “This is the proudest and happiest Ive ever felt, and the most creatively fulfilled and free Ive ever been,” Swift tells me. “Ultimately, we can convolute it all we want, or try to overcomplicate it, but theres only one question.” Here, she adopts a booming voice. *“Are you not entertained?”*
---
**A few months before** I sit with Swift in New York, on a summer night in Santa Clara, Calif., which has been temporarily renamed Swiftie Clara in her honor, I am in a stadium with nearly 70,000 other people having a religious experience. The crowd is rapturous and Swift beatific as she gazes out at us, all high on the same drug. Her fans are singularly passionate, not just in the venue but also online, as they analyze clues, hints, and secret messages in everything from her choreography to her costumes—some deliberately planted, others not. (“Taylor Swift fans are the modern-day equivalent of those cults who would consistently have inaccurate rapture predictions like once a month,” [as one viral tweet noted](https://twitter.com/Coll3enG/status/1582520477175533568).)
[*Subscribe now and get the Person of the Year issue*](http://time.com/subscribe)
Standing in the arena, its not hard to understand why this is the biggest thing in the world. “Beatlemania and *Thriller* have nothing on these shows,” says Swifts friend and collaborator Phoebe Bridgers. Fans in Argentina pitched tents outside the venue for months to get prime spots, with some quitting their jobs to commit to fandom full time. Across the U.S., others lined up for days, while those who didnt get in “Taylor-gated” in nearby parking lots so they could pick up the sound. When tickets went on sale last year, Ticketmaster crashed. Although 4.1 million tickets were sold for the 2023 shows—including over 2 million on the first day, a new record—scalpers jacked up prices on the secondary market to more than $22,000. Multiple fans filed lawsuits. The Justice Department moved forward with an investigation. The [Senate held a hearing](https://time.com/6249730/ticketmaster-taylor-swift-hearing-congress/). Given these stakes, Swift had to deliver.
![](https://api.time.com/wp-content/uploads/2023/12/taylor-swift-person-of-the-year-senate-ticketmaster.jpg?quality=75&w=2400)
Ticketmaster and Live Nation executives testified at a Senate hearing after demand for tickets overwhelmed the siteAl Drago—Bloomberg/Getty Images
“I knew this tour was harder than anything Id ever done before by a long shot,” Swift says. Each show spans over 180 minutes, including 40-plus songs from at least nine albums; there are 16 costume changes, pyrotechnics, an optical illusion in which she appears to dive into the stage and swim, and not one but two cottagecore worlds, which feature an abundance of moss.
In the past, Swift jokes, she toured “like a frat guy.” This time, she began training six months ahead of the first show. “Every day I would run on the treadmill, singing the entire set list out loud,” she said. “Fast for fast songs, and a jog or a fast walk for slow songs.” Her gym, Dogpound, created a program for her, incorporating strength, conditioning, and weights. “Then I had three months of dance training, because I wanted to get it in my bones,” she says. “I wanted to be so over-rehearsed that I could be silly with the fans, and not lose my train of thought.” She worked with choreographer Mandy Moore—recommended by her friend Emma Stone, who worked with Moore on *La La Land*—since, as Swift says, “Learning choreography is not my strong suit.” With the exception of Grammy night—which was “hilarious,” she says—she also stopped drinking. “Doing that show with a hangover,” she says ominously. “I dont want to know that world.”
**Read More:** *[Taylor Swift Shares Her Eras Tour Workout and Self-Care Regimen](https://time.com/6343028/taylor-swift-workout-routine-eras-tour/)*
Swifts arrival in a city energized the local economy. When Eras kicked off in Glendale, Ariz., she generated more revenue for its businesses than the 2023 Super Bowl, which was held in the same stadium. Fans flew across the country, stayed in hotels, ate meals out, and splurged on everything from sweatshirts to limited-edition vinyl, with the average Eras attendee reportedly spending nearly $1,300. Swift sees the expense and effort incurred by fans as something she needs to repay: “They had to work really hard to get the tickets,” she says. “I wanted to play a show that was longer than they ever thought it would be, because that makes me feel good leaving the stadium.” The “Taylor effect” was noticed at the highest levels of government. “When the Federal Reserve mentions you as the reason economic growth is up, thats a big deal,” says Ed Tiryakian, a finance professor at Duke University. 
Carrying an economy on your back is a lot for one person. After she plays a run of shows, Swift takes a day to rest and recover. “I do not leave my bed except to get food and take it back to my bed and eat it there,” she says. “Its a dream scenario. I can barely speak because Ive been singing for three shows straight. Every time I take a step my feet go *crunch, crunch, crunch* from dancing in heels.” Maintaining her strength through workouts between shows is key. “I know Im going on that stage whether Im sick, injured, heartbroken, uncomfortable, or stressed,” she says. “Thats part of my identity as a human being now. If someone buys a ticket to my show, Im going to play it unless we have some sort of force majeure.” (A heat wave in Rio de Janeiro caused chaos during Swifts November run as one fan, Ana Clara Benevides Machado, reportedly collapsed during the show and later died; Swift wrote on Instagram that she had a “shattered heart.” She rescheduled the next show because of unsafe conditions, and spent time with Benevides Machados family at her final tour date in Brazil.)
![Taylor Swift Tour Rehearsal](https://api.time.com/wp-content/uploads/2023/12/taylor-swift-person-of-the-year-tour-rehearsal.jpg?quality=75&w=2400)
Swift told TIME she started training six months in advance of the Eras Tour, which kicked off in MarchCourtesy TAS Rights Management
Swift is many things onstage—vulnerable and triumphant, playful and sad—but the intimacy of her songcraft is front and center. “Her work as a songwriter is what speaks most clearly to me,” says filmmaker Greta Gerwig, whose feminist *Barbie* was its own testament to the idea that women can be anything. “To write music that is from the deepest part of herself and have it directly speak into the souls of other people.” As Swift whips through the eras, shes not trying to update her old songs, whether the earnest romance of “You Belong With Me” or the millennial ennui of “22,” so much as she is embracing them anew. Shes modeling radical self-acceptance on the worlds largest stage, giving the audience a space to revisit their own joy or pain, once dismissed or forgotten. I tell Swift that the show made me think of a meme that says, “Do not kill the part of you that is cringe—kill the part of you that cringes.” “Yes!” she exclaims. “Every part of you that youve ever been, every phase youve ever gone through, was you working it out in that moment with the information you had available to you at the time. Theres a lot that I look back at like, Wow, a couple years ago I might have cringed at this. You should celebrate who you are now, where youre going, and where youve been.”
**Read More:** *[How We Chose Taylor Swift as TIME's 2023 Person of the Year](https://time.com/6342816/person-of-the-year-2023-taylor-swift-choice/)*
Getting to this place of harmony with her past took work; theres a dramatic irony, she explains, to the success of the tour. “Its not lost on me that the two great catalysts for this happening were two horrendous things that happened to me,” Swift says, and this is where the story takes a turn. “The first was getting canceled within an inch of my life and sanity,” she says plainly. “The second was having my lifes work taken away from me by someone who hates me.”
---
**Swift shows me** some things she loves in her apartment: a Stevie Nicks Barbie that sits still boxed in her kitchen, sent to her by the artist; the framed note from Paul McCartney that hangs in her bathroom; tiles around the fireplace that Swift found shopping in Paris with her mother. Connections to her family are everywhere, including a striking photo of her grandmother Marjorie, an opera singer and the inspiration for a track on her album *evermore.* Swift grew up on a Christmas-tree farm in Pennsylvania, with her younger brother Austin; her father Scott was a stockbroker at Merrill Lynch, and Andrea worked in marketing. Her family still works closely with her today. “My dad, my mom, and my brother come up with some of the best ideas in my career,” Swift says. “I always joke that were a small family business.”
![](https://api.time.com/wp-content/uploads/2023/12/taylor-swift-person-of-the-year-family-commencement.jpg?quality=75&w=2400)
Austin, Andrea, and Scott Swift with Taylor at NYU graduation in 2022 where she received an honorary Doctorate of Fine ArtsCourtesy TAS Rights Management
After moving to Nashville as a teen, she signed with Scott Borchettas Big Machine Records. Swifts songwriting ability was evident from the first lyrics of “Tim McGraw,” her debut single: “He said the way my blue eyes shined put those Georgia stars to shame that night—I said, Thats a lie.’” Even for country music these lyrics are literary—conjuring a romantic fantasy, then deflating it a line later. The fairy-tale promise of love and intimacy became a runner in Swifts work as a songwriter, something shed repeatedly espouse, then skewer; she was self-aware about the role narrative played in her expectations. She was seen as a gifted pop-country ingenue when, in a now infamous moment, Kanye West interrupted Swift onstage at the 2009 VMAs while she was accepting an award. The incident set in motion a chain of events that would shape the next decade of both artists lives. 
It was around that time, Swift remembers now, that she began trying to shape-shift. “I realized every record label was actively working to try to replace me,” she says. “I thought instead, Id replace myself first with a new me. Its harder to hit a moving target.” Swift wrote songs solo, incorporated diverse sonic influences, and placed more clues about personal relationships in her lyrics and album materials for fans to decode. Her epic ballad “All Too Well,” from 2012s *Red,* epitomizes Swifts superpower as a songwriter, deploying tossed-off details like a forgotten scarf that comes back at the songs end to stab you in the heart—but it also had a secret message hidden in the liner notes. When an extended version of the song hit No. 1 last year upon its rerelease, it wasnt only because the song is extraordinary, but because it has its own lore, like Carly Simons “Youre So Vain” if it came with an experiential puzzle for fans to solve. “Shes like a whole room of writers as one person, with that voice and charisma,” Bridgers says. “Shes everything at once.”
[](https://timecoverstore.com/collections/2023+person+of+the+year)[*Buy a print of the Person of the Year covers now*](https://timecoverstore.com/collections/2023+person+of+the+year)
Swift knew she had to keep innovating. “By the time an artist is mature enough to psychologically deal with the job, they throw you out at 29, typically,” she says. “In the 90s and 00s, it seems like the music industry just said: OK, lets take a bunch of teenagers, throw them into a fire, and watch what happens. By the time theyve accumulated enough wisdom to do their job effectively, well find new teenagers.’” She went [full-throttle pop for 2014s *1989*](https://time.com/6328790/taylor-swift-1989-2/)*,* putting her [on top of the world](https://time.com/3583129/power-of-taylor-swift-cover/)—“an imperial phase,” she calls it. She didnt realize it would also give her much farther to fall. Public sentiment turned—sniping about everything from her perceived overexposure to conspiracy theories about her politics. “I had all the hyenas climb on and take their shots,” she says. West wrote a song with vulgar lyrics about her, and claimed that Swift had consented to it, which Swift denied; Wests then wife, Kim Kardashian, released a video of a conversation between West and Swift that seemed to indicate that Swift had been on board with the song. The scandal was tabloid catnip; it made Swift look like a snake, which is what people called her. She felt it was “a career death,” she says. “Make no mistake—my career was taken away from me.”
![](https://api.time.com/wp-content/uploads/2023/12/taylor-swift-person-of-the-year-4.jpg?quality=75&w=2400)
Inez and Vinoodh for TIME
It was a bleak moment. “You have a fully manufactured frame job, in an illegally recorded phone call, which Kim Kardashian edited and then put out to say to everyone that I was a liar,” she says. “That took me down psychologically to a place Ive never been before. I moved to a foreign country. I didnt leave a rental house for a year. I was afraid to get on phone calls. I pushed away most people in my life because I didnt trust anyone anymore. I went down really, really hard.” (Kardashian wrote, in a 2020 social media post, that the situation “forced me to defend him.”) Swifts next album, 2017s *Reputation,* featured snake imagery; the video for “Look What You Made Me Do” saw her killing off younger versions of herself. She remembers *Reputation* being met with uproar and skepticism. “I thought that moment of backlash was going to define me negatively for the rest of my life,” she says. She had also satisfied her record deal with Borchetta, and knew she wanted out. “The molecular chemistry of that old label was that every creative choice I wanted to make was second-guessed,” she says. “I was really overthinking these albums.”
She met with Lucian Grainge, the CEO of Universal Music Group, and Monte Lipman, who runs Universals top label Republic Records, to talk about signing a deal that would give her more agency. Today, Grainge is perhaps the most powerful executive in the music industry, but, as I sit with him in his office in Los Angeles, he describes himself as an “old punk” who operates on instinct more than metrics. He told Swift, he says, “We will utilize everything that weve got as a company for you.” Swift felt like shed been given carte blanche: “Lucian and Monte basically said to me, Whatever you turn in, we will be proud to put out. We give you 100% creative freedom and trust.’” It was exactly what she needed to hear most when the chips were down.
Yet the release of Swifts first album with Republic, 2019s *[Lover](https://time.com/5651207/taylor-swift-lover-songs-explained/),* coincided with the second big upheaval in her professional life: Borchetta had sold Big Machine—and with it, Swifts catalog, valued then at a reported $140 million—to Ithaca Holdings, which is owned by music manager Scooter Braun, a former ally of Wests. “With the Scooter thing, my masters were being sold to someone who actively wanted them for nefarious reasons, in my opinion,” Swift says. (“It makes me sad that Taylor had that reaction to the deal,” Braun told *Variety* in 2021.) The sale meant that the [rights to Swifts first six albums](https://time.com/5618336/taylor-swift-scooter-braun-masters/) moved to Braun, so whenever someone wanted to license one of those songs, he would be the one to profit. Swift rallied her fans against the deal, but still felt powerless. “I was so knocked on my ass by the sale of my music, and to whom it was sold,” she says. “I was like, Oh, they got me beat now. This is it. I dont know what to do.’” She went back to work, using the pandemic lockdown to pare back her sound on critically acclaimed albums *[folklore](https://time.com/5871159/taylor-swift-folklore-explained/)* and *[evermore](https://time.com/5920105/taylor-swift-evermore/).*
Around the same time, she started thinking about rerecording her old albums in an effort to wrest back control. “Id run into Kelly Clarkson and she would go, Just redo it,’” Swift says. “My dad kept saying it to me too. Id look at them and go, How can I possibly do that? Nobody wants to redo their homework if on the way to school, the wind blows your book report away.” Since Swift wrote her own songs, she retained the musical composition copyright and could rerecord them. She also negotiated to own the master rights for her material when she moved over to Republic in 2018, so she now owns her new material and the rerecorded songs. (Major labels have since made it more difficult for artists to rerecord their music.) She began rerecording subtly different versions of her old albums, tagging them “(Taylors Version)” and adding unreleased tracks to redirect listenership to them. She frames the strategy as a coping mechanism. “Its all in how you deal with loss,” she says. “I respond to extreme pain with defiance.”
![](https://api.time.com/wp-content/uploads/2023/12/taylor-swift-person-of-the-year-eras-tour.jpg?quality=75&w=2400)
Swift performs at Foro Sol in Mexico City on Aug. 24Hector Vivas—TAS23/Getty Images for TAS Rights Management
Grainge calls the rerecording project “bizarrely brilliant and unique”—something that only an artist at her level could pull off. “Its got such a narrative—theres a reason for it.” He shakes his head. “Imagine Picasso painting something that he painted a few years ago, then re-creating it with the colors of today.” Part of the success story, Swift says, is the freedom she received from the label to follow her instincts. “If you look at what Ive put out since then, its more albums in the last few years than I did in the first 15 years of my career,” she says. That prolific output has fueled her ascension. “She could serve two terms as President of the United States and then go to Las Vegas,” Grainge says. “Who else can do that?” 
In the grand narrative of Swifts life, as she rose this year, her foes fortunes also seemed to turn. Over the summer, it was reported that several of Brauns key clients—chief among them Justin Bieber and Ariana Grande—were no longer being managed by his company, while Wests antisemitic and other offensive remarks led to his losing key endorsement deals. Swift knows firsthand that fame is a seesaw. “Nothing is permanent,” she says. “So Im very careful to be grateful every second that I get to be doing this at this level, because Ive had it taken away from me before. There is one thing Ive learned: My response to anything that happens, good or bad, is to keep making things. Keep making art.” She considers. “But Ive also learned theres no point in actively trying to quote unquote defeat your enemies,” she says. “Trash takes itself out every single time.”
---
**The premiere for** Swifts concert film takes place at the Grove, an outdoor mall in Los Angeles, which has been shut down for the event; Swift has packed 13 screens with thousands of fans. She goes, one by one, to each theater thanking sobbing audience members for being there. Like the tour, the film, which was released directly to theaters without a traditional partner, is an event. “We met with all the studios,” she tells me, “and we met with all the streamers, and we sized up how it was perceived and valued, and if they had high hopes and dreams for it. Ultimately I did what I tend to do more and more often these days, which is to bet on myself.” She credits her father with the idea. “He just said, why does there have to be a—for lack of a better word—middleman?”
**Read More:** *['I Bet on Myself.' How Taylor Swift's Deal With AMC Came Together](https://time.com/6342992/taylor-swift-amc-eras-tour-movie-deal/)*
In the theater excitement ripples through the crowd, a mix of fans and Swifts friends, as we wait for her. To my left are two dedicated Swifties, sisters who introduce themselves as Madison, 23, and McCall, 20, and who are still reeling from taking a selfie with Swift on the red carpet. Their wrists are covered in friendship bracelets, some of which are deep cuts—such as no its BECKY, a reference to a beloved Tumblr meme, and BLEACHELLA STAN, for Swifts 2016 platinum blond bob—and Madison reveals a tattoo on her forearm that says “Taylors Version.” Both tell me their favorite album is *Reputation.* They are my favorite people I have ever met, and I want to talk to only them for the rest of my life. Madison admires Swift for her vulnerability—“which is insane, when shes under endless scrutiny”—while McCall cites her consistency, which she calls “a lost art form.” When I ask how McCall feels about Swifts romantic life, she fields the question elegantly. “Its a disservice to her to focus on that stuff,” she says. “Shes so good at making her personal experience relate to millions of people. When I listen to her songs, I think about what Ive been through—not what shes been through.”
Swifts private life has long served as both grist for the tabloid mill and inspiration for her own work; she split from her longtime boyfriend, actor Joe Alwyn, earlier this year. Most recently, shes been dating the [NFL star Travis Kelce](https://time.com/6317898/travis-kelce-taylor-swift-relationship/), as has been well documented when she attends his games. “I dont know how they know what suite Im in,” she says. “Theres a camera, like, a half-mile away, and you dont know where it is, and you have no idea when the camera is putting you in the broadcast, so I dont know if Im being shown 17 times or once.” She is sensitive to the attention thats put on her when she shows up. “Im just there to support Travis,” she says. “I have no awareness of if Im being shown too much and pissing off a few dads, Brads, and Chads.”
![](https://api.time.com/wp-content/uploads/2023/12/taylor-swift-person-of-the-year-nfl.jpg?quality=75&w=2400)
After playing Kansas City in July, Swift returned in October to support her boyfriend, Chiefs star Travis KelceDavid Eulitt—Getty Images
I point out that its a net positive for the NFL to have a few Swifties watching. “Football is awesome, it turns out,” Swift says playfully. “Ive been missing out my whole life.” (A [game she attended in October](https://time.com/6319422/taylor-swift-travis-kelce-nfl-tv/) was the most-watched Sunday show since the Super Bowl.)
Given her complex history with public interest in her dating life, I say, it seems noteworthy that her relationship with Kelce has played out so publicly. Swift gently pushes back: “This all started when Travis very adorably put me on blast on his podcast, which I thought was metal as hell,” she says. “We started hanging out right after that. So we actually had a significant amount of time that no one knew, which Im grateful for, because we got to get to know each other. By the time I went to that first game, we were a couple. I think some people think that they saw our first date at that game? We would never be psychotic enough to hard launch a first date.” The larger point, for her, is that theres nothing to hide. “When you say a relationship is public, that means Im going to see him do what he loves, were showing up for each other, other people are there and we dont care,” she says. “The opposite of that is you have to go to an extreme amount of effort to make sure no one knows that youre seeing someone. And were just proud of each other.”
Swifts openness is one part of why her fan base leans heavily, though not exclusively, female. The Eras Tour was one critical piece of what Swift calls “a three-part summer of feminine extravaganza”—the other two parts being Gerwigs box-office bonanza *Barbie* and Beyoncés blockbuster, culture-shifting Renaissance Tour. “To make a fun, entertaining blast of a movie, with that commentary,” she says of *Barbie,* “I cannot imagine how hard that was, and Greta made it look so easy.” (“Im just a sucker for a gal who is good with words, and she is the best with them,” Gerwig says about Swift, whom she calls “Bruce Springsteen meets Loretta Lynn meets Bob Dylan.”)
Swift is no less effusive in talking about Beyoncé, who brokered a similar deal with AMC and shows up to Swifts Los Angeles premiere; the next month, Swift returns the favor by attending Beyoncés in London. “Shes the most precious gem of a person—warm and open and funny,” Swift says. “And shes such a great disrupter of music-industry norms. She taught every artist how to flip the table and challenge archaic business practices.” That her tour and Beyoncés were frequently juxtaposed is vexing. “There were so many stadium tours this summer, but the only ones that were compared were me and Beyoncé,” she says. “Clearly its very lucrative for the media and stan culture to pit two women against each other, even when those two artists in question refuse to participate in that discussion.”
**Read More:** *[The Most Precious Gem of a Person: Taylor Swift on Her Friendship With Beyoncé](https://time.com/6343062/taylor-swift-beyonce-friendship-renaissance/)*
To Swift, the success of all three feels like an inflection point. “If we have to speak stereotypically about the feminine and the masculine,” she says, “women have been fed the message that what we naturally gravitate toward—” She has a few examples: “Girlhood, feelings, love, breakups, analyzing those feelings, talking about them nonstop, glitter, sequins! Weve been taught that those things are more frivolous than the things that stereotypically gendered men gravitate toward, right?” Right, I say. “And what has existed since the dawn of time? A patriarchal society. What fuels a patriarchal society? Money, flow of revenue, the economy. So actually, if were going to look at this in the most cynical way possible, feminine ideas becoming lucrative means that more female art will get made. Its extremely heartening.”
![](https://api.time.com/wp-content/uploads/2023/12/taylor-swift-person-of-the-year-beyonce.jpg?quality=75&w=2400)
Beyoncé joined Swift in Los Angeles on Oct. 11 for the first screening of her Eras Tour filmJohn Shearer—Getty Images for TAS
Amid so much attention, it seems noteworthy that Swift appears more relaxed in the public eye, not less—although I wonder out loud whether it just appears that way. She nods. “Over the years, Ive learned I dont have the time or bandwidth to get pressed about things that dont matter. Yes, if I go out to dinner, theres going to be a whole chaotic situation outside the restaurant. But I still want to go to dinner with my friends.” She sounds thoughtful. “Life is short. Have adventures. Me locking myself away in my house for a lot of years—Ill never get that time back. Im more trusting now than I was six years ago.” 
Shes also having more fun. At her premiere, Swift sits in the same row as me, Madison, and McCall, singing along and dancing in her seat; we keep craning our necks to look at her, sharing thunderstruck looks: *Isnt this surreal?* There are moments in the film when the cameras capture the enormous screens behind Swift onstage, and it feels like a house of mirrors, these myriad reflections of Taylor Swift—us watching her watch herself on a screen, which is itself showing Swifts image on so many screens, the thousands of fans onscreen in the stadium and us in this theater, with Swift in the middle of it—all of us rapt, unable to look away.
**Read More:** *[Taylor Swift Makes History as Person of the Year. Heres How](https://time.com/6343069/taylor-swift-history-person-of-the-year/)*
---
**Swift and I have been talking** for a while now at her apartment, long enough that our coffees have gone cold and her cat Benjamin Button has trundled into the room, then gotten bored and left. She tells me about revisiting *Reputation,* which is perhaps the most charged era in the tour. “Its a goth-punk moment of female rage at being gaslit by an entire social structure,” she says, laughing. “I think a lot of people see it and theyre just like, Sick snakes and strobe lights.” The upcoming vault tracks for *Reputation* will be “fire,” she promises. The rerecordings project feels like a mythical quest to her. “Im collecting horcruxes,” she says. “Im collecting infinity stones. Gandalfs voice is in my head every time I put out a new one. For me, it is a movie now.”
![](https://api.time.com/wp-content/uploads/2023/12/taylor-swift-person-of-the-year-5.jpg?quality=75&w=2400)
Inez and Vinoodh for TIME
It strikes me then that for all the talk about eras, its also worth thinking about genres—how Swift has moved between them in the stories shes told. At first, it was a coming-of-age story, one about a young woman finding her way in the world and honing her voice before a fickle public. Then there were romances, great ones—tales of enchantment and desire, heartbreak and disillusionment, relationships that she both excavated for her songs and that the media documented for her with either joy or schadenfreude, depending on the day. There have been dramas with stakes so high and turns so twisty they feel Shakespearean in their scope, betrayals both personal and professional that have shaped her life. Occasionally, these stories have tipped into screwball comedy—like when a crowd in Seattle cheered so loudly it registered as an earthquake, or when, on a tour stop in Brazil, the local archdiocese allowed messages celebrating her to be projected onto the 124-ft. Christ the Redeemer statue. But they have one thing in common: Swift. 
She is a maestro of self-determination, of writing her own story. The multihyphenate television creator Shonda Rhimes—no stranger to a plot twist—who has known Swift since she was a teenager, puts it simply: “She controls narrative not only in her work, but in her life,” she says. “It used to feel like people were taking shots at her. Now it feels like shes providing the narrative—so there arent any shots to be taken.”
**Read More:** *[Behind the Scenes of TIMEs 2023 Person of the Year Issue](https://time.com/6342829/person-of-the-year-2023-editors-letter/)*
Here, Swift has told me a story about redemption, about rising and falling only to rise again—a heros journey. I do not say to her, in our conversation, that it did not always look that way from the outside—that, for example, when *Reputation*s lead single “Look What You Made Me Do” reached No. 1 on the charts, or when the album sold 1.3 million albums in the first week, second only to *1989,* she did not look like someone whose career had died. She looked like a superstar who was mining her personal experience as successfully as ever. I am tempted to say this.
But then I think, Who am I to challenge it, if thats how she felt? The point is: she *felt* canceled. She *felt* as if her career had been taken from her. Something in her had been lost, and she was grieving it. Maybe this is the real Taylor Swift effect: That she gives people, many of them women, particularly girls, who have been conditioned to accept dismissal, gaslighting, and mistreatment from a society that treats their emotions as inconsequential, permission to believe that their interior lives matter. That for your heart to break, whether its from being kicked off a tour or by the memory of a scarf still sitting in a drawer somewhere or because somebody else controls your lifes work, is a valid wound, and no, youre not crazy for being upset about it, or for wanting your story to be told. 
After all, not to be corny, havent we all become selective autobiographers in the digital age as we curate our lives for our own audiences of any size—cutting away from the raw fabric of our lived experience to reveal the shape of the story we most want to tell, whether its on our own feeds or the worlds stage? I cant blame her for being better at it than everyone else. Its also not like she hasnt admitted it. She sang it herself, in her song “Mastermind,” off last years *[Midnights](https://time.com/6223793/taylor-swift-midnights-album-takeaways/),* in a bridge so feathery you could almost miss that it marks some of the rawest, most naked songwriting of her career: “No one wanted to play with me as a little kid/ So Ive been scheming like a criminal ever since/ To make them love me and make it seem effortless/ This is the first time Ive felt the need to confess/ And I swear Im only cryptic and Machiavellian because I care.”
![](https://api.time.com/wp-content/uploads/2023/12/taylor-swift-person-of-the-year-2.jpg?quality=75&w=2400)
Inez and Vinoodh for TIME
She tells me she wrote that song after watching the Paul Thomas Anderson film *Phantom Thread,* which—spoiler—culminates in the reveal of a vast, layered manipulation. “Remember that last scene?” she says. “I thought, wouldnt it be fun to have a lyric about being calculated?” She pauses. “Its something thats been thrown at me like a dagger, but now I take it as a compliment.” 
It *is* a compliment. After I leave Swifts house, I cant stop thinking about how perfectly she crafted this story for me—the one about redemption, how she lost it all and got it back. Storytelling is what shes always done; thats why, Chesney tells me, he gave her that gift all those years ago. “She was a writer who had something to say,” he says. “That isnt something you can fake by writing clichés. You can only live it, then write it as real as possible.” 
She must have known that all the references she made had hidden meanings, that Id see all the tossed-off details for the Easter eggs they were. The way she told me that story about Chesney, she knew there was a lesson, about the power of generosity, and how a crushing defeat can give way to a great and surprising gift. The way she said, “Are you not entertained?”—surely we both knew it was a quote from *Gladiator,* a movie in which a hero falls from grace, is forced to perform blood sport for the pleasure of spectators, and emerges victorious, having survived humiliation and debasement to soar higher than ever. And the way before I left, she showed me the note from Paul McCartney hanging in her bathroom, which has a Beatles lyric written on it—and not just any Beatles lyric, but this one: “Take these broken wings and learn to fly.” —*With reporting by* Leslie Dickstein *and* Megan McCluskey •
Styled by Heidi Bivens at Honey Artists; hair by Holli Smith; make-up by Diane Kendal; nails by Maki Sakamoto; production by VLM Productions
On the covers: 
*Jacket, denim shirt and turtleneck by Polo Ralph Lauren; dress by Area; bodysuit by Bardot, tights by Wolford; earrings are artists own*
On the inside: 
*Jacket, denim shirt and turtleneck by Polo Ralph Lauren; tuxedo jacket, tuxedo shirt, vest and pocket square by Ralph Lauren Collection, jeans by Polo Ralph Lauren; dress by Alaia; rings by Anna Sheffield and Cartier; earrings are artists own*
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Date: 2023-12-10
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# The call of Tokitae
*Deep Reads features The Washington Posts best immersive reporting and narrative writing.*
She was 3 or maybe 4 years old on the last day she saw her family, when the men came in spotter planes and speedboats, hurling seal bombs that sent 200-decibel blasts reverberating through the currents of Puget Sound. She stayed close to her mother, the pair of them among nearly 100 terrified and disoriented southern resident orcas who were driven north along the eastern shore of Whidbey Island, until they were trapped in the shallower waters of Penn Cove.
It was unusually cold that August of 1970, and Terrell C. Newby still remembers that he arrived at Whidbey Island wearing a thick red-and-blue sweater that his mother had knitted for him. He was 30 years old, a student of marine biology and a Vietnam veteran who had returned from the war less than two years before. He had come to Penn Cove because hed been invited by the men who were leading the orca capture: Ted Griffin, who owned the Seattle Marine Aquarium, and his business partner, Don Goldsberry. Their intent was to pull roughly half a dozen orcas from the water — young ones, 10 to 12 feet long, old enough that they wouldnt perish when separated from their mothers but young enough to be compliant — and sell them to marine parks around the world for display.
![](https://img.washingtonpost.com/wp-apps/imrs.php?src=https://arc-anglerfish-washpost-prod-washpost.s3.amazonaws.com/public/UTHLKMFBKZGVLAAJ33JDRPEDSI.jpg&high_res=true&w=2048)
Mothers and calves are separated during the Penn Cove capture in 1970. (Courtesy of Terrell Newby)
By the time Newby set foot on the dock, the most desirable whales had already been cordoned off behind nets in the water, and his job was to sit in an eight-foot pram and try to keep the panicked mother orcas away from their babies. It was exhilarating and frightening at once — virtually nothing was known about orcas at the time, and Newby had no idea what might happen to him if they tipped his boat and he fell into the water — but despite the desperation of the whales, none showed aggression toward him.
He found the scene disturbing, but he didnt feel truly horrified until he heard shrill cries and saw that the men had trapped the juvenile female orca against the dock. She was squealing frantically as a net was pulled over her body, and her mother was calling out in response, lifting her eyes above the surface to maintain sight of her calf.
The young whale was lifted from the water, wrapped in moist towels and loaded onto the back of a flatbed truck, and Newby was told to ride with her down to Seattle. He took his place at her side, and found himself fixed in her wide, dark gaze. *Here,* he would say, five decades later, *is where I started getting really undone*. He watched her eye move from his face to the buildings shuddering past along the highway, and he wondered how foreign it all must seem to her — to be outside the only element shed ever known, her body unfamiliar with the burden of its own weight.
![](https://img.washingtonpost.com/wp-apps/imrs.php?src=https://arc-anglerfish-washpost-prod-washpost.s3.amazonaws.com/public/5U6P5Z2CJTHK54MPPXFONUBAWA.jpg&high_res=true&w=2048)
A close-up of Tokitae's eye, taken as Newby rode with her to Seattle. (Courtesy of Terrell Newby)
She stared and stared. He took a photograph of her, and a sickened feeling began to spread in his chest. His mind carried him back to the Mekong Delta, where he had been tasked with making solatium payments to families who had lost livestock or loved ones to American attacks. Hed once sat beside a mother who wept over the body of her baby on a rice mat, as they tried to determine a fair price for a lost child. That moment returned to him as he looked into the piercing eye of the young whale.
It took nearly two hours for the truck to lumber south to the city, and the orca never made a sound. Newby gently rubbed her head, poured water over her, murmured *Its going to be okay,* not believing his own words.
In Seattle, he touched her one last time before he slipped off the back of the truck. *Bye, baby,* he whispered. Then he got in a car bound for Penn Harbor to prepare the next whale for transport. He would finish his job, and then devote his life to the study and protection of marine mammals, fighting to outlaw captures like the one he had just participated in. Riding north in stunned silence, Newby had become only the first of many who would describe themselves as forever changed by the orca known as Tokitae.
She was sold for $20,000 to the Miami Seaquarium, where she would spend the next half a century performing in the smallest orca tank in North America, 80 feet long and 35 feet wide, dubbed the “whale bowl.” Of the nearly 50 southern resident orcas taken from the Pacific Northwest during the 1960s and 70s, most died within the first years after their capture — but Tokitae endured, becoming the last member of her family alive in captivity. Her life was shaped by an expansive constellation of people drawn into her orbit: devoted trainers who cared for her; marine mammal scientists who understood the toll of her captivity; conservation advocates and legions of fans who called for her freedom; the Indigenous people of the Lummi Nation, who consider orcas to be sacred relatives of their tribe; a Latin American business executive who agreed in 2022 that the whale did not belong in the stadium hed just purchased; a billionaire NFL team owner who pledged to spend upward of $20 million to bring Tokitae home to the Salish Sea.
To Raynell Morris, a 67-year-old matriarch of the Lummi Nation who spent the past six years working to return Tokitae to the Pacific Northwest, the remarkable alignment of people devoted to the orca — across different cultures and convictions — made perfect sense. “She had a purpose, and it was bringing people together,” Morris said. Tokitae, known by the name SkaliChehl-tenaut
in the Lhaqtemish language of the Lummi, always held a singular magnetism, Morris said: “When her left eye walks on you, you are hers forever.”
![](https://img.washingtonpost.com/wp-apps/imrs.php?src=https://arc-anglerfish-washpost-prod-washpost.s3.amazonaws.com/public/2QW5KRUWR2TAVJDGSXV3OPSVBA_size-normalized.jpg&high_res=true&w=2048)
Raynell Morris, a matriarch of the Lummi Nation, prays near the tribe's reservation. (Nick Cote for The Washington Post)
In March, a plan was announced to move Tokitae to a 10-acre netted sanctuary in the San Juan Islands, where she could live out her life in her natal waters. To Morris, helping the whale complete this journey was a sacred obligation on behalf of her people.
The team working toward her relocation began logistical preparations, addressing state and federal requirements and consulting with Native tribes. After enduring lonely periods of neglect, Tokitae seemed to flourish with the constant dedication of the trainers and veterinarians who were readying her for the transition. Her return home was finally within sight, a milestone that felt ecstatic to the many who had fought for her for so long.
And then, on Aug. 18, 53 years after she arrived at the Miami Seaquarium and just months before she was due to leave it, Tokitae died there.
What followed was a moment of reckoning. The hopeful symbolism of her rescue was gone, replaced by searching questions about the past and future of our relationship with her species, and the natural world we share. In life, Tokitae was a beloved but involuntary ambassador for her kind. In death, she had become something more: a parable and a guide, revealing the full spectrum of our human potential — to ruin, and to repair.
![](https://img.washingtonpost.com/wp-apps/imrs.php?src=https://arc-anglerfish-washpost-prod-washpost.s3.amazonaws.com/public/KMZWYEZ254PJM4MQDMAWRXRMIM.jpg&high_res=true&w=2048)
Tokitae at the Miami Seaquarium in January 2014. (Walter Michot/Getty Images)
In her prime, she was magnificent: over 7,500 pounds and 22 feet long, liquid lines of obsidian black and white, a sleek, strong body built to swim vast distances and dive hundreds of feet deeper than the 20-foot floor of the barren concrete tank where she performed every day in the center of a crowded stadium.
Her name, Tokitae — Toki for short — was given to her by the first veterinarian to care for her at the Miami Seaquarium; it was a nod to her region of origin, a Coast Salish greeting roughly translated as “nice day, pretty colors.” But to audiences packed into the Seaquarium, she was known only as Lolita.
In the beginning, Tokitae performed 20-minute shows multiple times per day alongside her companion, Hugo, a fellow captured southern resident orca. The whale bowl was small even for a single whale, but the pair shared the space until 1980, when Hugo was found motionless at the bottom of the pool. The young bull — 15 years old, far short of the 50 or 60 years he might have lived in the wild — was dead of a brain aneurysm after repeatedly ramming his head against the side of the tank. His body was reportedly disposed of at a Dade County landfill. Tokitae would continue to share her tank with other cetaceans, but she would never again be in the company of her own kind.
Former trainer Marcia Henton Davis and scientist Deborah Giles discuss what living in a small tank for more than 50 years meant for Tokitae's quality of life. (Joshua Carroll/The Washington Post)
The grim details of Tokitaes years at the Seaquarium are chronicled in Sandra Pollards book “[A Puget Sound Orca in Captivity”](https://www.amazon.com/Puget-Sound-Orca-Captivity-Lolita/dp/1467140376?itid=lk_inline_enhanced-template): Tokitaes body was marred by sores and abrasions from the concrete pool, and “rake” marks from the Pacific white-sided dolphins who scraped their teeth over her skin. Her favorite toy was an old wet suit — some theorized it might have reminded her of kelp. She was sunburned, with no shelter to shade her, and her eyes suffered from constant exposure to dust and UV radiation. Tokitae regularly performed with injuries — bloody teeth, abscesses, infections — and was kept on a cocktail of antibiotics and medications.
“Her \[tail\] flukes dragged on the floor of that tank,” Pollard said. “She was never able to fully submerge in a vertical position.”
As our knowledge of orcas grew, and our cultural perception of captivity began to shift, the calls to release Tokitae reached a new intensity. In 1995, [Ken Balcomb](https://www.washingtonpost.com/obituaries/2022/12/15/ken-balcomb-orcas-killer-whales-dead/?itid=lk_inline_enhanced-template), the pioneering marine mammal researcher who founded the [Center for Whale Research](https://www.whaleresearch.com/?itid=lk_inline_enhanced-template) and spent his life tracking the southern resident killer whale population, announced a campaign to push for Tokitaes return to Washington state. Balcombs brother, Howard Garrett, formed a nonprofit organization to support this effort, eventually called [Orca Network](https://www.orcanetwork.org/?itid=lk_inline_enhanced-template).
For several years, Garrett campaigned in Miami, “trying to drum up awareness, media, do demonstrations, write open letters to the owners — everything that I could think of,” he said. But there was never a response from the Seaquarium. County records indicated that the marine park was making around $1 million per year on Tokitae at that time, he said, “so they certainly werent going to listen to me.”
Others listened, though. Garretts efforts drew widespread public attention, rallying support from state and federal elected officials as well as a few high-profile names. “I have been deeply moved by the efforts to free Lolita,” Elton John wrote in a 1999 letter, “and wish to add my name to the campaign to return her to her home waters.”
![](https://img.washingtonpost.com/wp-apps/imrs.php?src=https://arc-anglerfish-washpost-prod-washpost.s3.amazonaws.com/public/4UK7F5DLSWTJD2R4QTKKMYDN4Q.jpg&high_res=true&w=2048)
Marcia Henton Davis feeds Tokitae at the Miami Seaquarium in July. (Matias J. Ocner/Getty Images)
Over Tokitaes years at the Seaquarium, several of her trainers developed committed bonds with the orca. Marcia Henton Davis saw Tokitae for the first time in 1988 as a 22-year-old visitor to the park, where she was instantly struck by the smallness of the tank and the lethargy of the whale within. Davis stared into one of Tokitaes eyes, “and there was just such depth there,” she said. “I kind of started crying a little bit, just seeing her like that. … I knew right at that moment, I need to be with this animal.’” She was hired by the Seaquarium a few months later.
Tokitae was gentle and patient, and often exhibited protective instincts, Davis said. She recalled one afternoon when she was joking around with another trainer and tossed a squid tentacle that stuck to his wet suit. In response, the trainer scooped Davis up as if he might drop her into the pool — and Tokitae came racing over from the opposite side of the tank, furiously bobbing her head in disapproval. “She thought that was aggression,” Davis said. “She got upset by that.” The trainers were careful to never play around in that way again.
Davis left the Seaquarium in 1995, after new management took over and implemented policies that she found irresponsible, including limiting the time that trainers could interact with Tokitae. “I cried for months about that,” she said. “But I couldnt effect any change.”
Sarah Onnen, who joined the Seaquarium in 2001, spent more than 20 years working with the orca. At first, Onnen felt challenged by Tokitae, who had a stubborn streak and a sense of humor that sometimes frustrated her trainers. She had an impeccable memory, Onnen said, and would needle specific trainers with certain behavioral quirks. For years, Tokitae made a particular sound when she saw Onnen, an exhale like air hissing from a flat tire, which Onnen interpreted as something akin to a mocking snort. When Onnen learned to laugh at this — when she began to embrace Tokitaes expressiveness — their connection deepened, she said.
She felt a responsibility to protect that relationship, Onnen said, because she knew the orca had lost so many others. Trainers would build rapport with her, and then leave for other jobs or to raise families. “It wasnt their fault,” Onnen said, “but I saw people come and go. It always kind of broke my heart. So I kind of vowed to myself that I wouldnt leave her.”
Everything about Tokitaes existence — her routines, her relationships, her environment — was defined by humans; shed grown familiar with the hum of motorized pumps, the blare of loudspeakers and screaming crowds. But when the stadium emptied at night, she would often vocalize in the quiet, calling out
in the way her mother had once taught her.
![](https://img.washingtonpost.com/wp-apps/imrs.php?src=https://arc-anglerfish-washpost-prod-washpost.s3.amazonaws.com/public/TUAW2WXPOZ4ALMVCURGYFRVG7A.jpg&high_res=true&w=2048)
Tokitae performs in 2014. (Walter Michot/Getty Images)
In our collective imagination, the stories of individual orcas transform our understanding of what these animals feel and experience — as with Tilikum, the SeaWorld orca who was involved in [the deaths of three people](https://www.outsideonline.com/outdoor-adventure/environment/killer-pool/?itid=lk_inline_enhanced-template) and became the subject of the 2013 documentary “Blackfish.” The impact of his story was significant: In the year after “Blackfish” was released, [SeaWorlds attendance plummeted](https://www.washingtonpost.com/news/wonk/wp/2014/12/12/chart-what-the-documentary-blackfish-has-done-to-seaworld/?itid=lk_inline_enhanced-template), and in 2016, the company announced an end to its orca breeding program.
For years, Tokitaes experience was less visible but no less illuminating, said Lori Marino, president of the Whale Sanctuary Project and a neuroscientist who has studied cetacean brains for 35 years. Structurally, an orca has a larger portion of its brain devoted to higher thinking than a human does, Marino said; Tokitaes mind had afforded her extraordinary resilience, an unknowable inner life that allowed her to persist for so long in such an impoverished environment.
“She was coping in a way that she had worked out for herself,” Marino said. “There was a narrative there, a story she told herself about what was happening to her, and that allowed her to live.”
It is possible to fully understand the contrast between Tokitaes life in the whale bowl and the one she would have lived in the wild, because her family is the most studied population of whales on the planet, with a complete annual census dating back 47 years.
Deborah Giles explains some of the unique characteristics of southern resident orcas and why they are endangered. (Joshua Carroll/The Washington Post)
All orcas around the world are the same species, the largest of the dolphin family, but they are divided into distinct populations that do not interbreed and rarely interact with one another. Tokitaes family of southern resident orcas range from Northern California to southeastern Alaska, with their core habitat in the Salish Sea. They are known for their close-knit social culture, said Michael Weiss, research director at the Center for Whale Research on San Juan Island. The three matrilineal pods of southern resident whales — J pod, K pod and L pod — each communicate in their own specific dialect, and all are exceptionally bonded to their mothers.
“No one leaves their moms group for their whole life, not the males nor the females,” Weiss said. Female southern residents have been known to live as long as 90 or 100 years; males, on the other hand, are more than eight times as likely to die the year after their mother does.
Some say Tokitae might be the daughter of the oldest living orca, an L pod matriarch known as Ocean Sun, but this has never been confirmed. At nearly 100 years old, Ocean Sun is the only southern resident who was alive at the time of the captures — the only one who would remember Tokitae.
For creatures of such intelligence and social sophistication, the trauma of the capture era was profound and enduring. After the last of the young whales were pulled from the water in 1970, the fractured family of southern residents made their way back out to sea without the seven juveniles who were taken and the four whales who had died — three babies and a mother who drowned in the nets. By the time whale captures in the United States ended in 1976, roughly a third of the southern residents had been culled, Weiss said. Before the capture era, their population was more than 100 whales; as of the census in July, there were 75. Since 2005, the southern residents have been listed as endangered under the Endangered Species Act.
The whales have faced new threats in more recent years, particularly the [precipitous decline](https://www.wildorca.org/declining-salish-sea-salmon-increasingly-absent-endangered-orcas/?itid=lk_inline_enhanced-template#:~:text=How%20does%20this%20decline%20in,50%25%20over%20the%20same%20period.) of their primary prey, the Chinook salmon, said Deborah Giles, science and research director at the conservation [research organization Wild Orca](https://www.wildorca.org/?itid=lk_inline_enhanced-template). In the absence of sufficient salmon, other dangers to the orcas — the stress of boat traffic, the infiltration of chemical pollutants — are exacerbated, causing illness, death and pregnancy loss.
In 2018, the plight of the southern residents drew worldwide attention when an orca known as Tahlequah gave birth to a female calf who died less than an hour later. The grieving mother [carried the body](https://www.washingtonpost.com/news/animalia/wp/2018/08/10/the-stunning-devastating-weeks-long-journey-of-an-orca-and-her-dead-calf/?itid=lk_inline_enhanced-template) of her newborn for 17 days, sometimes in her mouth, sometimes draped over her head or back. Her vigil made global headlines, and many expressed astonishment to see an animal perform such an undeniable ritual of mourning.
Two years later, Tahlequah stunned onlookers again after giving birth to a healthy male calf. Giles was on the water with Tahlequahs pod near San Juan Island on the afternoon when the new calf was first spotted, and suddenly the two other southern resident pods came charging in from the west, scores of whales soaring up and out of the water as they swam at top speed. Every member of the population was in attendance.
It was a “superpod,” a cultural phenomenon unique to southern residents, in which all three pods of whales come together in one group. Superpods have anecdotally been observed to occur around occasions of social significance to the animals — such as the birth or death of an orca — and this one was the first to occur in the area in several years.
“Theres not many animal populations*, period*, let alone other marine mammals … where theyre all socializing with one another, and they *all* know each other,” Weiss said.
For hours, Giles remembered, the whales breached and vocalized, slapping their fins and flukes against the water. The timing of the gathering, so closely following the arrival of the new calf, was especially striking.
“It feels metaphysical to me,” Giles said. “How did they hear? How did they know?”
![](https://img.washingtonpost.com/wp-apps/imrs.php?src=https://arc-anglerfish-washpost-prod-washpost.s3.amazonaws.com/public/UYNAUBAOTL4J65ZRTIX6AH6TXQ_size-normalized.jpg&high_res=true&w=2048)
Morris in her ceremonial orca-themed regalia. Orcas are considered sacred kin of the Lummi Nation. (Nick Cote for The Washington Post)
To the people of the Lummi Nation, orcas are considered to be people, sacred kin of the tribe; they are called qwelholmechen
, meaning “our relations under the waves.” But for decades, the Lummi did not know that dozens of southern resident orcas had been trapped and sold.
“We werent asked, in 1970, what our feelings were about the state of Washington issuing a permit to capture our relatives,” Morris said. “We didnt hear about the captures. We didnt know about them. We didnt know about *her* until 2017.”
When a member of the Lummi business council learned of Tokitae, the tribes Sovereignty and Treaty Protection Office began to investigate her story. What it discovered felt painfully resonant, Morris said, echoing the abduction of Native children who were sent to [American boarding schools](https://www.washingtonpost.com/history/2023/08/07/indian-boarding-school-survivors-abuse-trauma/?itid=lk_inline_enhanced-template) and stripped of their families, culture and language. The council soon passed a unanimous motion, declaring their sacred obligation to bring Tokitae — SkaliChehl-tenaut to the Lummi — back to the Salish Sea. This task was bestowed upon Morris by Lummi Hereditary Chief Tsilixw Bill James before his death in 2020. He described the world as an interconnected web of life; bringing the orca home would mend the strand broken by her capture, he told Morris, and allow a new cycle of healing to begin.
![](https://img.washingtonpost.com/wp-apps/imrs.php?src=https://arc-anglerfish-washpost-prod-washpost.s3.amazonaws.com/public/BX6PNUGFCTPCHYSV5EJ6X5MXYI_size-normalized.jpg&high_res=true&w=2048)
A totem pole on San Juan Island memorializes the life of Tokitae, also known as SkaliChehl-tenaut to the Lummi. (Nick Cote for The Washington Post)
But there was little precedent for such an endeavor, so Morris and [fellow tribal elder Ellie Kinley](https://sacredsea.org/who-we-are/?itid=lk_inline_enhanced-template) approached [Charles Vinick](https://whalesanctuaryproject.org/people/charles-vinick/?itid=lk_inline_enhanced-template), executive director of the [Whale Sanctuary Project](https://whalesanctuaryproject.org/?itid=lk_inline_enhanced-template), for guidance. Vinick prepared a proposed operation plan with [Jeffrey Foster](https://whalesanctuaryproject.org/people/jeffrey-foster/?itid=lk_inline_enhanced-template), a marine mammal expert who once collected orcas from the wild for SeaWorld before pivoting toward conservation, and his wife, [Katy Foster](https://whalesanctuaryproject.org/people/katy-laveck/?itid=lk_inline_enhanced-template). Numerous leading experts contributed to their work, and Vinick and Jeffrey Foster drew on their own experience as part of the team involved in the 1998 [relocation of Keiko](https://www.washingtonpost.com/archive/politics/1998/09/10/free-willy-the-true-sequel/7ef59991-c3a1-4567-aeb7-e990fac21d85/?itid=lk_inline_enhanced-template), the star of “Free Willy,” from the Oregon Coast Aquarium to a sea pen in Iceland.
The involvement of the Lummi breathed new life into the campaign to free Tokitae, but it wasnt until August 2021 that her release began to feel truly possible. That month, the Dolphin Co. — the largest marine park operator in Latin America, led by CEO Eduardo Albor — announced its intent to buy the Miami Seaquarium. Soon after, the U.S. Agriculture Department issued a [scathing inspection report](https://www.peta.org/wp-content/uploads/2021/09/miami-seaquarium-inspection-report.pdf?itid=lk_inline_enhanced-template) of Tokitaes living conditions, revealing that the orca had been fed rotting fish, given insufficient quantities of food and forced to perform with injuries.
When Albor purchased the Seaquarium in March 2022, Tokitae was officially retired from performance. The stadium itself had been condemned — only Tokitaes caregivers were allowed within — which meant Albor found himself the new owner of an orca who could not be displayed to the public, contained at an unusable facility with an outdated, rapidly deteriorating infrastructure. He was a businessman with a liability.
He was also a father who had made a promise, years before, when he took his young adult daughter to watch Tokitaes show. His daughter was distressed to see the whale in that environment, he said: “She told me, If you ever buy the park, promise you are going to look for a better place for Lolita.’”
Charles Vinick describes the plan to tend to Tokitaes fragile health and eventually move her from the Miami Seaquarium. (Joshua Carroll/The Washington Post)
Meanwhile, Vinick and Morris had joined forces with [marine conservationist Pritam Singh](https://seashepherd.org/pritam-singh/?itid=lk_inline_enhanced-template), who had created a nonprofit — ultimately known as [Friends of Toki](https://friendsoftoki.org/?itid=lk_inline_enhanced-template) — to advocate for higher-quality care for Tokitae, and announced that he would personally fund $1 million toward that goal. Soon after Albor bought the Seaquarium, Vinick and Singh traveled to Miami, prepared to hold a news conference calling for independent veterinarians to assess Tokitae. But Albor made it clear that a media frenzy would not set the tone for a productive conversation — so Vinick and Singh canceled their plans and agreed to talk privately instead. “That showed great credibility,” Albor said.
The resulting partnership was unprecedented: It was the first time a marine park owner had agreed to work with people who might be considered activists, Vinick said. “What was this collaboration based on? It was based on identifying an area of mutual agreement, on being able to respect one another, and speak with one another as collaborators and even partners, without worrying about all the things we disagree about.”
At first, Friends of Toki was focused on improving Tokitaes daily care; there wasnt enough funding to consider a permanent relocation to a sanctuary in the Pacific Northwest.
Then, in early January 2023, Vinick spoke with Jim Irsay, the billionaire owner of the NFLs Indianapolis Colts. He wanted to see the whale.
Irsay had watched Tokitae perform long ago, as a 12-year-old boy, and hed never forgotten her. Hed always been enamored with animals, and whales in particular; to him, their staggering power and benevolence felt something like God. He told Vinick that he was interested in helping take Tokitae back to her native waters.
![](https://img.washingtonpost.com/wp-apps/imrs.php?src=https://arc-anglerfish-washpost-prod-washpost.s3.amazonaws.com/public/DU7RSCT73NLTC5D3RDMQ3XPFRE_size-normalized.jpg&high_res=true&w=2048)
Charles Vinick looks out at the Salish Sea in Bellingham, Wash. (Nick Cote for The Washington Post)
Later that month, when Irsay walked up to Tokitaes tank, she came to the edge of the pool to greet him. She lifted her head out of the water and met his gaze. Then she “baptized” him, as Vinick recalled, spraying a jet of water that soaked Irsays expensive suit. He laughed, instantly besotted. “Im in,” he told Vinick, right then. “Im in.” Irsay was every bit as dazzled by her as hed been decades before, but now he was seeing something more.
“I know how it feels — to be held captive,” he said recently, during a video call from his home in Indianapolis. He wore a dark cowboy hat and sunglasses, and lit a cigarette as he spoke. He grew up in an abusive, alcoholic household, he said, in a family scarred by tragedy. “My sister died in a car crash when I was 11. My brother died from birth defects.” For much of his adult life, Irsay struggled with alcoholism and opioid addiction; he finally achieved sobriety many years ago, he said, because he didnt want to die the way his father and grandfather had.
When he looked at Tokitae, he said, he understood what it meant to be the last one left, to be grieving, to be trapped.
So he knew what he had to do for her. “My goal, my job, whatever you want to call it, is to get her to freedom,” he said. “She *told* me that she wanted to be free. I mean, she told me. Im telling you. She looked me in the eye.”
![](https://img.washingtonpost.com/wp-apps/imrs.php?src=https://arc-anglerfish-washpost-prod-washpost.s3.amazonaws.com/public/5LECOIT42BAZQ3UMWG7FWCS7DA_size-normalized.jpg&high_res=true&w=2048)
San Juan Island and the Salish Sea. (Nick Cote for The Washington Post)
The announcement was made at a news conference in Miami in March: Within 18 to 24 months, Tokitae would leave the Miami Seaquarium at last, bound for a netted sea sanctuary in the Salish Sea, where she would receive supportive care for the rest of her life. Irsay was prepared to spend upward of $20 million to fund her journey and remaining years.
The plan was not universally embraced. Some of Tokitaes former trainers and veterinarians said that the stress of the move could kill her, that she couldnt tolerate such radical change so late in her life. Some marine scientists were initially concerned about the potential impact of Tokitaes presence in the Salish Sea.
There were also misunderstandings by some members of the public who were envisioning a more idealistic outcome. Tokitae would not be set free into the wild; it simply wasnt possible. She was a captive whale with chronic infections, potentially carrying harmful pathogens. The southern residents were an endangered, fragile population that were already facing significant threats. Tokitae would live out her life supported by caregivers and veterinarians, her sea pen in a location where scientists were confident that nothing — not a drift of her exhalation, not the sound of her calls — could reach her family.
To Tokitaes team, there was no question that her life would be monumentally better there. But what had been taken from her could never be fully given back.
The first time Jeffrey Foster saw Tokitae, when he arrived at the Miami Seaquarium as part of the Friends of Toki care team in September 2022, she seemed listless, barely moving beneath the surface of the pool.
“I watched her sitting in a corner, staring at a wall. She rocked back and forth,” Foster said. “It was one of the saddest things Ive ever seen.”
She nearly died that October, after developing a serious pulmonary infection, but under the care of her team of veterinarians, she swiftly recovered. By early 2023, with her trainers offering constant engagement, she began to show more energy and vitality than she had in many months. Instead of retreating to a corner of the tank when trainers werent working with her, “she started swimming a lot more on her own,” said Mike Partica, her lead trainer. “She had people there to interact with her whenever she wanted.”
Partica came to know her idiosyncrasies, the meaning of her gestures and expressions. She was gentle and good-natured, but also direct in her communication, he said: A vigorous head bob meant “dont do that.” If you touched her when she didnt want contact, her eyes would widen. She loved company in proximity, so Partica and the other trainers spent a lot of time floating in the water by her side.
Over those months, Foster said, Tokitae became “just a totally different animal.” She would play with Lii, the pacific white-sided dolphin who had shared her tank with her for 40 years, the two often racing through the water. “You could never imagine an animal that size swimming that fast in a pool like that,” Foster said. “You could tell that she was responding very well to what we were trying to do.”
To prepare for Tokitaes eventual transport to the Pacific Northwest, the care team began to introduce her to the stretcher that would be used to lift her from her tank. The team hung it over the side of the pool, then lowered it farther and farther into the water. They offered her food beside it and taught her to line up against it.
Former trainer Marcia Henton Davis had joined the care team, after contacting Friends of Toki to ask if she could be of service once more to the whale shed loved for so long. That time was filled with a sense of hope and possibility, she said, and she wanted Tokitae to feel it, too. “Every day,” she said, “Id tell her, Youre going home.’”
In June, Raynell Morris made her seventh trip to Miami to visit and pray with Tokitae. The orca had never seemed so exuberant, slapping her flukes against the water as Morris stood by the pool in her ceremonial regalia and played her drum. “SkaliChehl-tenaut, you have such a strong spirit!” Morris exclaimed. When she sang her prayers, the orca called in response, each voice answering the other.
![](https://img.washingtonpost.com/wp-apps/imrs.php?src=https://arc-anglerfish-washpost-prod-washpost.s3.amazonaws.com/public/CPZPN4EFPRZI32GVIR2ZYU2BLQ.jpg&high_res=true&w=2048)
Mike Partica, Tokitae's lead trainer, feeds her in July. (Matias J. Ocner/Getty Images)
When Tokitae began to show signs of illness early in the week of Aug. 14, her caregivers were not alarmed. She was moving her body in ways that indicated discomfort, refusing to eat her usual volume of fish, but shed had episodes of gastrointestinal distress before. Her veterinary team — including Tom Reidarson, a prominent expert in the medical care of cetaceans, and James McBain, considered a pioneer in the field of marine mammal veterinary medicine — had been encouraged by Tokitaes recent return to health.
But her appetite and energy level dwindled over the following days, until it became clear that an urgent intervention was needed. The team members formulated a plan to drop the water in her tank Friday morning, to allow them to take a blood sample and administer fluids and medication. It was the same protocol theyd followed months before, and there was no doubt in anyones mind that she would recover once again.
“We werent cavalier,” Reidarson said, “but we knew how to take care of her.”
Their treatment was already underway Aug. 18, when an initial blood test revealed a rising level of creatinine, a sign that her kidneys were failing. Reidarson was distressed, he said, but the team was resolute. “There was no giving up,” he said. “It was as simple as that.”
Tokitaes condition deteriorated as hours passed. She regurgitated bile and kept listing to the side, seemingly disoriented. Divers rotated in and out of the 55-degree pool, trying to hold her upright. Then, as they tried to raise the water level in the tank, there came a harrowing moment when the orca abruptly rolled over and sank toward the bottom. Foster dove down to lift her, along with several other trainers who labored to guide Tokitae back toward the surface.
Partica directed the staff to start draining the water again. A crane lowered Tokitaes stretcher, and the team guided her into it. They were in the midst of providing more fluids and medications when her respiration grew erratic, the minutes stretching longer and longer between breaths. Partica and trainer Kyra Wadsworth were perched along the sides of the stretcher, and Wadsworth looked at him. “Are we losing her?” she asked. “Yes,” he said. Several members of the team had started to cry.
Sarah Onnen was cradling Tokitaes head in her hands. Over her long tenure at the Seaquarium, shed been present when other cetaceans had died; she knew they often experienced involuntary spasms as their bodies shut down, blindly thrashing or biting. She realized that Tokitae could hurt her without intending to, but Onnen stayed as close as she could, gently caressing the orcas face.
Partica kept moving, climbing toward Tokitaes head, waving his fingers near her eye and searching for a response. Submerged beside Tokitae, Foster did the same, and he saw her focus on him briefly. Then her gaze softened and drifted, and she closed her eyes. Her final breath left her like a whisper: *Shhhhh.*
In the water near Tokitaes pectoral fin, Davis pressed her hand flat against the orcas side, the place where Davis had always loved to feel that massive heart pumping against her palm. She felt it beat for the last time. In the moment that followed, a low roll of thunder echoed through the stadium — “as if the sky received her,” she would recall later — and a soft rain began to fall.
A stillness fell over Tokitae. She lay cradled by the stretcher that was always meant to lift her away from there, toward the escape shed finally been granted, but she had already found her own.
Lummi elder Raynell Morris recalls her shock at hearing of Tokitaes sudden passing after her health had seemed to be improving. (Joshua Carroll/The Washington Post)
Within hours of Tokitaes death, her body was transported to the University of Georgia for a necropsy. The invasive work meant she would need to be cremated, a development that surprised and disturbed the Lummi, who do not cremate their dead and said they had not been consulted. Morris, who had flown to Miami to bring the orcas body home to her tribe for burial, returned to Washington to wait for the weeks-long process to be completed.
In Facebook groups and online forums, thousands of strangers around the world demanded to know *what happened*, as if searching for one discernible cause, a precise target to blame. In October, the [necropsy results](https://friendsoftoki.org/wp-content/uploads/2023/10/Tokitae-Necropsy-Veterinary-Care-Team-Statement.pdf?itid=lk_inline_enhanced-template) would show that Tokitae had died of a convergence of chronic illnesses: pneumonia, inflammation, heart disease and ultimately kidney failure.
This offered a more holistic understanding of her death, the outcome of damage accumulated over many years, until a tipping point was reached. It was a warning and a galvanizing truth: Help came too late for Tokitae, but there were others who still had time.
![](https://img.washingtonpost.com/wp-apps/imrs.php?src=https://arc-anglerfish-washpost-prod-washpost.s3.amazonaws.com/public/7XZT25LIZOAUSXQXWTMCJSZ77M_size-normalized.jpg&high_res=true&w=2048)
Davis visited San Juan Island after Tokitae's death. (Nick Cote for The Washington Post)
In September, Marcia Henton Davis stood on a bluff on San Juan Island, overlooking the Salish Sea. Shed once planned to move there with her husband, to be a permanent part of Tokitaes care team after her relocation to the sea pen; now Davis had come to see Tokitaes home for the first time, the place of her birth and burial.
“I thought she was going to change the world by coming here alive,” Davis said.
Instead, a sense of urgency had followed Tokitaes death, the channeling of communal grief into action. Across the world, people were sharing information about the effort to [breach four dams](https://se-si-le.org/all-our-relations/?itid=lk_inline_enhanced-template) along the Snake River to help restore the population of Chinook salmon. They were making donations to marine conservation organizations. They were writing letters to SeaWorld imploring the marine park to release Corky, a wild-born northern resident orca captured in 1969, [to a sanctuary](https://doublebaysanctuary.org/the-sanctuary/?itid=lk_inline_enhanced-template) off the coast of British Columbia.
Lummi elder Raynell Morris and former trainer Marcia Henton Davis reflect on Tokitaes legacy. (Joshua Carroll/The Washington Post)
“So Toki *is* going to change the world,” Davis said. “I just wish she didnt have to die to do that. But sometimes we humans have to get punched in the face before we take the right action. So maybe this is how she makes a difference.”
Tokitaes circumstances were unique, Vinick said, but her account is both groundbreaking and instructive. An impenetrable wall has historically stood between marine parks and those who are branded as environmentalists — but Tokitae transcended that divide.
“She brought us together in a way that we would not, and have not, come together otherwise,” Vinick said. He hopes such unity will be possible again: The Whale Sanctuary Project is preparing to open a [100-acre ocean sanctuary](https://whalesanctuaryproject.org/the-sanctuary/?itid=lk_inline_enhanced-template) in Nova Scotia as soon as next year, and its already eyeing animals that might be candidates for placement there.
![](https://img.washingtonpost.com/wp-apps/imrs.php?src=https://arc-anglerfish-washpost-prod-washpost.s3.amazonaws.com/public/G7PUEZVHRDX4VF7A7VMDSCYQXE_size-normalized.jpg&high_res=true&w=2048)
Vinick looks toward where Tokitae's sea pen would have been. (Nick Cote for The Washington Post)
Vinick feels this work is now bound to Tokitaes legacy, that her story demonstrates the need to act on behalf of the more than 3,000 cetaceans who remain in captivity worldwide, including approximately 53 orcas. The Whale Sanctuary Projects ultimate goal is for the breeding of captive whales and dolphins to cease, and for the last of them to live out their lives in sanctuaries where they can explore larger spaces, interact with other animals, feel the currents of the tide.
“We cannot move them all. But if we can demonstrate a way to create a sanctuary, others will do the same — and collectively, well be able to do it,” Vinick said. “Is it enough? No. But its probably the best we can do. Did we do enough for Toki? No. But we did the best that we could.”
Southern resident orcas from the J, K and L pods were spotted in the Haro Strait on Aug. 17, 2023. (Center for Whale Research, Permit NMFS 27038)
They began arriving on the afternoon of Aug. 17. Members of all three pods of southern resident orcas made their way into the Haro Strait off the western shore of San Juan Island, dozens of dark bodies surfacing together beneath scattered clouds and the distant Olympic Mountains. It was technically a “near-superpod” — a few of the whales would not arrive in the Salish Sea until days later — and the awed onlookers who watched the orcas greeting and socializing with one another that day did not yet realize the synchronicity, that the gathering was taking place in Tokitaes final hours. Three thousand miles apart from the last survivor of their stolen family, the southern residents came together in the waters where she was born, filling the air with the sound of their voices.
By the following day, when Tokitae died, only a small group of L pod whales remained near the southern shore of the island. Deborah Giles was on the water with them in her research boat, and she watched Ocean Sun — the matriarch who is possibly Tokitaes mother — as she distanced herself from the others, almost as if she were seeking a moment alone.
“Whether they somehow know, even across space or distance, that something is happening, a birth or that an animal is dying … I cant possibly say,” Giles said. “What I *can* say is these animals are smarter than I think we know.” She doesnt gravitate toward the mystical, she said, but neither does she dismiss a sense of possibility. Against the limits of our own understanding, we can only wonder at theirs.
![](https://img.washingtonpost.com/wp-apps/imrs.php?src=https://arc-anglerfish-washpost-prod-washpost.s3.amazonaws.com/public/OR3TMYMTCSA6CNANOMQNEKTO6A_size-normalized.jpg&high_res=true&w=2048)
Morris feels a deep connection to the orcas when she prays by the sea. (Nick Cote for The Washington Post)
Tokitae came home on a chartered jet late in the afternoon on Sept. 20, in a custom-made white cedar box holding her cremated remains, the lid painted with the precise outline of her tail flukes. Before the flight, Morris had brushed the box with sacred cedar boughs, a ritual meant to cleanse away negative energy.
There was still an undercurrent of sorrow, but Morris also felt relief — joy, even — that her relative was finally where she belonged. Of all the orcas who have died in captivity, Tokitae was the first to be returned to an Indigenous tribe; she would be the first to be buried in her rightful home. The Lummi believed Tokitaes spirit had already joined the ancestors, but she would not be whole until her remains were put back in the sea.
“That cultural work in finishing this sacred obligation is everything, to give her the honor and respect that she has earned and deserves as a sacred being,” Morris said, as she sat by the Salish Sea at Cherry Point, a hallowed site near the Lummi reservation where she often comes to pray. “Only then, the healing can begin.”
![](https://img.washingtonpost.com/wp-apps/imrs.php?src=https://arc-anglerfish-washpost-prod-washpost.s3.amazonaws.com/public/TY3DSRAPX5O7OCPOBN2AUWHSSQ_size-normalized.jpg&high_res=true&w=2048)
Indigenous artwork of the orca, or qwelholmechen, meaning “our relations under the waves.” (Nick Cote for The Washington Post)
On the morning of Sept. 23, Morris arrived before dawn at the funeral home in Bellingham where the whales ashes were awaiting the final transport. She draped the box in a black-and-white burial shroud printed with the orcas Indigenous name, laid cedar boughs atop it and whispered softly: “This is your day.”
They left as dawn was breaking, seven members of the Lummi Nation aboard the patrol boat carrying the box of ashes, escorted at a distance by the Coast Guard. The boat paused offshore near the Lummi Stommish Grounds, where other members of the tribe were gathered to pray and bid the orca farewell. At a Lummi burial ceremony, Morris said, it is traditional for pallbearers to lift a casket and rotate it in a circle; it is a gesture of honor, symbolizing a persons final movement upon the earth. The mourners on the shoreline watched as the boat spun slowly on its axis, one last full turn for SkaliChehl-tenaut.
The sun was rising through a cloud-dappled sky as they continued on their way. They traveled for an hour before arriving at the site they had chosen, then stopped and spoke the prayers to welcome their relative home.
When their work was done, Morris unlocked the cremation box and the seven people aboard the boat took turns scooping nearly 300 pounds of fine, dove-gray ash into the sea. They watched as the final essence of the whale vanished in the swells, borne out at last to open water.
![](https://img.washingtonpost.com/wp-apps/imrs.php?src=https://arc-anglerfish-washpost-prod-washpost.s3.amazonaws.com/public/I4GCKBEUN72CJ475GRKQJIKEQQ_size-normalized.jpg&high_res=true&w=2048)
Sunset over the Salish Sea on the day of Tokitae's burial. (Nick Cote for The Washington Post)
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Tag: ["🤵🏻", "🇺🇸", "📸"]
Date: 2023-12-10
DocType: "WebClipping"
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Link: https://downeast.com/our-towns/cape-porpoise-fish-house/
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# This Maine Fish House Is an Icon. But of What, Exactly?
##### By Brian Kevin
Photographed by Benjamin Williamson
Opener mosaic featuring [these Instagram photographers](https://downeast.com/photography/follow-these-42-maine-instagrammers/)
*From our [December 2019 issue](https://downeast.com/issues/december-2019/)*
If youre active on Instagram and you follow Maine-y hashtags like [`#mainelife`](https://www.instagram.com/explore/tags/mainelife/), [`#mainething`](https://www.instagram.com/explore/tags/mainething/), or [`#thewaylifeshouldbe`](https://www.instagram.com/explore/tags/thewaylifeshouldbe/), then you have seen it. If you happen to follow the hashtag specifically for [`#capeporpoise`](https://www.instagram.com/explore/tags/capeporpoise/), then you have seen an awful lot of it, as there have been times this year when photos of it have made up nearly half the top results of the more than 10,000 `#capeporpoise-tagged` images posted to the popular photo-sharing social platform.
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%20360%20540'%3E%3C/svg%3E)
The first time I saw it was last December, when *Down East* staff photographer [Benjamin Williamson](https://www.instagram.com/benjaminwilliamsonphotography/) came back from a photo assignment in Cape Porpoise, the postage-stamp harbor village often described as “the quiet side of Kennebunkport.” It was a natural-shingled, colonial-shedlike structure suspended on stilts over — and perfectly reflected in — the glassy waters of a low-tide Porpoise Cove. Behind it blazed a chorus-of-angels sunrise, with rows of ochre, saffron, and lavender stretching from the waterline up through the clouds. Golden light shone through parallel windows on the buildings longer sides, while a row of lightning rods on the roof seemed to genuflect to the sky. It was the kind of scene that prompts iPhone-toting observers to hashtag their photos [#thewaylifeshouldbe](https://www.instagram.com/explore/tags/thewaylifeshouldbe/). 
“Wow,” I said to Ben. “What is that?”
What I didnt know then was how many people have had a hard time answering that question.
In the year since, Ive talked to a dozen or so Instagrammers whose photos of the place have amassed hundreds of thousands, maybe millions of views, almost none of whom were sure just what they were photographing. Meanwhile, between the two people who know the most about the structure — its owner, who built it, and his neighbor, whose granddad once owned the parcel its built on — there is disagreement and, frankly, bad blood over just what the building is and is not.
Ben theorized it was some kind of “party pad.” In the months that followed, he and I noticed it appearing more regularly in our Instagram feeds, where it was referred to as a “stilt house,” a “barn on the water,” and a “love shack.” Then, as shots of it became even more ubiquitous, Instagram posters took to calling it “the Cape Porpoise fish house,” “the often-photographed fish shack,” or simply, “that building.”
“Im not sure if this is someones home, boathouse, or business (can you imagine what they could charge for a wedding here?),” one Instagrammer wrote [in his caption](https://www.instagram.com/p/B0Qj_gNAAAW/), “but it looks like one of the most peaceful spots in the world to sit out the zombie apocalypse.”
Indeed it does. But Maine is rotten with idyllic-looking places where one might take refuge from the undead. I can think of a magazine thats published photos of them every month for 66 years. This place seemed to come out of nowhere and go startlingly viral. I wanted to know why. So I opened my Instagram app and started sending direct messages.
I met photographer [Robert Dennis](https://www.kportimages.com/) in Cape Porpoise on an unseasonably drizzly day in February, at a restaurant called [Musette](https://downeast.com/guide/musette/). Until three years ago, it was called The Wayfarer, a diner that had been open for 60 years, serving eggs to fishermen in the mornings and a good haddock chowder the rest of the day. Musette still has the chowder — it actually still has The Wayfarers sign, hanging above its lunch counter — but it also has avocado toast and a lobster roll on brioche and overall just feels a bit swankier than the place did a decade or two back. The same can be said about Cape Porpoise as a whole.
A former Boston-area financial advisor, Dennis has lived since 2011 on Langsford Road, a dead-end street overlooking Porpoise Cove and, on the coves far side, the Cape Porpoise municipal pier, where the daily catch of the year-round fishing fleet has been the towns economic lifeblood for most of its 350ish years. These days, tourism gives it a run for its money. Where Langsford Road meets Route 9 — the summer tourism artery — “downtown” Cape Porpoise consists of a 100-year-old former firehouse called Atlantic Hall, a gift shop in a barn, a scatter of restaurants, the fisherman-owned [Nunans Lobster Hut](http://www.nunanslobsterhut.com/), and [Bradbury Brothers Market](https://bradburybros.com/), the villages only source of groceries and primary source of gossip since 1944, as well as its post office.
Dennis started spending summers in the twin seaside vacation towns of Kennebunk and Kennebunkport — and obsessively photographing them — back in the 80s. Hes done a popular Kennebunks coffee-table book, and, since the 1990s, hes been the primary photographer for the regional chamber of commerce. He adores the Bushes and has often photographed (at a distance) their Walkers Point estate, the epicenter of the Kennebunks WASPy prestige. He has no beef with the commercial bustle and summertime tour buses around central Kennebunkports Dock Square, but he always knew that if he moved full-time, hed want to settle 2 miles up the road, in comparatively tranquil Cape Porpoise.
“Im passionately in love with the place,” he told me, “and one of the reasons is because its so beautifully scenic at all seasons of the year and times of day, but also because its so quiet.”
Near as I can tell, Dennis is patient zero for the Instagram virality of the structure that sits basically in his backyard, in a tidal marsh along Langsford Road. His street is dotted with former “fish houses” that the Kennebunks are known for — waterside wooden shacks where fishermen once stowed and mended wooden gear and traps, maybe sold a few lobsters. Dennis has been shooting such shanties for decades, including one that formerly stood on the site of the current Instagram phenomenon. After our lunch at Musette, he sent me some undated photos of it: its shingles were weathered to brownish, its windows boarded and roof slightly bowed — the ugly duckling to the current incarnations swan. It collapsed during a storm in the early 90s.
Most of the towns remaining fish houses are dilapidated or have been converted to other uses — vacation cottages, for instance. Its just one of the changes Dennis has observed through his lens. He goes almost nightly to the pier to shoot the sunset and the lobsterboats, and he says there are fewer of the latter than in his photos from 20 year ago. “I guess lobstermen passed away, or its not economical for them to live here anymore,” he said. “Its no question there are fewer full-time people living here than there used to be.”
A lot of nice new homes have popped up along Langsford Road since the old brownish-shingled fish house collapsed, and some modest older Capes remain, but fishermen dont occupy either of them. “Its all rental people,” Dennis said. “I dont see them more than a couple weeks of the year.” 
So when a local builder named Bob Zuke started erecting a new Langsford Road fish house in 2016, Dennis was intrigued. And once the buildings exterior was completed, he wasted no time getting a sunrise photo. 
Dennis posted his first [Instagram](https://www.instagram.com/portimages/) shot of the Zuke fish house on February 19, 2017, with the caption, “Sunrise this morning!”, followed by a mess of hashtags. By years end, hed posted four more shots of the new structure, most of them with another, converted Langsford Road fish house, a striking red one, in the foreground. His posts the next winter had three times the hearts as his early ones (a heart is the Instagram equivalent of a Facebook “like”), and they were widely shared by accounts like [@newengland\_igers](https://www.instagram.com/newengland_igers/), which has 53,000 Instagram followers, and, well, [@downeastmagazine](https://www.instagram.com/downeastmagazine/), which has 87,000.
> Dennis posted his first Instagram shot of the Zuke fish house on February 19, 2017, with the caption, “Sunrise this morning!”, followed by a mess of hashtags.
This summer, Dennis said, he sometimes stepped out to find four or five people standing off Langsford Road, photographing the Zuke fish house — far fewer than come to visit the lobster shack a few doors down, he points out, but still. Of the Instagrammers I talked to, more than half said they came to Cape Porpoise to shoot the fish house after seeing one of Denniss shots. Many of the rest name-checked someone who then told me *they* had first seen it in Denniss photos. When I told him this, Dennis seemed bewildered. Its “nutty,” he said, to imagine someone driving to Cape Porpoise in the middle of the night just to photograph this fish house at dawn.
“When it first went up, I wasnt a big fan — I didnt think it was all that picturesque. But the more I worked around it, I found there were a lot of creative ways to take a photo,” Dennis said. “When its reflecting in the water, it does present a pretty attractive sight. I guess people think it sort of exemplifies Maine.”
As I would learn, though, not everyone thinks this.
It didnt seem nutty to [Steven Perlmutter](https://www.instagram.com/perlmutterphotography/), of North Andover, Massachusetts, to get up in the dark and drive to Cape Porpoise to shoot the Zuke fish house at sunrise. He did so in March of 2018 after seeing Denniss Instagram posts.
“So many of the iconic locations in Maine have been photographed forever,” he said. “This is one of those more obscure things that, once a few people get wind of it and see a beautiful shot, its like, Hey, cool, I can go do that too, and Ive never photographed it before. Everyone has done Nubble, everyone has done Portland Head Light, everyone has done Jordan Pond, you name it.”
Thats the culture of Instagram, for better or for worse, said [Dave Dostie](https://www.instagram.com/dostiephoto/), of Augusta, who has likewise made the pre-dawn drive — you see a shot you like, you want to try it, maybe put your own spin on it. 
“In the last several months, people have taken to it even more, from what I see,” he said. “As photographers, were not typically drawn to things that have that newish look, but this particular fish house, Ive just seen so many phenomenal photos of it.”
“People do drive down there just to get that shot,” said [Beth Currie](https://www.instagram.com/wheniwas21_/), of Sarnia, Ontario, whos been coming to Kennebunkport seasonally long enough to remember the old structure on the same site. She posted her first pic of the new one last January, with a caption that read, “To me, this fish house looks like its been in this place for years!” It got more Instagram hearts than anything shed ever posted before.
“It looks like that house was put there for the purpose of taking pictures,” said [Isaac Crabtree](https://www.instagram.com/northwoodsaerial/), of Greenville, who made the trip to Cape Porpoise in July to shoot it with his drone. “Its like Portland Head Light — that lighthouse was built for taking pictures. I didnt know the fish house was new when I saw the photos. I thought they must have done some work to it, but in my head, when I saw it, it evoked these older pictures of fish houses on stilts. It was like they built this as the quintessential building, like they were honoring all those old ones people get nostalgic about.”
No one, I suspect, is more delighted to read these comments than Bob Zuke, who, with his wife, Linda, took me out to their fish house one afternoon in September. The tide was high, and there is no boardwalk to access the building — putting one in requires permits the Zukes dont have. I had no boots, so I took off my socks, rolled my jeans to my knees, and squelched in my sneakers through calf-high water to a wooden ladder that reached the fish house door.
“I like my stuff to look old,” Bob declared, as we picked our way through the marsh grasses. “I like to build stuff that could be 100 years old.”
Bob, who is 57, started building stuff professionally when he was 18, starting his own roofing and construction company when he was 22. Before that, as a high school kid in nearby Biddeford, he worked part-time as a sternman on a lobsterboat out of Cape Porpoise Harbor. When the boat would pass the old brownish-shingled structure — ramshackle, then, but still standing — Bob said he would point to it and proclaim out loud, “Im going to own that someday.”
Not that he ever wanted to fish — both his and Lindas families go back generations in Maine, but neither are fishing families. He was, he told me, just “an odd duck” who, even as a kid, was preoccupied with owning real estate and fixing things up. These days, he does plenty of both, and you cant drive for long around the Kennebunks or neighboring Arundel, where the Zukes live, without spotting a sign proclaiming ZUKE in large, blocky white letters on a truck or at a project site.
Bob and Linda welcomed me into the fish house like I was a neighbor dropping by for coffee. Bob is a gregarious, sturdy guy with a crew cut who jokes in a respectable Maine accent about wearing the same white work shirt and Dickies every day. He could be cast as a lovably gruff blue-collar dad in a 50s sitcom. Linda, 53, is equally warm, if quieter than her booming husband. Shes an owner and controller at an auto dealership her father founded, and shes active on boards and committees around the Kennebunks, including as a trustee at the [Kennebunkport Conservation Trust](http://www.kporttrust.org/). (Full disclosure: While chitchatting in the fish house, I learned that Linda has sat on the planning board for a Kennebunks festival that *Down East* has sponsored.)
On the inside, the one-and-a-half-story fish house marries rustic and snazzy much as it does on the outside — its like somebodys upscale summer cottage. The walls are made from weathered fir planks Bob salvaged from a Drakes Island cottage he worked on more than 20 years ago (he has a tendency to hoard such things). The oak trim and flooring were leftovers gifted from a client whose house he worked on more recently. The reupholstered furniture belonged to a cousin. Paintings by local artists — mostly colorful folk-art seascapes — adorn the walls, and a beautifully carved wooden whale hangs from the ceiling of a kitchen area that wouldnt look out of place in a stylish homes magazine (stove-free, as theres wiring and lights but no power unless the Zukes hook up a generator).
“Everything in here comes with a story, most of its salvaged, and it all comes from the state of Maine,” Bob said proudly.
On one side of the open-concept first floor, next to a pair of bay doors, stood a couple of sawhorses next to a workbench scattered with tools. This area, Bob and Linda said, will be the shop for their lobsterman kids to stash and work on their gear. The Zukes have three adult sons, the youngest of whom, Wyatt, is a welder. The older two are fishermen. Julian, 24, started apprenticing with local lobstermen when he was 10 and got his first boat at 14. Joe, 22, is a student at Maine Maritime Academy. When I showed up at the Zukes house that morning, Joe was out front, loading traps into a pickup truck. Julian was fishing offshore, his charts spread all over the dining room table.
![](data:image/svg+xml,%3Csvg%20xmlns='http://www.w3.org/2000/svg'%20viewBox='0%200%201024%20512'%3E%3C/svg%3E)
*Most of the Cape Porpoise fleet fishes year-round.*
Its thanks to his sons that Bob fulfilled his teenage dream of owning the fish house. The Zukes bought the parcel from a lobsterman, Robert OReilly, who had owned it — along with the former building and its post-collapse remnants — since 1986. In 2008, OReilly applied for a building permit from the town of Kennebunkport to build a replacement structure on the site, and the permit was granted, stipulating that any replacement would be limited to water-dependent uses, consistent with Cape Porpoises traditional working waterfront. OReillys attempts at construction started and sputtered, and his permit was renewed twice before being transferred to the Zukes when they bought the property in 2016. They renewed the permit, envisioning a first-class space that Julian and Joe — who, like most of the villages fleet, dont live in Kennebunkport — could use instead of trucking their gear to Arundel or elsewhere. 
“I paid $200,000 for like an eighth of an acre of mud,” Bob said.
“And a permit,” Linda chimed in. 
> “It looks like that house was put there for the purpose of taking pictures. . . . It was like they built this as the quintessential building, like they were honoring all those old ones people get nostalgic about.”
“Everybody thinks its a house weve built out here,” Bob went on, “but its not a residence, and Id never want it to be one.” Hed also never be permitted to build one over coastal wetlands — or, in all likelihood, any other project that wasnt a marine commercial building replacing a marine commercial building.
The Zukes said theyre wading through the permitting process to put in a wharf, so their kids can tie up their boats. In the meantime, Bob said, some neighbors have given him a hard time for putting up a structure that seems, well, a bit elegant for a working building. But even the saltiest lobstermen appreciate a nice place to sit and snack, Bob said. What was he supposed to do, hang sheet metal on the sides and tie a blue tarp to the roof?
“When youre used to doing quality work all the time, its just what you do,” he said.
Both Zukes told me they fear a day when Cape Porpoise loses all its fishing-village character, as they think Langsford Road largely has. They see their fish house — however spiffy, however perched above sensitive marshland — as an effort to restore a piece of it.
“Conservation, to me, is not only about a view or making a path to walk on,” Linda said. “Conservation is about heritage, and its about a way of life.”
Bob worries about a day when Bradbury Brothers, the town market, cant stay open all year for lack of year-round residents. This summer, he went to Stonington, Maines top fishing port by landings, and he told me it reminded him of the Cape Porpoise of his youth.
“Because of all the lobsterboats?” I asked. 
“Because the people there mow their own lawns,” he said.
The Zukes are proud that their boys are among a handful of Cape Porpoise fishermen under 30, but they wonder what those demographics might mean for the future of the fleet. 
“If the commercial fishery were to go away, then what is this?” Bob said, gesturing out the open bay doors at the shore. “Its just going to be a shell, no local color, no local flavor. People will come here just to see the same thing they left.”
They may still come to see the Zuke fish house, of course. Bob and Linda said theyre constantly pulling up on Langsford Road to find someone snapping a photo. Paintings of the building, by local and visiting artists, fill a whole wall of Lindas office at the dealership. “Its just a great compliment to what it is and where it is,” Bob said.
Gary Eaton sees things differently.
Eaton is the Zukes neighbor on Langsford Road. He owns that striking red former fish house that Robert Dennis — and swarms of Instagrammers since — used to frame shots of the Zukes building. And if photographers or painters are drawn to Langsford Road, he told me on the phone, its because of the coves natural beauty, the chain of islands at the harbors mouth, and the white pillar of Goat Island Light silhouetted against the sky — *not* because of the Zuke fish house, which inhibits that view. Eaton, with some other neighbors whove publicly echoed him, thinks it shouldnt have been built and ought to be demolished, and hes spent much of the last two years approaching town committees and officials, state agencies, and newspaper editorial pages to explain why.
Eaton is 64 and grew up on Langsford Road. His granddad moved to the neighborhood from Nova Scotia, fished a while, then started a wholesale lobster business that Eatons dad eventually took over. In his childhood, his grandparents lived two doors down and his aunt and uncle up the street. “It was fishermen and lobstermen and everybody knew everybody,” he said.
He worked summers with his dad and loved being on the water, but he didnt want a life in fishing. So he moved out west in his 20s and has bounced around since, mostly working in the energy industry. He never got back much, but in recent years, hes been spending summers in Cape Porpoise. He and his wife sailed up this year from their home in southwest Florida. Theyve worked on the familys red fish house — “gentrified into a clubhouse,” Eaton joked, with a bar and nautical memorabilia. His 96-year-old mothers house is still a few doors down, but his grandparents place was sold and “McMansioned,” he said, like many other houses on his street. His aunt and uncles house was demolished and replaced with rental units. Eaton said he doesnt know much of anybody on Langsford Road anymore.
He has multiple criticisms of the process that allowed for the Zuke fish house, and these can bog down a bit in legalese. Eaton emailed me a 20-point summary, with many attachments. Concisely, he argues that the town of Kennebunkport violated its own ordinances — first, by repeatedly renewing a building permit for the lobsterman who sold it to the Zukes, and secondly, by renewing that permit when the Zukes bought the land, without review from the towns planning board. (In an emailed response, Kennebunkports director of planning and development essentially wrote that Eaton misreads the ordinances.)
> The whole tenor of the town now and the fabric of it . . . its just a whole different thing now, and I didnt realize how good it was.
Whats more, Eaton insists, the whole narrative of the site once hosting a fish house was ginned up to boost the “working waterfront” cred of permit applications. His grandfather sold the property, structure-less, to a neighbor in the 1920s. The building that went up afterwards, Eaton says, was only ever used for boat storage, never to facilitate lobstering. He has testimonials supporting this. (The Zukes, for their part, point to old postcard images showing what they say is a fish house and wharf on the site before Eatons grandfather owned it. Robert OReilly, who sold them the site, has claimed he used the former building for his lobstering business before its collapse in the early 90s.)
Eaton is aware that his arguments defy quick summary. “If youre just picking pieces from all this,” he told me gingerly, “it can make me look like an utter ass when you piece it together.” 
So for the record, Eaton does not strike me as an utter ass. Or even as some NIMBYite with an axe to grind. Like the Zukes, he laments a loss of cohesion on Langsford Road and around Cape Porpoise — but he sees the permitting of their fish house as a symptom of a heedlessness thats driving it. Atop his more granular misgivings is an overarching one: that what the Zukes really want is a recreational hangout, plush and Instagram-chic, and that their sons — who could get by fine without a fish house, like most every lobsterman — are the “loophole” by which theyre obtaining it. 
“The whole tenor of the town now and the fabric of it, how people interact, its all different,” he told me. “When I come back here — and the Zuke issue is part and parcel of this — its hard for me to accept whats gone on.” He paused. “Its just a whole different thing now,” he said, “and I didnt realize how good it was.”
The Zukes didnt want to talk much about Eaton or others who object to their fish house. What little they had to say was tinged with an old-school Maine skepticism of those whove gone “away” and then come back complaining — Eaton, born and raised in Cape Porpoise, committed the cardinal Maine sin of relinquishing his birthright, his native status.
Their reactions also seemed tinged with hurt. At their home, the morning I visited, the Zukes showed me a photo album with shots of their boys as teens and tweens. (Bob is “not on the computer,” he said — never mind Instagram — so he likes having photos printed in albums.) Linda pointed to an old picture of her sons, just kids, wearing full oil gear and standing on the deck of a fishing boat. 
“There they are,” she said wryly, “our loopholes.’”
Gary Eaton looks at a building over the water and sees a symbol of the forces transforming his community. The Zukes look at the same building and see a symbol of resistance against those forces. I cant say which side is right. I can say that both seem genuine in their love of Cape Porpoise and their hopes for its future, and it saddens me to see them at odds — because all across Maine are towns like Cape Porpoise that need voices as passionate as theirs.
In June, I brought my sons to the Cape Porpoise pier on a Sunday morning to watch the annual Blessing of the Fleet, a centuries-old tradition in maritime communities. We sat cross-legged as a robed Episcopal minister read from Psalms, offered a prayer, then sprinkled water on the pier while relaying his blessing, fishing boats bobbing behind him. 
I took a picture of that last part, and naturally, I posted it to Instagram. I added a caption with a line I liked from the benediction. “For all who draw pleasure from the beauty of the sea,” the minister said, “bring us all to the harbor of light and peace.”
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@ -139,11 +139,11 @@ style: number
- [x] 🥩 Cured meat ✅ 2022-12-31 - [x] 🥩 Cured meat ✅ 2022-12-31
- [x] 🍖 Fresh meat ✅ 2023-11-04 - [x] 🍖 Fresh meat ✅ 2023-11-04
- [x] 🍖 Minced meat ✅ 2023-12-08 - [x] 🍖 Minced meat ✅ 2023-12-15
- [x] 🥓 Bacon ✅ 2023-04-07 - [x] 🥓 Bacon ✅ 2023-04-07
- [x] 🐔 Chicken thighs ✅ 2023-10-07 - [x] 🐔 Chicken thighs ✅ 2023-10-07
- [x] 🐔 Chicken breasts ✅ 2023-12-02 - [x] 🐔 Chicken breasts ✅ 2023-12-15
- [x] 🌭 Spicy sausage ✅ 2023-12-08 - [x] 🌭 Spicy sausage ✅ 2023-12-15
- [x] 🐟 Salmon fillet ✅ 2022-10-29 - [x] 🐟 Salmon fillet ✅ 2022-10-29
&emsp; &emsp;
@ -151,10 +151,10 @@ style: number
#### Bases #### Bases
- [x] 🍝 Pasta ✅ 2023-10-26 - [x] 🍝 Pasta ✅ 2023-10-26
- [x] 🍜 Noodles ✅ 2023-12-08 - [x] 🍜 Noodles ✅ 2023-12-15
- [x] 🌾 Bulgur ✅ 2022-10-29 - [x] 🌾 Bulgur ✅ 2022-10-29
- [x] 🍚 Rice ✅ 2023-11-10 - [x] 🍚 Rice ✅ 2023-11-10
- [x] 🥔 Potatoes ✅ 2023-11-25 - [x] 🥔 Potatoes ✅ 2023-12-15
- [x] 🥣 Soup ✅ 2023-06-12 - [x] 🥣 Soup ✅ 2023-06-12
&emsp; &emsp;
@ -189,7 +189,7 @@ style: number
- [x] 🌿 Bay leaves ✅ 2022-08-05 - [x] 🌿 Bay leaves ✅ 2022-08-05
- [x] 🌿 Oregano ✅ 2022-03-14 - [x] 🌿 Oregano ✅ 2022-03-14
- [x] 🌿 Herbes de Provence ✅ 2022-03-14 - [x] 🌿 Herbes de Provence ✅ 2022-03-14
- [x] 🌿 Coriander ✅ 2023-12-02 - [x] 🌿 Coriander ✅ 2023-12-15
- [x] 🌿 Parsley ✅ 2023-10-08 - [x] 🌿 Parsley ✅ 2023-10-08
- [x] 🌿 Fresh mint ✅ 2023-01-09 - [x] 🌿 Fresh mint ✅ 2023-01-09
@ -198,8 +198,8 @@ style: number
#### Condiments #### Condiments
- [x] 🌭 Mustard ✅ 2022-12-24 - [x] 🌭 Mustard ✅ 2022-12-24
- [x] 🫒 Olive oil ✅ 2023-09-13 - [x] 🫒 Olive oil ✅ 2023-12-14
- [x] 🥑 Avocado oil ✅ 2023-06-15 - [x] 🥑 Avocado oil ✅ 2023-12-14
- [x] 🥗 Vinegar ✅ 2023-01-19 - [x] 🥗 Vinegar ✅ 2023-01-19
- [x] 🥣 Beef broth ✅ 2022-08-05 - [x] 🥣 Beef broth ✅ 2022-08-05
- [x] 🥣 Chicken broth ✅ 2023-04-18 - [x] 🥣 Chicken broth ✅ 2023-04-18
@ -239,7 +239,7 @@ style: number
&emsp; &emsp;
- [x] 🚿 shower gel ✅ 2023-09-13 - [x] 🚿 shower gel ✅ 2023-12-15
- [x] 🧴shampoo ✅ 2023-03-26 - [x] 🧴shampoo ✅ 2023-03-26
- [x] 🪥 toothbrush ✅ 2022-02-06 - [x] 🪥 toothbrush ✅ 2022-02-06
- [x] 🦷 toothpaste ✅ 2023-03-26 - [x] 🦷 toothpaste ✅ 2023-03-26

@ -75,7 +75,8 @@ style: number
- [ ] ♻ [[Household]]: *Paper* recycling collection %%done_del%% 🔁 every 2 weeks on Tuesday 📅 2023-12-19 - [ ] ♻ [[Household]]: *Paper* recycling collection %%done_del%% 🔁 every 2 weeks on Tuesday 📅 2023-12-19
- [x] ♻ [[Household]]: *Paper* recycling collection %%done_del%% 🔁 every 2 weeks on Tuesday 📅 2023-12-05 ✅ 2023-12-05 - [x] ♻ [[Household]]: *Paper* recycling collection %%done_del%% 🔁 every 2 weeks on Tuesday 📅 2023-12-05 ✅ 2023-12-05
- [ ] ♻ [[Household]]: *Cardboard* recycling collection %%done_del%% 🔁 every 2 weeks on Tuesday 📅 2023-12-12 - [ ] ♻ [[Household]]: *Cardboard* recycling collection %%done_del%% 🔁 every 2 weeks on Tuesday 📅 2023-12-26
- [x] ♻ [[Household]]: *Cardboard* recycling collection %%done_del%% 🔁 every 2 weeks on Tuesday 📅 2023-12-12 ✅ 2023-12-12
- [x] ♻ [[Household]]: *Cardboard* recycling collection %%done_del%% 🔁 every 2 weeks on Tuesday 📅 2023-11-28 ✅ 2023-11-28 - [x] ♻ [[Household]]: *Cardboard* recycling collection %%done_del%% 🔁 every 2 weeks on Tuesday 📅 2023-11-28 ✅ 2023-11-28
&emsp; &emsp;
@ -83,7 +84,8 @@ style: number
#### 🏠 House chores #### 🏠 House chores
- [ ] 🛎️ :house: [[Household]]: Pay rent %%done_del%% 🔁 every month on the last 📅 2023-12-31 - [ ] 🛎️ :house: [[Household]]: Pay rent %%done_del%% 🔁 every month on the last 📅 2023-12-31
- [ ] 🛎 🧻 REMINDER [[Household]]: check need for toilet paper %%done_del%% 🔁 every week 📅 2023-12-18 - [ ] 🛎 🧻 REMINDER [[Household]]: check need for toilet paper %%done_del%% 🔁 every week 📅 2023-12-25
- [x] 🛎 🧻 REMINDER [[Household]]: check need for toilet paper %%done_del%% 🔁 every week 📅 2023-12-18 ✅ 2023-12-16
- [x] 🛎 🧻 REMINDER [[Household]]: check need for toilet paper %%done_del%% 🔁 every week 📅 2023-12-11 ✅ 2023-12-08 - [x] 🛎 🧻 REMINDER [[Household]]: check need for toilet paper %%done_del%% 🔁 every week 📅 2023-12-11 ✅ 2023-12-08
- [x] 🛎 🧻 REMINDER [[Household]]: check need for toilet paper %%done_del%% 🔁 every week 📅 2023-12-04 ✅ 2023-12-01 - [x] 🛎 🧻 REMINDER [[Household]]: check need for toilet paper %%done_del%% 🔁 every week 📅 2023-12-04 ✅ 2023-12-01
- [ ] :bed: [[Household]] Change bedsheets %%done_del%% 🔁 every 2 weeks on Saturday 📅 2023-12-23 - [ ] :bed: [[Household]] Change bedsheets %%done_del%% 🔁 every 2 weeks on Saturday 📅 2023-12-23

@ -107,7 +107,7 @@ title: *Rudyard Kipling*, **If**, 1910
&emsp; &emsp;
### Wealth ### Self
&emsp; &emsp;
@ -124,6 +124,27 @@ favicon: https://m.youtube.com/static/favicon.ico
&emsp; &emsp;
---
&emsp;
### Friends
&emsp;
> [!quote] *Martin Luther King*
> > In the End, we will remember not the words of our enemies, but the silence of our friends
&emsp;
---
&emsp;
### Wealth
&emsp;
> [!quote] *Lao Tseu* > [!quote] *Lao Tseu*
> > Celui qui se contente est riche. > > Celui qui se contente est riche.
> >

@ -116,6 +116,7 @@ style: number
- [ ] Metallica - [ ] Metallica
- [ ] Nirvana - [ ] Nirvana
- [ ] Noir Désir - [ ] Noir Désir
- [ ] The Clash - London Calling
&emsp; &emsp;

@ -114,7 +114,8 @@ dv.view("00.01 Admin/dv-views/query_place", {placetype: dv.current().QPType, dat
&emsp; &emsp;
- [ ] :birthday: **Virginie Parent**, [[@@Paris|Paris]] %%done_del%% 🔁 every year 📅 2023-12-12 - [ ] :birthday: **Virginie Parent**, [[@@Paris|Paris]] %%done_del%% 🔁 every year 📅 2024-12-12
- [x] :birthday: **Virginie Parent**, [[@@Paris|Paris]] %%done_del%% 🔁 every year 📅 2023-12-12 ✅ 2023-12-12
- [x] :birthday: **Virginie Parent**, [[@@Paris|Paris]] %%done_del%% 🔁 every year 📅 2022-12-12 ✅ 2022-12-15 - [x] :birthday: **Virginie Parent**, [[@@Paris|Paris]] %%done_del%% 🔁 every year 📅 2022-12-12 ✅ 2022-12-15
&emsp; &emsp;

@ -0,0 +1,125 @@
---
Alias: [""]
Tag: ["🏔️", "🎿", "🇨🇭"]
Date: 2023-12-10
DocType: "Place"
Hierarchy: "NonRoot"
TimeStamp:
location: [47.2847985,8.9963674]
Place:
Type: Sport
SubType: Skiing
Style: Swiss
Location: Zürich
Country: CH
Status: Tested
CollapseMetaTable: true
Phone: "+41 55 284 64 34"
Email: "info@atzmaennig.ch"
Website: "[Rodelbahn, Seilpark, Freizeitpark und Erlebnisweg im Atzmännig im Sommer / Atzmännig](https://www.atzmaennig.ch/)"
---
Parent:: [[@Switzerland|Switzerland]], [[Skiing in Switzerland]]
&emsp;
```dataviewjs
let tempPhone = dv.current().Phone ? dv.current().Phone.replaceAll(" ", "") : '+000'
let tempMail = dv.current().Email ? dv.current().Email : ""
let tempCoorSet = dv.current().location ? dv.current().location : [0,0]
dv.el('center', '[📲](tel:' + tempPhone + ') &emsp; &emsp; [📧](mailto:' + tempMail + ') &emsp; &emsp; [🗺️](' + "https://waze.com/ul?ll=" + tempCoorSet[0] + "%2C" + tempCoorSet[1] + "&navigate=yes" + ')')
```
---
&emsp;
```button
name Save
type command
action Save current file
id Save
```
^button-AtzmaennigGoldingenSave
&emsp;
# Atzmännig Goldingen
&emsp;
> [!summary]+
> Note Description
&emsp;
```toc
style: number
```
&emsp;
---
&emsp;
### 📇 Contact
&emsp;
> [!address] 🗺
> RestTalstation Atzmännig 821
> 8735 Rüeterswil
> Switzerland
&emsp;
☎️ `= this.Phone`
📧 `= this.Email`
🌐 `= this.Website`
&emsp;
---
&emsp;
### 🗒 Notes
&emsp;
[infosnow.ch](http://www.infosnow.ch/~apgmontagne/?tab=web&xid=187&saison=1&lang=de)
&emsp;
| &emsp; | &emsp; |
| --------------------- |:--------------------------:|
| **Day pass** | *35 CHF / 27 CHF (4h)* |
| **Size of domain** | *Small* |
| **Restaurants** | *2* |
| **Time to ZH** | Car: *45m* |
| **Easy car park** | *Yes: Schutt* |
| **Parking for 1 day** | *5 CHF* |
&emsp;
---
&emsp;
### 🔗 Other activity
&emsp;
```dataview
Table DocType as "Doc type" from [[Atzmännig Goldingen]]
where !contains(file.name, "@@Travel")
sort DocType asc
```
&emsp;
&emsp;

@ -74,6 +74,19 @@ style: number
&emsp; &emsp;
### Notes
&emsp;
1. erich Meier
2. Schwarzerbach
&emsp;
---
&emsp;
### Search ### Search
[[#^Top|TOP]] [[#^Top|TOP]]
&emsp; &emsp;

@ -183,7 +183,8 @@ The following Apps require a manual backup:
- [x] :floppy_disk: Backup [[Storage and Syncing#Instructions for FV|Folder Vault]] %%done_del%% 🔁 every 3 months on the 1st Friday 📅 2023-10-06 ✅ 2023-10-06 - [x] :floppy_disk: Backup [[Storage and Syncing#Instructions for FV|Folder Vault]] %%done_del%% 🔁 every 3 months on the 1st Friday 📅 2023-10-06 ✅ 2023-10-06
- [x] :floppy_disk: Backup [[Storage and Syncing#Instructions for FV|Folder Vault]] %%done_del%% 🔁 every 3 months on the 1st Friday 📅 2023-07-07 ✅ 2023-07-07 - [x] :floppy_disk: Backup [[Storage and Syncing#Instructions for FV|Folder Vault]] %%done_del%% 🔁 every 3 months on the 1st Friday 📅 2023-07-07 ✅ 2023-07-07
- [x] :floppy_disk: Backup [[Storage and Syncing#Instructions for FV|Folder Vault]] %%done_del%% 🔁 every 3 months on the 1st Friday 📅 2023-04-07 ✅ 2023-04-06 - [x] :floppy_disk: Backup [[Storage and Syncing#Instructions for FV|Folder Vault]] %%done_del%% 🔁 every 3 months on the 1st Friday 📅 2023-04-07 ✅ 2023-04-06
- [ ] :cloud: [[Storage and Syncing|Storage & Sync]]: Backup Volumes to [[Sync|Sync.com]] %%done_del%% 🔁 every 3 months on the 2nd Monday 📅 2023-12-11 - [ ] :cloud: [[Storage and Syncing|Storage & Sync]]: Backup Volumes to [[Sync|Sync.com]] %%done_del%% 🔁 every 3 months on the 2nd Monday 📅 2024-03-11
- [x] :cloud: [[Storage and Syncing|Storage & Sync]]: Backup Volumes to [[Sync|Sync.com]] %%done_del%% 🔁 every 3 months on the 2nd Monday 📅 2023-12-11 ✅ 2023-12-16
- [x] :cloud: [[Storage and Syncing|Storage & Sync]]: Backup Volumes to [[Sync|Sync.com]] %%done_del%% 🔁 every 3 months on the 2nd Monday 📅 2023-09-11 ✅ 2023-09-11 - [x] :cloud: [[Storage and Syncing|Storage & Sync]]: Backup Volumes to [[Sync|Sync.com]] %%done_del%% 🔁 every 3 months on the 2nd Monday 📅 2023-09-11 ✅ 2023-09-11
- [x] :cloud: [[Storage and Syncing|Storage & Sync]]: Backup Volumes to [[Sync|Sync.com]] %%done_del%% 🔁 every 3 months on the 2nd Monday 📅 2023-06-12 ✅ 2023-06-12 - [x] :cloud: [[Storage and Syncing|Storage & Sync]]: Backup Volumes to [[Sync|Sync.com]] %%done_del%% 🔁 every 3 months on the 2nd Monday 📅 2023-06-12 ✅ 2023-06-12
- [ ] :camera: [[Storage and Syncing|Storage & Sync]]: Transfer pictures to ED %%done_del%% 🔁 every 3 months on the 2nd Thursday 📅 2024-01-11 - [ ] :camera: [[Storage and Syncing|Storage & Sync]]: Transfer pictures to ED %%done_del%% 🔁 every 3 months on the 2nd Thursday 📅 2024-01-11

@ -237,7 +237,8 @@ sudo bash /etc/addip4ban/addip4ban.sh
#### Ban List Tasks #### Ban List Tasks
- [ ] 🖥 [[Selfhosting]], [[Configuring UFW|Firewall]] Get IP addresses caught by Postfix %%done_del%% 🔁 every week on Saturday 📅 2023-12-16 - [ ] 🖥 [[Selfhosting]], [[Configuring UFW|Firewall]] Get IP addresses caught by Postfix %%done_del%% 🔁 every week on Saturday 📅 2023-12-23
- [x] 🖥 [[Selfhosting]], [[Configuring UFW|Firewall]] Get IP addresses caught by Postfix %%done_del%% 🔁 every week on Saturday 📅 2023-12-16 ✅ 2023-12-16
- [x] 🖥 [[Selfhosting]], [[Configuring UFW|Firewall]] Get IP addresses caught by Postfix %%done_del%% 🔁 every week on Saturday 📅 2023-12-09 ✅ 2023-12-08 - [x] 🖥 [[Selfhosting]], [[Configuring UFW|Firewall]] Get IP addresses caught by Postfix %%done_del%% 🔁 every week on Saturday 📅 2023-12-09 ✅ 2023-12-08
- [x] 🖥 [[Selfhosting]], [[Configuring UFW|Firewall]] Get IP addresses caught by Postfix %%done_del%% 🔁 every week on Saturday 📅 2023-12-02 ✅ 2023-12-01 - [x] 🖥 [[Selfhosting]], [[Configuring UFW|Firewall]] Get IP addresses caught by Postfix %%done_del%% 🔁 every week on Saturday 📅 2023-12-02 ✅ 2023-12-01
- [x] 🖥 [[Selfhosting]], [[Configuring UFW|Firewall]] Get IP addresses caught by Postfix %%done_del%% 🔁 every week on Saturday 📅 2023-11-25 ✅ 2023-11-24 - [x] 🖥 [[Selfhosting]], [[Configuring UFW|Firewall]] Get IP addresses caught by Postfix %%done_del%% 🔁 every week on Saturday 📅 2023-11-25 ✅ 2023-11-24
@ -285,7 +286,8 @@ sudo bash /etc/addip4ban/addip4ban.sh
- [x] 🖥 [[Selfhosting]], [[Configuring UFW|Firewall]] Get IP addresses caught by Postfix %%done_del%% 🔁 every week on Saturday 📅 2023-08-12 ✅ 2023-08-07 - [x] 🖥 [[Selfhosting]], [[Configuring UFW|Firewall]] Get IP addresses caught by Postfix %%done_del%% 🔁 every week on Saturday 📅 2023-08-12 ✅ 2023-08-07
- [x] 🖥 [[Selfhosting]], [[Configuring UFW|Firewall]] Get IP addresses caught by Postfix %%done_del%% 🔁 every week on Saturday 📅 2023-08-05 ✅ 2023-08-05 - [x] 🖥 [[Selfhosting]], [[Configuring UFW|Firewall]] Get IP addresses caught by Postfix %%done_del%% 🔁 every week on Saturday 📅 2023-08-05 ✅ 2023-08-05
- [x] 🖥 [[Selfhosting]], [[Configuring UFW|Firewall]] Get IP addresses caught by Postfix %%done_del%% 🔁 every week on Saturday 📅 2023-07-29 ✅ 2023-08-04 - [x] 🖥 [[Selfhosting]], [[Configuring UFW|Firewall]] Get IP addresses caught by Postfix %%done_del%% 🔁 every week on Saturday 📅 2023-07-29 ✅ 2023-08-04
- [ ] 🖥 [[Selfhosting]], [[Configuring UFW|Firewall]]: Update the Blocked IP list %%done_del%% 🔁 every month on Saturday 📅 2023-12-16 - [ ] 🖥 [[Selfhosting]], [[Configuring UFW|Firewall]]: Update the Blocked IP list %%done_del%% 🔁 every month on Saturday 📅 2023-12-23
- [x] 🖥 [[Selfhosting]], [[Configuring UFW|Firewall]]: Update the Blocked IP list %%done_del%% 🔁 every month on Saturday 📅 2023-12-16 ✅ 2023-12-16
- [x] 🖥 [[Selfhosting]], [[Configuring UFW|Firewall]]: Update the Blocked IP list %%done_del%% 🔁 every month on Saturday 📅 2023-12-09 ✅ 2023-12-08 - [x] 🖥 [[Selfhosting]], [[Configuring UFW|Firewall]]: Update the Blocked IP list %%done_del%% 🔁 every month on Saturday 📅 2023-12-09 ✅ 2023-12-08
- [x] 🖥 [[Selfhosting]], [[Configuring UFW|Firewall]]: Update the Blocked IP list %%done_del%% 🔁 every month on Saturday 📅 2023-12-02 ✅ 2023-12-01 - [x] 🖥 [[Selfhosting]], [[Configuring UFW|Firewall]]: Update the Blocked IP list %%done_del%% 🔁 every month on Saturday 📅 2023-12-02 ✅ 2023-12-01
- [x] 🖥 [[Selfhosting]], [[Configuring UFW|Firewall]]: Update the Blocked IP list %%done_del%% 🔁 every month on Saturday 📅 2023-11-25 ✅ 2023-11-24 - [x] 🖥 [[Selfhosting]], [[Configuring UFW|Firewall]]: Update the Blocked IP list %%done_del%% 🔁 every month on Saturday 📅 2023-11-25 ✅ 2023-11-24

@ -83,7 +83,8 @@ All tasks and to-dos Crypto-related.
- [x] :ballot_box: [[Crypto Tasks]]: Vote for [[EOS]] block producers %%done_del%% 🔁 every month on the 1st Tuesday 📅 2023-03-07 ✅ 2023-03-07 - [x] :ballot_box: [[Crypto Tasks]]: Vote for [[EOS]] block producers %%done_del%% 🔁 every month on the 1st Tuesday 📅 2023-03-07 ✅ 2023-03-07
- [x] :ballot_box: [[Crypto Tasks]]: Vote for [[EOS]] block producers %%done_del%% 🔁 every month on the 1st Tuesday 📅 2023-02-07 ✅ 2023-02-06 - [x] :ballot_box: [[Crypto Tasks]]: Vote for [[EOS]] block producers %%done_del%% 🔁 every month on the 1st Tuesday 📅 2023-02-07 ✅ 2023-02-06
- [x] :ballot_box: [[Crypto Tasks]]: Vote for [[EOS]] block producers %%done_del%% 🔁 every month on the 1st Tuesday 📅 2023-01-03 ✅ 2023-01-03 - [x] :ballot_box: [[Crypto Tasks]]: Vote for [[EOS]] block producers %%done_del%% 🔁 every month on the 1st Tuesday 📅 2023-01-03 ✅ 2023-01-03
- [ ] :chart: Check [[Nimbus]] earnings %%done_del%% 🔁 every month on the 2nd Monday 📅 2023-12-11 - [ ] :chart: Check [[Nimbus]] earnings %%done_del%% 🔁 every month on the 2nd Monday 📅 2024-01-08
- [x] :chart: Check [[Nimbus]] earnings %%done_del%% 🔁 every month on the 2nd Monday 📅 2023-12-11 ✅ 2023-12-11
- [x] :chart: Check [[Nimbus]] earnings %%done_del%% 🔁 every month on the 2nd Monday 📅 2023-11-13 ✅ 2023-11-10 - [x] :chart: Check [[Nimbus]] earnings %%done_del%% 🔁 every month on the 2nd Monday 📅 2023-11-13 ✅ 2023-11-10
- [x] :chart: Check [[Nimbus]] earnings %%done_del%% 🔁 every month on the 2nd Monday 📅 2023-10-09 ✅ 2023-10-09 - [x] :chart: Check [[Nimbus]] earnings %%done_del%% 🔁 every month on the 2nd Monday 📅 2023-10-09 ✅ 2023-10-09
- [x] :chart: Check [[Nimbus]] earnings %%done_del%% 🔁 every month on the 2nd Monday 📅 2023-09-11 ✅ 2023-09-11 - [x] :chart: Check [[Nimbus]] earnings %%done_del%% 🔁 every month on the 2nd Monday 📅 2023-09-11 ✅ 2023-09-11

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